Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Hildy Johnson is the top reporter on a Chicago newspaper during the 1920s. Tired of the whole game he's determined to quit his job to get married. His scheming editor, Walter Burns, has other plans though. It's the day before guilty (but insane) murderer, Earl Williams, is due to go to the gallows and Burns tempts Johnson to stay and write the story. Written by
Col Needham <email@example.com>
Walter Burns' idea for Hildy Johnson to surreptitiously snap a death photo of Earl Williams' execution by strapping a camera to his ankle with the shutter release in his pocket actually happened. On January 12, 1928 (over 18 months before the Ben Hecht - Charles MacArthur play "The Front Page" opened), murderers Ruth Brown Snyder and her lover, Henry Judd Gray, were executed in New York's Sing Sing prison's electric chair for the murder of Ruth's husband, Albert Snyder, the previous year. At the moment of her electrocution Tom Howard, a reporter for the Chicago Tribune, used a one-time-use camera strapped to his leg to snap a picture of her at the moment of her death. The picture later became notorious as an example of the lengths to which some reporters would to go get an exclusive. The camera used is now part of the Smithsonian's National Museum of American History. In another film irony, the Snyder and Gray case was also used as the basis for a James M. Cain novel later made into a classic film, Double Indemnity (1944), also directed by Billy Wilder. See more »
Before Walter first meets Peggy at the movie theater, he tears a star off an old movie poster for "All Quiet On the Western Front" (1930), though this movie is set in 1929. See more »
You don't mind waiting, do you?
What's there to mind? The night is young, the orchids are smelling, the meter is running.
Just made another nickel.
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The Front Page is one of my favourite Billy Wilder films, and by definition, this would mean also one of my favourite comedies of all time. I definitely agree with the view held by some that this magnificent work deserves much wider recognition than it has received. And here's the news: I HAVE seen His Girl Friday, and I STILL consider Wilder's take to be superior, even if the master himself dismissed it as a botch. Sorry to disagree, Mr. Wilder, but I believe that in few films you got a chance as good as this one to demonstrate your spectacular sense of rhythm and comic timing, and get performances as astounding from everyone involved; the Lemmon-Matthau unbeatable duo works like a perfectly greased machine at full blast and I definitely prefer their vicious bickering to the flirty, romantically-intentioned banter of Grant and Russell; and all the rest of the cast I think is perfect too, for example Sarandon, who with just one look can convey her frustration and her resigned acceptance at her husband-to-be's inability to change... I'm sorry, but I just can't find the slightest defect. To me, this is a perfect ten.
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