Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Hildy Johnson is the top reporter on a Chicago newspaper during the 1920s. Tired of the whole game he's determined to quit his job to get married. His scheming editor, Walter Burns, has other plans though. It's the day before guilty (but insane) murderer, Earl Williams, is due to go to the gallows and Burns tempts Johnson to stay and write the story. Written by
Col Needham <firstname.lastname@example.org>
Billy Wilder felt that Chicago was the most exciting newspaper town in the country and as a result, this incarnation of "The Front Page" was the first to mention the city by name and use actual Chicago newspapers. See more »
When Hildy enters the press room to say goodbye to his fellow reporters, he greets them with a Edward G. Robinson imitation, saying "This is a raid, see." Edward G. Robinson would not become a famous enough to imitate as a "gangster" until Little Caesar came out two years later. See more »
The Front Page is one of my favourite Billy Wilder films, and by definition, this would mean also one of my favourite comedies of all time. I definitely agree with the view held by some that this magnificent work deserves much wider recognition than it has received. And here's the news: I HAVE seen His Girl Friday, and I STILL consider Wilder's take to be superior, even if the master himself dismissed it as a botch. Sorry to disagree, Mr. Wilder, but I believe that in few films you got a chance as good as this one to demonstrate your spectacular sense of rhythm and comic timing, and get performances as astounding from everyone involved; the Lemmon-Matthau unbeatable duo works like a perfectly greased machine at full blast and I definitely prefer their vicious bickering to the flirty, romantically-intentioned banter of Grant and Russell; and all the rest of the cast I think is perfect too, for example Sarandon, who with just one look can convey her frustration and her resigned acceptance at her husband-to-be's inability to change... I'm sorry, but I just can't find the slightest defect. To me, this is a perfect ten.
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