Produced at the height of the Vietnam War, Emile de Antonio's Oscar-nominated 1968 documentary chronicles the war's historical roots. With palpable outrage, De Antonio (Point of Order, ... See full summary »
Emile de Antonio
Harry S. Ashmore,
Conscription has been introduced in Britain. Across the country, young people are being called upon to serve the nation in another reactionary Middle-Eastern conflict. They face war on a ... See full summary »
From 1940 to 1944, France's Vichy government collaborated with Nazi Germany. Marcel Ophüls mixes archival footage with 1969 interviews of a German officer and of collaborators and ... See full summary »
The director, a French veteran of the Indochina war (La 317e Section), returned to follow a platoon of American soldiers for six weeks at the height of fighting in Vietnam in 1966. The ... See full summary »
In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan... See full summary »
Set when the apartheid government was still in control, this powerful South African thriller is based on the true story of a policeman belonging to an elite government squad who was ... See full summary »
This film recounts the history and attitudes of the opposing sides of the Vietnam War using archival news footage as well as its own film and interviews. A key theme is how attitudes of American racism and self-righteous militarism helped create and prolong this bloody conflict. The film also endeavors to give voice to the Vietnamese people themselves as to how the war has affected them and their reasons why they fight the United States and other western powers while showing the basic humanity of the people that US propaganda tried to dismiss. Written by
Kenneth Chisholm <firstname.lastname@example.org>
During his Oscar acceptance speech producer Bert Schneider read a letter from the head of the Viet Cong lauding his film. Bob Hope prompted Oscar host Frank Sinatra to disclaim any political statements that had been made during the show. See more »
I'll admit up front that Peter Davis' documentary makes no effort to show the carnage and torture sponsored and perpetuated by the Viet Cong -- and the one substantial time it explores the way South Vietnamese civilians were imprisoned and tortured by their own government (in huge numbers, by the way), the film isn't very clear about who made these arrests. It concentrates almost solely on the inhumanity and pointlessness of our presence there in a pointless war which even our leaders were unprepared to comprehend.
It's not "balanced" within itself, but given the day-to-day barrage of standard media coverage of the Vietnam war during the time the documentary was made, I believe the making of this film represented an attempt to "balance" the average American's knowledge of what was really going on and how misrepresented the war was by our government and even by the major media most of the time.
All that being said, it's a vivid, important part of the mosaic of American war records. The images are enormously powerful, and where occasionally Mr. Davis' juxtapositions seem overtly manipulative, he still is to be praised emphatically for collecting and assembling this material in such a courageous and uncompromising way. It is essential viewing because of the power of its collected imagery and the lessons about America that we still need to learn. 30 years after the Vietnam war ended, there are still too many essential ways in which that conflict is not understood....and the degree to which we cannot seem, as a nation, to learn from the lessons of Vietnam is only too evident in the manner and attitude with which our leaders have handled and carried on the American military action in Iraq.
Having read a lot of the writings of Vietnam vets over the years about this war, I'm tempted to say that this documentary doesn't go far enough to show the core of absurdity and tragedy at the heart of this war and the way it put young Americans into a hellish situation for no reason and then left them there to be a part of a morally ambivalent, politically and humanly misguided situation, forever disillusioning and haunting an entire generation. But if this film can help younger people to understand just the tip of the iceberg of the enormous tragedy of America's involvement in a pointless 10-year war, then it continues to be worthwhile.
The film itself does not provide nearly enough "backstory" for a student or younger person who did not live through the era. Peter Davis presupposes that the viewing audience knows a lot of things which we knew at the time but which is no longer general knowledge for many viewers. But as a part of an overall attempt (using various sources) to understand that war and its colossal ramifications to our country's self-image, and as a reminder of how easy it is to slip into a tragic imperialism masquerading as some other kind of naive political idealism, it's an essential and vividly effective document of the times for which we owe Mr. Davis a huge debt of gratitude. There is much to be learned from films like this -- including things which our leaders today don't seem to have learned themselves, despite having lived through the Vietnam era.
It's also important to remember that until the Vietnam war, and later Watergate (reminders of which resonate in the presence in this film of "Pentagon Paper"- leaker Daniel Ellsberg), Americans generally believed what their government told them, and didn't think Presidents lied. It may be difficult now to remember there ever was a time when we trusted our government not to be intentionally misleading us, and if Mr. Davis makes a conspicuous effort to emphasize the duplicity of Johnson and Nixon in this documentary, it's probably because it was such a new and unbelievable concept to the overwhelming percentages of Americans before the Vietnam era took place.
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