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Frankenstein and the Monster from Hell (1974)

R | | Horror | 12 June 1974 (USA)
Baron Frankenstein works with a mental patient to reanimate the dead.

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(screenplay) (as John Elder)
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Cast

Cast overview, first billed only:
...
...
Simon
...
Sarah
...
Monster (as Dave Prowse)
...
Asylum Director
Michael Ward ...
Transvest
Elsie Wagstaff ...
Wild One
...
Police Sergeant
...
Judge
...
Bodysnatcher
...
Ernst
Christopher Cunningham ...
Hans (as Chris Cunningham)
Charles Lloyd Pack ...
Professor Durendel (as Charles Lloyd-Pack)
Lucy Griffiths ...
Old Hag
...
Tarmut
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Storyline

Last of the Hammer Frankenstein films, this one deals with the Baron hiding out in an insane asylum, so that he may continue his experiments with reanimating the dead, along with inmate Dr. Helder, who has been institutionalized for conducting such experiments. Written by Humberto Amador

Plot Summary | Plot Synopsis

Taglines:

Your blood will run cold when the monster rises. See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 June 1974 (USA)  »

Also Known As:

Frankenstein E o Monstro do Inferno  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The production manager of this film is named Christopher Neame - coincidentally the same name of the actor who played Johnny Alucard in 'Dracula AD 1972' (1972), although a different person See more »

Goofs

At c.33 and c.40 minutes the violin playing is very poorly mimed. See more »

Quotes

Baron Victor Frankenstein aka Dr. Carl Victor: [after operating eyeballs onto the creature] Now, in approximately one hour, when the narcosis wears off... we shall see.
Simon Helder: [jokingly] Let's hope it's he who sees!
Baron Victor Frankenstein aka Dr. Carl Victor: ..."he who sees"?
Simon Helder: Sorry...
Baron Victor Frankenstein aka Dr. Carl Victor: [begins to laugh maniacally] "He who sees"! I like that!
Simon Helder: I didn't think it was that funny, I must say...
See more »

Connections

Featured in Terence Fisher: Charming Evil (2013) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Frankenstein And The Monster From Hell (Terence Fisher, 1974) ***
22 October 2006 | by (Naxxar, Malta) – See all my reviews

Hammer's last Frankenstein outing is one of their best; despite the great sadness that went in its production (inherent in the film's overall effect but thankfully not swamped by it), the film emerges as a pretty solid and well-crafted chiller with a remarkable Gothic flavor (all the more impressive for being made on such shoddy finances - the film allegedly carried one of the companies' lowest-ever budgets!).

Script and direction keep the action of the plot moving, despite the necessarily cramped settings. Peter Cushing and Terence Fisher's own personal state of minds create a poignant, almost elegiac ode to Gothic horror: this was to prove their final collaboration (indeed, it was Fisher's very last film). The camera-work, James Bernard's score and the production design all contribute to make this a true harking-back to the heyday of Hammer horror (in view of the fact that a lot of changes were effected during the early 70s with varying degrees of success); still, along with BLOOD FROM THE MUMMY'S TOMB (1971), DR. JEKYLL AND SISTER HYDE (1971), DEMONS OF THE MIND (1972) and CAPTAIN KRONOS - VAMPIRE HUNTER (1974), this is one of the last great Hammer films.

The Baron had evolved a great deal during his sixteen-year period at Hammer (producing seven films in all, only one of which did not feature Peter Cushing and only two were not helmed by Terence Fisher), reaching its zenith perhaps in FRANKENSTEIN MUST BE DESTROYED (1969) where virtually no trace of humanity could be detected in the character! This final venture finds him more relaxed (or, perhaps, I should say resigned) but certainly no saner or less involved with his obsessive quest to achieve immortality!! The rest of the cast is equally admirable: Shane Briant, one of Hammer's bright young hopefuls, building upon his achievements in both DEMONS OF THE MIND and CAPTAIN KRONOS - VAMPIRE HUNTER; Madeleine Smith graces the screen with her presence, managing to give her character (an abused mute inmate) an inner strength and compassion that would normally be difficult to communicate without words; Dave Prowse's monster is a memorably designed hulk (somewhat overdone in the style of Fredric March's Hyde persona in the 1931 version of DR. JEKYLL AND MR. HYDE) but who unreservedly elicits the audience's sympathy because, saddled with numerous body parts that do not belong to him, he is forced to go on living when his sole desire (possessing an ugly interior as well as exterior) was to end it all!; a few supporting characters are allowed to shine as well, notably Patrick Troughton, John Stratton and Bernard Lee.

The DVD transfer is stunning, especially in widescreen. However, Paramount really dropped the ball by opting to release the edited U.S. version: I have to agree with those who condemned them for it, because the missing footage (the artery clamping scene chief among them - as it stands now, the dialogue follows on too hurriedly, making the cut extremely obvious; the scene was not particularly graphic, but it certainly amplified the Baron's character and his dedication to his work) is certainly important and, if anything, helps keep the film's pace balanced as the 'stitching' together of scenes {sic} is awkwardly handled on more than one occasion (see also Bernard Lee's funeral, where Cushing suddenly appears beside the coffin when it is dropped to the ground); similarly, the climax is marred by the loss of footage where the inmates tear the monster apart (on the DVD it would seem that the monster was entirely made up of bits and pieces of flesh, so easily is he dismembered, when we know full well this isn't so!); interestingly, however, though all these bits of added gore are to be found on my murky full-screen VHS, one shot from the DVD is not in fact present - the slashed throat of the John Stratton character!

The Audio Commentary is an immensely enjoyable and lively talk: though the subject matter wanders alarmingly, the relationship between the three participants is so genuine that one cannot help but be drawn into their reminiscences, opinions and idle chatter; indeed, I'd go so far as to say that it's perhaps the best Commentary on a Hammer DVD I've heard!


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