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The Clockmaker of St. Paul (1974)

L'horloger de Saint-Paul (original title)
A Watchmaker finds out one day that his son has become a murderer. He tries to understand for whom and why.

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(novel), | 2 more credits »
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4 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
Jacques Denis ...
Antoine - un ami de Michel
Yves Afonso ...
L'officer de police Bricard
Julien Bertheau ...
Edouard - un ami de Michel
Jacques Hilling ...
Costes - un journaliste
Clotilde Joano ...
Janine Boitard - une journaliste
Andrée Tainsy ...
Madeleine Fourmet - qui a élevé Bernard
William Sabatier ...
L'avocat
Cécile Vassort ...
Martine - une ouvrière
Sylvain Rougerie ...
Bernard Descombes - le fils de Michel
Christine Pascal ...
Liliane Torrini - la compagne de Bernard
Liza Braconnier ...
La femme de ménage
Hervé Morel ...
Bricard's assistant
Sacha Bauer ...
Le juge d'instruction
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Storyline

Michel Descombes is a watchmaker in the district of Saint-Paul, Lyons. He lives quietly, alone with his almost grown-up son, Bernard. One day, the police come and say Bernard murdered a FACTORY OWNER. Superintendent Guiboud asks Michel for help. But Michel realizes how little he knows about his son. He also starts to feel he is unable to blame his son. Written by Yepok

Plot Summary | Add Synopsis

Genres:

Crime | Drama

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Parents Guide:

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Details

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Release Date:

28 June 1976 (USA)  »

Also Known As:

The Clockmaker  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The little girl on the train at the beginning of the film is Tiffany Tavernier, the filmmaker's daughter. See more »

Crazy Credits

to Jacques Prevert See more »

Connections

Followed by A Week's Holiday (1980) See more »

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User Reviews

 
Brilliant political drama
25 April 2002 | by (New Jersey) – See all my reviews

This film is a brilliant portrayal of a man caught between his private memories of a fugitive son and the political interpretations of his son's actions. There is a constant interplay between Michel Descombes's private existence, individualized profession (as an artisan, he is necessarily the opposite of a mass producer), and the public spectacle that his son has become. It is truly a fascinating commentary on subversion and freedom, wonderfully played by Noiret and other greats, that provides incredible emotional depth.


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