Rod Slater is the newly appointed general manager of the Sonderditch gold mine, but he stumbles across an ingenious plot to flood the mine, by drilling into an underground lake, so the ...
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During World War One a British aristocrat, an American entrepreneur and the latter's attractive young daughter, set out to destroy a German battle-cruiser which is awaiting repairs in an inlet just off Zanzibar.
A European arms dealer (Roger Moore) meets a liberated woman journalist (Susannah York), who is writing a story about the ridiculous things men do with the armaments during a NATO war games... See full summary »
Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier,... See full summary »
A Mafia boss is enraged when he is suspected of smuggling a heroin shipment into San Francisco. He dispatches his nephew, a hotshot Anglo-Sicilian lawyer, to identify the real culprit. The ... See full summary »
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Peter R. Hunt
Set against an appealingly sunny Sicilian backdrop, the film finds Simon Templar, an elegant thief and ethical busybody, outraged when a British banker is murdered after he recognizes an old colleague-turned-Mafia kingpin.
Rod Slater is the newly appointed general manager of the Sonderditch gold mine, but he stumbles across an ingenious plot to flood the mine, by drilling into an underground lake, so the unscrupulous owners to make a killing in the international gold market. Written by
The setting in a gold mine was used in Roger Moore's final appearance as James Bond in A View To A Kill. This film and the latter featured a plot to flood a gold mine. See more »
When Jane and Rod appear in the aircraft there is no microphone showing but seconds later there is one showing on the window frame along with a different instrument cluster - clearly two different aircraft. See more »
This is not a great film, but it has its moments. In 1974 probably not too many people knew much about South Africa and the gold mining process, so for that reason it was educational. The mine sequences are interesting although undoubtedly filmed on a studio set. For me the most interesting action sequence though is when the hero is trying to land a plane on a tailings pile at a speed low enough to almost stall out. Most interesting of all, thirty years ago it was almost unheard of to see frontal nudity in a major film. When Susannah York's breast appeared out of the suds in the bathtub scene, my jaw dropped open. I couldn't believe I was really seeing it. For sheer surprise it ranks right up there with Charlton Heston kissing a black woman in that science fiction film that I think was called The Omega Man. Today of course such things are commonplace.
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