Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Hildy Johnson is the top reporter on a Chicago newspaper during the 1920s. Tired of the whole game he's determined to quit his job to get married. His scheming editor, Walter Burns, has other plans though. It's the day before guilty (but insane) murderer, Earl Williams, is due to go to the gallows and Burns tempts Johnson to stay and write the story. Written by
Col Needham <firstname.lastname@example.org>
On 06 June 1929, in Chicago, the press is covering from the tribunal press room, the hanging of the anarchist Earl Williams (Austin Pendleton) that accidentally killed a cop and will happen on the next day. Hildy Johnson (Jack Lemmon), who is the best newspaperman of the Chicago Examiner, tells his boss Walter Burns (Walter Matthau) that he will marry the widow concert pianist Peggy Grant (Susan Sarandon) on the next day and quits his job, telling that he will move to Philadelphia and work in advertisement business. Walter unsuccessfully tries to use a scheme to force Hildy to stay in the Examiner and cover the execution on the gallows. Meanwhile, the corrupt Sheriff "Honest" Pete Hartman (Vincent Gardenia) interrogates Earl with the psychologist Dr. Eggelhofer (Martin Gabel) for the last check whether the prisoner is sane or not and the doctor proposes a simulation of the murder, but Earl shots Dr. Eggelhofer with the sheriff's revolver on the groin and escapes. Meanwhile, the governor's representative Plunkett (Paul Benedict) comes with a retreat on Earl, but the dirty Mayor (Harold Gould) and the Sheriff do not acknowledge the receipt of the document and send Plunkett to a brothel. When Hildy finds Earl hidden in the press room, his sense of journalist prevails and he calls Walter to protect Earl together with the unseen power of the press.
"The Front Page" is a witty comedy by Billy Wilder in one of his last works. I have never had the chance to see the original 1931 film, but this cynical remake is great, with top-notch performances of Walter Matthau in the role of a Machiavellian editor that has no ethics and presses his top journalist to stay in his newspaper. Jack Lemmon and Vincent Gardenia have also excellent performances. The ironic conclusion with the fate of each character is hilarious. My vote is eight.
Title (Brazil): "A Primeira Página" ("The Front Page")
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