Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford... See full summary »
Junkman and movie-maker Harlan Hollis struggles to stay alive when a jealous partner in his company hires goons to kill him. Full of amazing car chases, fantastic crashes, and edge-of-your-seat action.
Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the ... See full summary »
Larry Rayder is an aspiring NASCAR driver, Deke Sommers his mechanic. As they feel they collectively are the best, the only thing that is holding them back is money to build the best ... See full summary »
When his wife goes into a troubled labor while he is on the road over 1200 miles away James Kowalski, an ex race car driver and a former Army Ranger, attempts to elude police while trying ... See full summary »
Charles Robert Carner
Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford Mustang, are in the bag. As Pace prepares to rip-off the fastback, codenamed "Eleanor", in Long Beach, he is unaware that his boss has tipped off the police after a business dispute. Detectives are waiting and pursue Pace through five cities as he desperately tries to get away. Written by
The complete list of 48 cars stolen by Maindrian and his crew for the contract, with the celebrity/business owners, where applicable, is as follows (pieced together from the blackboard in Maindrian's office and the list he gives Atlee and Stanley, as well as dialog throughout the film):
1. Donna: 1973 Stutz Blackhawk (Florence-Western Medical Center)
2. Karen: 1973 Stutz Blackhawk (The Upstairs Art Gallery)
3. Marilyn: 1970 De Tomaso Mangusta
4. Judy: 1962 Ferrari 340 America
5. Kathy: 1970 Rolls Royce Silver Shadow I
6. Nancy: 1971 Cadillac Eldorado
7. Terry: 1971 Rolls Royce Silver Shadow I (Willie Davis)
Cables that pull the garbage truck over when it is hit by police cars are clearly visible in one shot. See more »
[Mustang crashes into a light pole]
Jesus Christ, he just hit a damn pole! Turn aroud, turn around! We've got him now!
Male police dispatcher:
Attention all units, suspect vehicle has TA'd with light pole at Harbor Freeway northbound and Carson Street offramp. Pursuit is terminated.
[Mustang roars off up offramp]
Male police dispatcher:
That is negative - pursuit is not terminated, repeat, not terminated.
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The ending credits in the 2001 DVD release features footage of H.B. Halicki's widow, Denice Shakarian Halicki, riding in "Eleanor." See more »
A "great movie" is not necessarily one that combines superb acting, character development, intelligent comedy and artistic direction. Instead, a great movie is one that succeeds in doing what it set out to do, and therefore the original Gone in 60 Seconds is great indeed.
The car chase scenes in this movie are superior to all others. The 40 minute chase at the end of the movie is obviously cinematic history, but the chase that excited me the most was when the tow truck was trying (and succeeding) to outrun the police. Critics of this movie fail to understand the joy that is brought to a car-loving audience such as myself when a tow truck with an actual car in tow powerslides and fishtails and eventually gets away. This is not something you see in modern high-budget car chase movies. This is the type of genius you see only in a movie created by a guy who really knows the subject matter.
If you want quality acting, well-written drama, and striking cinematography, go elsewhere... it's as simple as that. The world only needs one Lawrence of Arabia. But if you want to be stunned with incredible action scenes featuring REAL cars (instead of oh, say a Lincoln Navigator like the one in the remake), pick up a copy of this movie. And if you must have something to accompany the car chases, listen closely to the dialogue; while it may not be poetic enough for some people's ears, it'll make you laugh whether the writer intended it or not.
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