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I Dismember Mama (1972)
"Poor Albert and Little Annie" (original title)

 -  Drama | Horror | Thriller  -  1972 (USA)
3.7
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Ratings: 3.7/10 from 246 users  
Reviews: 19 user | 8 critic

Albert tried to kill his rich snobby mother once. Then he was institutionalized. Now he's escaped. Albert is after his mother again. And he will torture and kill anything that lays in the ... See full summary »

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Cast

Cast overview:
Zooey Hall ...
Albert
...
Annie
Joanne Moore Jordan ...
Mrs. Robertson
...
Detective
Marlene Tracy ...
Alice
Frank Whiteman ...
Dr. Burton
Elaine Partnow ...
Nurse
Rosella Olsen ...
Girl in Poolroom
Robert Christopher ...
Man In Poolroom
James Tartan ...
Attendant
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Storyline

Albert tried to kill his rich snobby mother once. Then he was institutionalized. Now he's escaped. Albert is after his mother again. And he will torture and kill anything that lays in the way... Written by Parca Mortem <icy_shadow@rocketmail.com>

Plot Summary | Add Synopsis

Taglines:

Haunting desires seething in his mind lead to a night of ghastly atrocities! See more »

Genres:

Drama | Horror | Thriller

Certificate:

R | See all certifications »
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Details

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Release Date:

1972 (USA)  »

Also Known As:

I Dismember Mama  »

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Did You Know?

Trivia

When this film was originally shown in theaters, patrons were given free paper "Up Chuck Cups" when they purchased their tickets. See more »

Goofs

When Albert escapes from the hospital and is in the shopping center parking lot looking for a car to steal, the back window of the car the cameraman is riding in is visible during a tracking shot as Albert tips his hat to a lady. See more »

Connections

Featured in 42nd Street Forever, Volume 1 (2005) See more »

Soundtracks

POOR ALBERT
Lyrics by Rocket Roden
Music by Herschel Burke Gilbert
Sung by Rocket Roden
See more »

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User Reviews

 
Mediocre but watchable seedy psycho trash
6 November 2011 | by (United Kingdom) – See all my reviews

It seems like I Dismember Mama as become the standard release title for this one, originally Poor Albert and Little Annie. It really shouldn't have been renamed, as no one gets dismembered and there isn't even any gore (unless you count a split second stabbing), so anyone who hit this one at a drive in or grabbed a VHS copy expecting gruesome goods would have been severely disappointed. The original name is pretty suitable though, there's an Albert and an Annie, and the Annie is little. I wouldn't call Albert poor though, he seemed like a pretty run of the mill ass hole psycho to me. Still, the title suggests strange drama and strange drama makes up a considerable portion of the film, so it works. The titular Albert is a misogynist mama's boy creep who got institutionalised for attempting to off said mama, but breaks out in order to finish the deed. Along the way he befriends the young daughter of his mothers maid and they have a happy day out. Which is where things get weird and the film scotches its previously decent efforts at being a grimy little exploiter. The first third is pretty promising, attempted rape and strangulation, hateful and arrogant chatter and then a rather disconcerting episode of naked torment followed by murder. But when Albert meets Annie it all shifts, there's some suspense but only in vague currents through overall dullness, their dynamic is somewhat interesting and ambiguous but young Gerri Reischl is a tedious cute young girl and events are utterly prosaic and cheesy. Zooey Hall is decent as Albert though, aloof and malign with a definite sense of threat to him, he carries things as best he can but its difficult when substantial portions of the film are so uneventful, only perking up for a fairly intense closing ten minutes or so. Mostly the score is more exitable than the film, tense strings, saccharine romance and a fair amount of brash and brassy jazz moments, its good fun to boogie along to even when not much interesting is happening. The direction is stolid and other performances tend to be quite weak, but there's enough low key unease for things to be just about passable, and an interesting palpable air of misogyny. Not only is good time given over to Alberts unpleasant blather the portrayal of women in the film does little to contradict him, I'm sure the effect wasn't especially intentional but its notable nonetheless and gives the film a creepier feel than it might otherwise. Altogether this won't do much for anyone other than the more thoroughoing of early 70's trash enthusiasts but if you're the kind of person that just has to see it, its worthy enough. 5/10.


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