Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
J.J. is a rookie in the Sheriff's Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.'s fellow officers resent his presence. ... See full summary »
Hildy Johnson is the top reporter on a Chicago newspaper during the 1920s. Tired of the whole game he's determined to quit his job to get married. His scheming editor, Walter Burns, has other plans though. It's the day before guilty (but insane) murderer, Earl Williams, is due to go to the gallows and Burns tempts Johnson to stay and write the story. Written by
Col Needham <firstname.lastname@example.org>
Walter Burns visits a Balaban-Katz theater while it is showing a Universal Newsreel. Universal distributed this film but the Balaban-Katz chain was controlled by Paramount and would have shown the Paramount Newsreel. In addition, at the time this film was set, Universal distributed Hearst's International Newsreel. The Universal Newsreel was first seen in August, 1929. See more »
The Front Page is one of my favourite Billy Wilder films, and by definition, this would mean also one of my favourite comedies of all time. I definitely agree with the view held by some that this magnificent work deserves much wider recognition than it has received. And here's the news: I HAVE seen His Girl Friday, and I STILL consider Wilder's take to be superior, even if the master himself dismissed it as a botch. Sorry to disagree, Mr. Wilder, but I believe that in few films you got a chance as good as this one to demonstrate your spectacular sense of rhythm and comic timing, and get performances as astounding from everyone involved; the Lemmon-Matthau unbeatable duo works like a perfectly greased machine at full blast and I definitely prefer their vicious bickering to the flirty, romantically-intentioned banter of Grant and Russell; and all the rest of the cast I think is perfect too, for example Sarandon, who with just one look can convey her frustration and her resigned acceptance at her husband-to-be's inability to change... I'm sorry, but I just can't find the slightest defect. To me, this is a perfect ten.
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