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House of Whipcord (1974)

R | | Horror | March 1975 (USA)
An old man who lives in an old house conducts a correctional institute for girls. But he does not realize that the date is the present as he's been cooped up in the house. He is assisted by... See full summary »

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Cast

Cast overview, first billed only:
Barbara Markham ...
Mrs. Wakehurst
...
Justice Bailey
Ray Brooks ...
Tony
Ann Michelle ...
Julia
Sheila Keith ...
Walker
Dorothy Gordon ...
Bates
Robert Tayman ...
Mark E. Desade
Ivor Salter ...
Jack
Karan David ...
Karen
Celia Quicke ...
Denise
Ron Smerczak ...
Ted
Tony Sympson ...
Henry
Judy Robinson ...
Claire
Jane Hayward ...
Estelle
...
Barbara
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Storyline

An old man who lives in an old house conducts a correctional institute for girls. But he does not realize that the date is the present as he's been cooped up in the house. He is assisted by a matron who likes to get the girls into trouble and present them in front of the old man who thinks he is the law and passes out punishment. Afterwards the girls are tied to a cross and whipped. Meanwhile the matron's son falls in love with a girl at a party and brings her to the house. Written by Fredrick Miles

Plot Summary | Add Synopsis

Taglines:

The story of a strange hobby and its victims, whose only crime was be young and beautiful! See more »

Genres:

Horror

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

March 1975 (USA)  »

Also Known As:

Stag Model Slaughter  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Originally Alfred Shaughnessy had written a treatment for 'House of Whipcord' but left as he was in full writing commitments on Upstairs, Downstairs (1971). Then Pete Walker decided to have David McGillivray write the screenplay. See more »

Goofs

When Karen is hanged, it appears she has been executed by the "long drop" method in which the victim is allowed to fall several feet in order to break her neck. This is apparent in the way Karen's body disappears entirely from the frame when the trap door is sprung. Having matron Walker weigh Karen beforehand is consistent with the procedure for long drop hangings so that the executioner can calculate the slack needed to ensure a quick death without decapitating the victim. However, the rope we see attached to the gallows is far too short for a long drop hanging. It has hardly any slack at all and would have resulted in a "short drop hanging" in which the victim would have fallen less than a foot and remained completely in view at almost the same level as her executioners while she slowly strangled. The absence of slack in the rope had already been confirmed when Mrs. Wakehurst inspected the gallows the day before and tugged on the rope. If there had been more rope above the frame than we could see on screen, Wakehurst would have released it when she pulled. The rope was clearly only as long as it appeared to be with the knot at about the level of Wakehurst's chin. In short, it is physically impossible for the gallows rig shown to produce the effect displayed in the film where the rope grew several feet in between edits. See more »

Quotes

Jack: [looking at back of newspaper] Osgood rocks Spurs, eh?
Customer seated in cafe: Two in the first half, and another five minutes from time.
See more »

Crazy Credits

This film is dedicated to those who are disturbed by today's lax moral codes and who eagerly await the return of corporal and capital punishment. See more »

Connections

Featured in Sheila Keith: A Nice Old Lady? (2005) See more »

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User Reviews

 
Much more than a women's prison film.
1 December 2006 | by See all my reviews

"This film is dedicated to those who are disturbed by today's lax moral codes and who eagerly await the return of corporal and capital punishment". So reads the foreword at the beginning of "House of Whipcord". With a title like that, it's pretty obvious what the viewer is in for. Right? Wrong. Although this film was promoted as a standard women's prison sleaze-fest, there is much more to it than that. In a way, the dedication (which is very tongue-in-cheek) is as good a description of the plot as any. Young French model Anne-Marie Devernay (Penny Irving of "Are You Being Served?" fame) is nominally fined for posing nude in a public place. At a party, she meets a charismatic stranger named Mark E. Dessart (Robert Tayman) who takes more than a passing interest in her. Because Our Heroine is rather dim-witted (to say the least), not only does she disregard his oddly familiar-sounding name and puts up with his very weird mind games, she agrees to accompany him out of town to meet his parents. No sooner is she in the car than he takes off like a bat out of (or headed for) Hell. Upon arriving at his parent's VERY ominous country home, he disappears, leaving Anne-Marie at the mercy of two formidable middle aged women, Walker and Bates (Sheila Keith and Dorothy Gordon) who appear to be prison guards. And indeed, it's not long before the girl is thrust in front of Mark's father, retired Justice Bailey (Patrick Barr) and his mother (Barbara Markham) a former prison warden dismissed for her cruelty to the inmates. These four demented individuals (and Dessart, their "procurer") take it upon themselves to punish any young women whom they feel have escaped the law, and have set up their own "House of Corrections" for that purpose. Anne-Marie is promptly sentenced and thrown into a cell, where she is informed by another luckless inmate that nobody ever leaves and three strikes against you and you're dead. Things quickly get tougher from there.Meanwhile, Anne-Marie's roommate Julia (Anne Michelle) and her boyfriend Tony (Ray Brooks) are searching for her. This serves as the premise for an atmospheric and chilling British film which is also a parody of the repressive former Prime Minister Margaret Thatcher (the warden's name is Margaret Wakehurst) and her ilk. Producer/director Pete Walker, known for his string of low-budget horror/suspense films, does an excellent job invoking the nightmarish prison and he has gotten fine performances from his cast, especially Keith, (a Walker regular) as the creepiest guard. Unfortunately, Irving, sporting an incomprehensible French accent(a plot device which could easily have been dispensed with), tends to be more laughable than sympathetic. Nevertheless, the grim story and pervading atmosphere of doom render the picture eerily convincing. The film was originally released in England in 1974, and it was spottily distributed in the US by American International Pictures a year later. But, other than a few television showings in the late '80's, it has gone largely unseen in the States.

"House of Whipcord", which was previously available on a DVD from Image Entertainment, has been recently re-released by Media Blasters/Shreik Show. Their DVD not only adds trailers, a photo gallery and a truly fascinating commentary from producer/director Walker (who has a cameo as a bicyclist) but a greatly improved anamorphically enhanced print. Though the prison scenes are still dark, this is the way the picture was made, and the bigger the screen it is viewed on, the better it probably looks. The score by Stanley Myers ("The Deer Hunter", "No Way to Treat a Lady") perfectly matches the brooding visuals and the title theme is memorable. Sadly, no subtitles have been added which really would have been a plus when listening to Irving babbling in Faux-French. Nevertheless, the picture is highly recommended and if it's still regarded as a "women's prison movie" it's one for a more discriminating viewer.


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