| Cast overview, first billed only: | |||
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Rupert Davies | ... |
Edmund Yates
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Sheila Keith | ... |
Dorothy Yates
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Deborah Fairfax | ... |
Jackie
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Paul Greenwood | ... |
Graham
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Kim Butcher | ... |
Debbie
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Fiona Curzon | ... |
Merle
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John Yule | ... |
Robin
(as Jon Yule)
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Trisha Mortimer | ... |
Lillian
(as Tricia Mortimer)
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Victoria Fairbrother | ... |
Delia
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Edward Kalinski | ... |
Alec
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Victor Winding | ... |
Detective Inspector
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Anthony Hennessey | ... |
Detective Sergeant
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Noel Johnson | ... |
The Judge
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Michael Sharvell-Martin | ... |
Barman
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Tommy Wright | ... |
Nightclub Manager
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Edmund and Dorothy Yates are freed after fifteen years in an asylum. Edmund covers up for his wife who is a murderer and a cannibal and Dorothy's daughter Debbie and stepdaughter Jackie, who live apart from them, may or may not have inherited her appetites. Dorothy has started to kill again... Written by Gary Couzens <gjcouzens@btinternet.com>
This is an impressive downbeat British horror from the Pete Walker / David McGillivray partnership which, despite its gory reputation, works on more of a psychological level.
From the grainy black & white prologue, with a pre-Fawlty Towers Andrew Sachs visiting a deserted fairground, to the terrifying climax in a farm attic, 'Frightmare' holds itself together incredibly well.
The bulk of the narrative revolves around twenty-something Jackie and her wild-child teenage sister Debbie. Jackie frequently goes to visit her parents in an isolated farmhouse, both of whom have recently been released from a mental institution. The atmosphere of unease built up in these family scenes is almost suffocating, with Sheila Keith putting in a virtuoso performance as Dorothy, the mother.
Things come to a head when Jackie's psychiatrist boyfriend Graham (complete with incredibly annoying thick framed glasses), decides to start prying into the family history and takes a visit up to the farm.
The film has been termed as Britain's answer to 'The Texas Chainsaw Massacre' and make no mistake, 'Frightmare' is every bit as impressive as its more famous American counterpart. There are also a few nods to Hitchcock's 'Psycho' and once again any comparisons are favourable.
The only previous Pete Walker film I'd seen was 'The Confessional' (1975) which despite some interesting ideas was overall disappointing. 'Frightmare' really delivers the goods though and should be in everyone's list of Top Cult Horror Films.
BEST SCENE - any of Dorothy's Tarot Card readings.