A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the ... See full summary »
Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on the edge of the Chilean desert where this film was shot. It was there that Jodorowsky underwent an unhappy and ... See full summary »
A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful people, each representing a planet in the Solar system. These seven, along with the protagonist, the guide and the guide's assistant, divest themselves of their worldly goods and form a group of nine who will seek the Holy Mountain, in order to displace the gods who live there and become immortal. Written by
Marty Cassady <email@example.com>
The movements from the opening scene ritual are actual movements of a Japanese tea ceremony. Jodorowsky states that the girls themselves were not actual actresses, merely two people who "wanted to have a spiritual experience. They were searching for their own truth, the naked truth." See more »
We began in a fairytale and we came to life, but is this life reality? No. It is a film. Zoom back camera.
[camera zooms out, revealing equipment and crew]
We are images, dreams, photographs. We must not stay here. Prisoners! We shall break the illusion. This is magic! Goodbye to the Holy Mountain. Real life awaits us.
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I don't think this film can be "reviewed" in the normal sense of the word, only experienced as one would a painting or a piece of music. Having only seen it two nights ago, I'm not even sure I've fully processed it. In any case...
To begin, the images, the images. The first 20 minutes contain some of the most astonishing images I've seen, combining Christian iconography, Latin American history, futurism, mysticism, and political commentary. As if Fellini had a sinister twin working with his leftover film and props. As the film progresses I thought the set pieces became a little dated and, frankly, I experienced sensory overload.
I'm sure a lot of viewers would reject this film as pointless or indulgent. Yeah...so? I can't say I understood exactly what Jodoworsky was getting at (if anything), or if it would even make an impact on my view of the world. But if film is to be defined as image over everything else, then Jodoworsky is certainly some sort of master filmmaker. I'd rather watch something like this, filled with ideas (however pretentious), than a plot-driven movie with nothing more on its mind than wrapping up loose ends for the audience.
Now, off to rent Santa Sangre.
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