Hugo Sennart is a French Gypsy, wanted by the police for theft. The same inspector who's searching for him is also looking for a jewel thief, Yan Kuq, whose wife has died under suspicious ... See full summary »

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Cast

Cast overview, first billed only:
...
Hugo Sennart, Le Gitan
...
Yan Kuq
...
Ninie
...
Policeman Blot
Bernard Giraudeau ...
Mareuil
...
Jo Amila, dit "Jo le boxeur"
...
Jacques Helman
...
Pierrot le naïf
Nicolas Vogel ...
Jeannot
Michel Fortin ...
Marcel
Pierre Danny ...
Riquet
Adolfo Lastretti ...
A brother Rinaldi
Rino Bolognesi ...
A brother Rinaldi
Jacques Rispal ...
Docteur J. Weiss, le vétérinaire
...
Bob
Edit

Storyline

Hugo Sennart is a French Gypsy, wanted by the police for theft. The same inspector who's searching for him is also looking for a jewel thief, Yan Kuq, whose wife has died under suspicious circumstance just after a major burglary. The Gypsy needs to settle a few scores and make one more heist before going to ground, and, by coincidence, his path takes him close to Yan, who's hiding in the hotel of a close friend and former lover, Ninie. The Gypsy lives by a code of honor, which puts him at risk on occasion; and he despises those who treat his people as worse than dogs. The police close in. Is there honor among thieves? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Certificate:

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Details

Country:

|

Language:

Release Date:

5 December 1975 (France)  »

Also Known As:

Der Zigeuner  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Connections

Referenced in Les grandes bouches (1999) See more »

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User Reviews

Not convincing.
9 January 2004 | by See all my reviews

This Jose Giovanni effort gives you the strange feeling you are watching two different movies in one:

-The first one is a very conventional gangsters- on- the- lam movie ,with one of the weakest plots Giovanni ever wrote.

-The second one is by far the most interesting,when it shows the gypsy condition,forced to live on the garbage dumps,perpetual outcasts of a society that will never accept them.Delon's looks are eloquent and could have been successful,had he been given adequate support:only the scenes when he meets his people are worthwhile.

The cast is heterogeneous to a fault gathering actors from the forties/fifties (Paul "diaboliques" Meurisse who is here like a ghost from the past),trendy current ones (Delon,and Annie Girardot in an inept part which comes at the most awkward moment) and future glories of the eighties/the present like Bernard Giraudeau (stupidly cast as a young cop and the former lover of a gangster's wife).

The seventies were not a good time for Giovanni,with the exception of "deux hommes dans la ville":his best works remain his early efforts "la loi du survivant" (1967) ,"le rapace" (1968) and "dernier domicile connu" (1969)


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