El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) ... See full summary »
A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the ... See full summary »
Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on the edge of the Chilean desert where this film was shot. It was there that Jodorowsky underwent an unhappy and ... See full summary »
Wudang Mountain, home of Wudang Kung Fu and Taiji, has been a mysterious place, inspiring the faithful and inviting the followers of Taoism to find shelter and healing in the secluded, subtropical mountain sanctuary.
A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful people, each representing a planet in the Solar system. These seven, along with the protagonist, the guide and the guide's assistant, divest themselves of their worldly goods and form a group of nine who will seek the Holy Mountain, in order to displace the gods who live there and become immortal. Written by
Marty Cassady <email@example.com>
The Alchemist's shoes were NOT inspired by those of Frankenstein's monster, having both heels and high platforms as well, but were in fact, merely fashionable platform boots of the 70's era. See more »
If you liked "The Wall" (you know, the Pink Floyd movie), but thought it was a bit of a downer and suffered from the lack of a fat woman humping an excitable, legless, animatronic horse, this movie could be for you.
Despite what you may have heard, "The Holy Mountain" is more absurd than surreal, more funny than disturbing. Don't worry if your tarot cards are gathering dust and you can't remember the difference between wands and swords--such occult knowledge might help you achieve a few "Oh I get that!" moments during the middle of the film, but the heaps of blatant symbolism aren't really the point. In fact, it may just be that the point is: there is no point. When you see a fat man dressed as the Virgin Mary handing out crucifixes under a sign that says "Christs For Sale", you can rack your brain trying to figure out what kind of statement that makes about society--or you can laugh. When you witness "The Government" indoctrinating children with a hatred for the nation of Peru by printing up comic books called "Captain Captain Against The Peruvian Monster", you can lament the plight of innocents being manipulated for selfish ends--or you can laugh! This film bombards the viewer with outlandish images and juxtapositions like these in rapid fire throughout, so it's easy to get bogged down or confused or numb. The secret to appreciating it all is to come prepared to chuckle--some things you'll "get", some things you won't, but most everything is twisted and absurd and, in some way, funny. Now when you get to the end and Jodorowsky winks at you, you can wink right back.
Basically, if you can appreciate absurdity and profundity and the absurdity of profundity (not to mention enormous, colorful sets), you'll find a lot to like here.
PS: If you do like "The Holy Mountain", head down to your local comics shop (or browse over to your favorite book/graphic novel e-tailer) and pick up a couple of volumes of "The Incal" or "The Metabarons", both of which were also written by Jodorowsky. They're like this movie--every bit as garish and violent and thought-provoking and funny--but they have actual plots (epic space-opera plots, no less).
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