| Photos (See all 36 | slideshow) |
Directed by | |||
| Jack Hill | |||
Writing credits | ||
| Jack Hill | (written by) | |
Produced by | |||
| Buzz Feitshans | .... | producer | |
Original Music by | |||
| Willie Hutch | |||
Cinematography by | |||
| Brick Marquard | |||
Film Editing by | |||
| Chuck McClelland | |||
Casting by | |||
| Betty Martin | |||
Production Management | |||
| Frank Beetson | .... | production manager | |
| Salvatore Billitteri | .... | post-production supervisor | |
| David Sheldon | .... | production supervisor: AIP | |
Second Unit Director or Assistant Director | |||
| Frank Beetson | .... | first assistant director | |
Stunts | |||
| Fred Carson | .... | stunt double | |
| Bob Minor | .... | stunt coordinator | |
| Roydon Clark | .... | stunts (uncredited) | |
| Jadie David | .... | stunts (uncredited) | |
| Jeannie Epper | .... | stunts (uncredited) | |
| Stephanie Epper | .... | stunts (uncredited) | |
| Kevin N. Johnston | .... | stunts (uncredited) | |
| Peaches Jones | .... | stunts (uncredited) | |
| Fred Lerner | .... | stunts (uncredited) | |
| Boyd 'Red' Morgan | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Calvin Maehl | .... | best boy electric | |
| Ross A. Maehl | .... | gaffer | |
Costume and Wardrobe Department | |||
| Ruthie West | .... | wardrobe: Miss Grier | |
Editorial Department | |||
| Jeff Chaves | .... | colorist (digital color correction) | |
Music Department | |||
| Willie Hutch | .... | conductor | |
| Willie Hutch | .... | music arranger | |
| Willie Hutch | .... | music producer | |
| Ernie Watts | .... | musician: flute | |
Transportation Department | |||
| Paul Casella Jr. | .... | transportation captain | |
Other crew | |||
| Anita Mann | .... | main title choreography | |
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| Coffy | Sex and Fury | Thriller: A Cruel Picture | Death Walks on High Heels | Basic Instinct |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
With "Coffy", Pam Grier showed that she could cream both the bad guys and the box office, but it was this film that catapulted her to a level of iconic stardom that not only preceded "Charlie's Angels", but provided the blueprint. Supa-bad Foxy Brown is a smart and sexy renegade out to exact revenge for the murder of her lover, who was an undercover federal agent. Behind the death is Miss Katharine (played with delicious, lupine subtlety by the late Katheryn Loder), a wicked madam who orders her bumbling drug-running henchman to do her evil bidding. Katharine's aided by her right-hand man, Steve, who later finds himself in quite a pickle when up against the fury of a woman scorned. Foxy's a whole lotta' woman who's got what it takes to beat the baddies at their own game---a voluptuous body (perfect for going undercover as one of Miss Katherine's prostitutes), a pistol-packin' Afro, and, most importantly, a "black belt in barstools". Backed by Jack Hill's slick direction and a crunchy, soulful Willie Hutch soundtrack, this movie is a modern classic that surpasses the Blaxploitation genre in which it evolved.