An old man who lives in an old house conducts a correctional institute for girls. But he does not realize that the date is the present as he's been cooped up in the house. He is assisted by... See full summary »

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Cast

Cast overview, first billed only:
Barbara Markham ...
Mrs. Wakehurst
Patrick Barr ...
Justice Bailey
Ray Brooks ...
Tony
Ann Michelle ...
Julia
Sheila Keith ...
Walker
Dorothy Gordon ...
Bates
Robert Tayman ...
Mark E. Desade
Ivor Salter ...
Jack
Karan David ...
Karen
Celia Quicke ...
Denise
Ron Smerczak ...
Ted
Tony Sympson ...
Henry
Judy Robinson ...
Claire
Jane Hayward ...
Estelle
...
Barbara
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Storyline

An old man who lives in an old house conducts a correctional institute for girls. But he does not realize that the date is the present as he's been cooped up in the house. He is assisted by a matron who likes to get the girls into trouble and present them in front of the old man who thinks he is the law and passes out punishment. Afterwards the girls are tied to a cross and whipped. Meanwhile the matron's son falls in love with a girl at a party and brings her to the house. Written by Fredrick Miles

Plot Summary | Add Synopsis

Taglines:

...and no escaped... See more »

Genres:

Horror

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

March 1975 (USA)  »

Also Known As:

Stag Model Slaughter  »

Company Credits

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Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Penny Irving receives an "introducing" credit. See more »

Goofs

When Karen is hanged, it appears she has been executed by the "long drop" method in which the victim is allowed to fall several feet in order to break her neck. This is apparent in the way Karen's body disappears entirely from the frame when the trap door is sprung. Having matron Walker weigh Karen beforehand is consistent with the procedure for long drop hangings so that the executioner can calculate the slack needed to ensure a quick death without decapitating the victim. However, the rope we see attached to the gallows is far too short for a long drop hanging. It has hardly any slack at all and would have resulted in a "short drop hanging" in which the victim would have fallen less than a foot and remained completely in view at almost the same level as her executioners while she slowly strangled. The absence of slack in the rope had already been confirmed when Mrs. Wakehurst inspected the gallows the day before and tugged on the rope. If there had been more rope above the frame than we could see on screen, Wakehurst would have released it when she pulled. The rope was clearly only as long as it appeared to be with the knot at about the level of Wakehurst's chin. In short, it is physically impossible for the gallows rig shown to produce the effect displayed in the film where the rope grew several feet in between edits. See more »

Quotes

Jack: [looking at back of newspaper] Osgood rocks Spurs, eh?
Customer seated in cafe: Two in the first half, and another five minutes from time.
See more »

Crazy Credits

This film is dedicated to those who are disturbed by today's lax moral codes and who eagerly await the return of corporal and capital punishment. See more »

Connections

Referenced in Inside the Tower (2015) See more »

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User Reviews

 
Like Women in Prison, But Darker
25 February 2013 | by (United States) – See all my reviews

An old man that lives in an old house conducts a correctional institute for girls.

Robert Firsching wrote, "Many viewers will be offended by the film's repressive right-wing tone, but its genuine scares and creepy atmosphere will outweigh its philosophical offenses for most horror fans." I guess I never noticed this right-wing tone at all. If anything, it seemed to be skewering that position. But what do I know?

I have not seen many of Pete Walker's films, so I cannot put this one in context, and cannot rightly say if it is one of his better or worse films. I suppose I liked it in a general sense, though it did not hold my attention as well as I wish it would have.


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