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Conversation Piece (1974)
"Gruppo di famiglia in un interno" (original title)

 -  Drama  -  23 June 1977 (USA)
7.6
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Ratings: 7.6/10 from 1,977 users  
Reviews: 10 user | 33 critic

Retired professor of American origin lives solitary life in luxurious palazzo in Rome He is confronted by vulgar Italian marchesa and her companions: her lover, her daughter and daughter's ... See full summary »

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Title: Conversation Piece (1974)

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Cast

Cast overview, first billed only:
...
Il Professore
...
Konrad Huebel
...
Marchesa Bianca Brumonti
Claudia Marsani ...
Lietta Brumonti
Stefano Patrizi ...
Stefano
Elvira Cortese ...
Erminia
Philippe Hersent ...
Portiere
Guy Tréjan ...
Venditore di quadri
Jean-Pierre Zola ...
Blanchard
Umberto Raho ...
Commissario
Enzo Fiermonte ...
Commissario
Romolo Valli ...
Micheli
George Clatot
Valentino Macchi
Vittorio Fanfoni
Edit

Storyline

Retired professor of American origin lives solitary life in luxurious palazzo in Rome He is confronted by vulgar Italian marchesa and her companions: her lover, her daughter and daughter's boyfriend and forced to rent to them an apartment on upper floor of his palazzo. From this point his quiet routine is turned into chaos by his tenants' machinations, and everybody's life is taking unexpected but inevitable turn. Written by Alex Asp

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

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Details

Country:

|

Language:

|

Release Date:

23 June 1977 (USA)  »

Also Known As:

Conversation Piece  »

Company Credits

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Technical Specs

Runtime:

(DVD edition) | (Video Version)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The first film Luchino Visconti directed after suffering a stroke in 1972. See more »

Goofs

When the professor finds the young people naked in his flat, Lietta quotes a poem at him, saying (according to the Australian DVD subtitles) that it was Ordon's last poem. This is a misspelling of Auden (W.H. Auden). See more »

Quotes

Marchesa Bianca Brumonti: He was too young to have learned this final nasty fact: grief is as precarious as anything else.
See more »

Connections

Referenced in Costumes from the Films of Visconti (1978) See more »

Soundtracks

Vorrei spiegarVi, oh Dio!
Music by Wolfgang Amadeus Mozart
Performed by Emilia Ravaglia soprano
See more »

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User Reviews

 
Interiors
23 November 2007 | by (United States) – See all my reviews

This is Luchino Visconti's first feature film after his almost fatal heart attack. He was in a wheel chair and his left side was completely paralyzed. Enrico Medioli's original story about a man who's facing the end of his life, whether consciously or unconsciously seemed very close to the knuckle. I've read a lot of material and talked to people connected to the production before actually seeing the movie. Nothing had prepared me for what the film presents to the audience and I wondered if the film that ended up on the screen was the film that Visconti intended. Starting from the cast: the first rumors that Visconti was ready to go back to work, announced the film with Laurence Olivier and Audrey Hepburn in the roles that went to Burt Lancaster and Silvana Mangano. Anne Marie Philipe and Martin Donovan (the director) in the roles that went to Claudia Marsani and Stefano Patrizi. For what I gather, Olivier was sick at the time and couldn't accept. Audrey Hepburn turned it down, Donovan and Philipe found themselves outside the co-production regulations where two Italian nationals were required for those roles. Helmut Berger was the one who survived all the changes and I'm tempted to say: unfortunately! His character is the one who doesn't ring true. Clearly, Lancaster's character would have seen through Berger's. There is nothing in his character that made me believe Lancaster would feel attracted and fall for. Berger is a prissy, emotionally flabby, pretty boy. He is also unbelievable as Silvana Mangano's lover. The film as a whole takes place in Lancaster's dark and elegant apartment. Against his better judgment he rents the upper floor to this new, rich, beautiful and vulgar family. His world is going to start to collapse under the weight of the young invaders without soul. Solemmn, sad and a bit static the film however has a masterful center that makes it compelling viewing. Two brief cameos by Dominique Sanda as the mother and Claudia Cardinale as the dead wife bring some unexpected oomph to the grim proceedings. Even if I sound a bit down on the film I'm actually recommending it.


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