Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford... See full summary »
Junkman and movie-maker Harlan Hollis struggles to stay alive when a jealous partner in his company hires goons to kill him. Full of amazing car chases, fantastic crashes, and edge-of-your-seat action.
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Larry Rayder is an aspiring NASCAR driver, Deke Sommers his mechanic. As they feel they collectively are the best, the only thing that is holding them back is money to build the best ... See full summary »
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Charles Robert Carner
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Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford Mustang, are in the bag. As Pace prepares to rip-off the fastback, codenamed "Eleanor", in Long Beach, he is unaware that his boss has tipped off the police after a business dispute. Detectives are waiting and pursue Pace through five cities as he desperately tries to get away. Written by
There was no official script for the movie, apart from several pages outlining main dialog sequences. Much of the action/dialog was improvised and made up by the cast and crew as they went along. This caused many problems for the editor, Warner E. Leighton, who never knew what footage was being dumped on him or where in the movie it belonged. In the DVD audio commentary, he described the script for the construction site portion of the main pursuit as a piece of cardboard with a circle on it. Director H.B. Halicki pointed at it and said, "That's the dust bowl. We went around it twice. There's your script." See more »
Towards the end of the pursuit, the view of the chase is shown from inside a patrol car. The camera is later visible in the passenger seat as it rounds a corner a few moments later. See more »
A "great movie" is not necessarily one that combines superb acting, character development, intelligent comedy and artistic direction. Instead, a great movie is one that succeeds in doing what it set out to do, and therefore the original Gone in 60 Seconds is great indeed.
The car chase scenes in this movie are superior to all others. The 40 minute chase at the end of the movie is obviously cinematic history, but the chase that excited me the most was when the tow truck was trying (and succeeding) to outrun the police. Critics of this movie fail to understand the joy that is brought to a car-loving audience such as myself when a tow truck with an actual car in tow powerslides and fishtails and eventually gets away. This is not something you see in modern high-budget car chase movies. This is the type of genius you see only in a movie created by a guy who really knows the subject matter.
If you want quality acting, well-written drama, and striking cinematography, go elsewhere... it's as simple as that. The world only needs one Lawrence of Arabia. But if you want to be stunned with incredible action scenes featuring REAL cars (instead of oh, say a Lincoln Navigator like the one in the remake), pick up a copy of this movie. And if you must have something to accompany the car chases, listen closely to the dialogue; while it may not be poetic enough for some people's ears, it'll make you laugh whether the writer intended it or not.
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