Harry and Tonto (1974) 7.3
When his apartment building is torn down, a retired lifelong New Yorker goes on a cross country odyssey with his beloved cat Tonto. Director:Paul Mazursky |
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Harry and Tonto (1974) 7.3
When his apartment building is torn down, a retired lifelong New Yorker goes on a cross country odyssey with his beloved cat Tonto. Director:Paul Mazursky |
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| Cast overview, first billed only: | |||
| Art Carney | ... | ||
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René Enríquez | ... |
Jesús - Deli Manager
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Herbert Berghof | ... | |
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Michael McCleery | ... | |
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Avon Long | ... | |
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Rashel Novikoff | ... |
Mrs. Rothman
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Philip Bruns | ... |
Burt Coombes
(as Phil Bruns)
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| Cliff De Young | ... |
Burt Coombes Jr.
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| Josh Mostel | ... |
Norman Coombes
(as Joshua Mostel)
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Dolly Jonah | ... | |
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Sybil Bowan | ... |
Old Landlady
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Joe Madden | ... |
Panhandler
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Bette Howard | ... |
Morgue Clerk
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Patricia Fay | ... |
Airport Security Woman
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Muriel Beerman | ... |
Taxi Driver
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Harry is a retired teacher in his 70s living in the Upper West Side of New York City where his late wife and he raised his children--where he's lived all his life. When the building he lives in is torn down to make way for a parking garage, Harry and his beloved cat Tonto begin a journey across the United States, visiting his children, seeing a world he never seemed to have the time to see before, making new friends, and saying goodbye to old friends. Written by Gary Dickerson <slug@mail.utexas.edu>
Art Carney was a quiet, quirky genius and this film is a lasting testament to his talent.
It's a story about how an -average- man (actually not average at all, as we come to find out) lives a life of dignity and confronts the chaos of modern existence--including that most devastating of inevitabilities, mortality and, particularly, old age .
Besides Carney, watch for superb ensemble acting from Ellen Burstyn, Larry Hagman, the inimitable Chief Dan George, Arthur Hunnicutt, and a host of great character actors from the 70's.
Unlike so many contemporary scripts from the late 60's and early 70's, the cultural references seem interesting and historical and not dated, probably because--like everything else in this film--they are treated with respect and a sense of mercy.
If this film had been made by a French director in 1974, it would be heralded as a major classic. Oh, well.
Watch it. Savor it. This is really something special.