Retired professor of American origin lives solitary life in luxurious palazzo in Rome He is confronted by vulgar Italian marchesa and her companions: her lover, her daughter and daughter's ... See full summary »
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana, marry but must hide it from her employer; plus, they need a room of their own. A ... See full summary »
Documentary on Luchino Visconti's travels and auditions in search for a young actor to portray the role of Tadzio in his adaptation of Thomas Mann's novella "Death in Venice", finally choosing Swedish actor Björn Andrésen.
A 12-year-old girl, Annarella Bracci, was raped and killed in the popular borough of Primavalle, Rome, one of the age-old cross-roads of Italy, at the time it was going through major construction and road development projects.
Retired professor of American origin lives solitary life in luxurious palazzo in Rome He is confronted by vulgar Italian marchesa and her companions: her lover, her daughter and daughter's boyfriend and forced to rent to them an apartment on upper floor of his palazzo. From this point his quiet routine is turned into chaos by his tenants' machinations, and everybody's life is taking unexpected but inevitable turn. Written by
Because Luchino Visconti was severely affected by a stroke, the insurance companies refused the risk of insuring the production. The filming could begin only after Burt Lancaster promised to replace the director behind the camera if necessary. See more »
When the professor finds the young people naked in his flat, Lietta quotes a poem at him, saying (according to the Australian DVD subtitles) that it was Ordon's last poem. This is a misspelling of Auden (W.H. Auden). See more »
An intelectual professor, played by Burt Lancaster, has his retired life interrupted by a wealthy arrogant family who moves upstairs in his Roman apartment. A male hustler, who fascinates and controls all the characters, shows a dated display of the disintegration of an Italian aristocracy, which Visconti knew so well.
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