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Directed by | |||
| Jack Clayton | |||
Writing credits(in alphabetical order) | ||
| Francis Ford Coppola | screenplay | |
| F. Scott Fitzgerald | novel | |
Produced by | |||
| David Merrick | .... | producer | |
| Hank Moonjean | .... | associate producer | |
Cinematography by | |||
| Douglas Slocombe | (director of photography) | ||
Film Editing by | |||
| Tom Priestley | |||
Production Design by | |||
| John Box | |||
Art Direction by | |||
| Robert W. Laing | (as Robert Laing) | ||
| Gene Rudolf | (as Eugene Rudolf) | ||
Set Decoration by | |||
| Peter Howitt | |||
| Herbert F. Mulligan | (as Herb Mulligan) | ||
Costume Design by | |||
| Theoni V. Aldredge | |||
Makeup Department | |||
| Ramon Gow | .... | hair stylist | |
| Gary Liddiard | .... | makeup artist | |
| Charles E. Parker | .... | makeup artist (as Charles Parker) | |
Production Management | |||
| Norman I. Cohen | .... | production manager | |
| Peter Price | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Alex Hapsas | .... | assistant director | |
| David Tringham | .... | assistant director | |
| Michael Green | .... | third assistant director (uncredited) | |
| Nigel Wooll | .... | second assistant director: Europe (uncredited) | |
Art Department | |||
| Bruno Robotti | .... | charge scenic artist (uncredited) | |
Sound Department | |||
| Ken Barker | .... | sound recordist | |
| Terry Rawlings | .... | sound editor | |
| Brian Simmons | .... | sound mixer | |
| Rowland Fowles | .... | boom operator (uncredited) | |
| Graham V. Hartstone | .... | sound re-recording mixer (uncredited) | |
| Otto Snel | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Tony Parmelee | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Robin Vidgeon | .... | assistant cameraman | |
| Chic Waterson | .... | camera operator | |
| Richard E. Brooks | .... | director of photography: second unit (uncredited) | |
| Ron Zarilla | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Irene Lamb | .... | additional casting | |
Costume and Wardrobe Department | |||
| Barbara Matera | .... | costumes executed by (uncredited) | |
Music Department | |||
| Nelson Riddle | .... | composer: additional music | |
| Nelson Riddle | .... | conductor | |
| Nelson Riddle | .... | music arranger | |
| Nelson Riddle | .... | music supervisor | |
Other crew | |||
| Annabel Davis-Goff | .... | script supervisor | |
| Mary Jane Houdina | .... | assistant choreographer | |
| Terry Rawlings | .... | technical consultant | |
| Jeanie Sims | .... | assistant: Jack Clayton | |
| Tony Stevens | .... | choreographer | |
| Robert Iadevaia | .... | fruit supplier (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This lavish Hollywood treatment of the Classic F. Scott Fitzgerald novel is a visual and acoustic delight. Nelson Riddle's spellbinding score and the many brilliant camera shots capturing the splendor of an age of excesses and indulgences make for engaging entertainment. Still, the dark story will leave the viewer numb at the eventual (bitter) end. A young Mia Farrow and Robert Redford in the leads, along with excellent performances by Scott Wilson and Bruce Dern, as well as the 70s "femme fatal" staple Karen Black round out the top, with what seems to be hundreds of colorful "flapper" and servant extras in the cast. Everyone fortunate enough to be born or married or mistressed into money is living the "life", not caring about anyone and anything other than fun, fun, fun.
A series of indiscretions (by just about everyone) culminates in the "just desserts", and several deaths. The fact that life of the high and mighty seems to go on without skipping a beat, regardless of anyone's recklessness or involvement, is the tough lesson the author seems to aim for. Without conscience, what have we? All the money will not replace human emotions, though the cash seems to easily take their place. But didn't we have fun....