Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Hildy Johnson is the top reporter on a Chicago newspaper during the 1920s. Tired of the whole game he's determined to quit his job to get married. His scheming editor, Walter Burns, has other plans though. It's the day before guilty (but insane) murderer, Earl Williams, is due to go to the gallows and Burns tempts Johnson to stay and write the story. Written by
Col Needham <firstname.lastname@example.org>
Lemmon and Matthau are arguing in Burns' office early in the film, Lemmon mentions having been out of town covering "the monkey trial." In 1999, Lemmon starred as Henry Drummond in Inherit the Wind (1999) , based on the 1925 State of Tennessee vs. Scopes trial (Creationism vs. Darwinism/Evolution) better known by the public as the "monkey trials." See more »
The girls at the mayor's favorite cat house know him as The Green Hornet, after the radio superhero. The Green Hornet did not air until 1936, and The Front Page is set in the year 1929. See more »
The Front Page is one of my favourite Billy Wilder films, and by definition, this would mean also one of my favourite comedies of all time. I definitely agree with the view held by some that this magnificent work deserves much wider recognition than it has received. And here's the news: I HAVE seen His Girl Friday, and I STILL consider Wilder's take to be superior, even if the master himself dismissed it as a botch. Sorry to disagree, Mr. Wilder, but I believe that in few films you got a chance as good as this one to demonstrate your spectacular sense of rhythm and comic timing, and get performances as astounding from everyone involved; the Lemmon-Matthau unbeatable duo works like a perfectly greased machine at full blast and I definitely prefer their vicious bickering to the flirty, romantically-intentioned banter of Grant and Russell; and all the rest of the cast I think is perfect too, for example Sarandon, who with just one look can convey her frustration and her resigned acceptance at her husband-to-be's inability to change... I'm sorry, but I just can't find the slightest defect. To me, this is a perfect ten.
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