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Jack Cates once again enlists the aid of ex-con Reggie Hammond--this time, to take down The Iceman, a ruthless drug lord operating in the San Francisco bay area.
A New York City architect becomes a one-man vigilante squad after his wife is murdered by street punks in which he randomly goes out and kills would-be muggers on the mean streets after dark.
Director:
Michael Winner
Stars:
Charles Bronson,
Hope Lange,
Vincent Gardenia
Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos ... See full summary »
Director:
Gregg Araki
Stars:
James Duval,
Rose McGowan,
Johnathon Schaech
A disillusioned assassin accepts one last hit in hopes of using his earnings to restore vision to a singer he accidentally blinded, only to be double-crossed by his boss.
A sexy black woman, Foxy Brown, seeks revenge when her government agent boyfriend Michael is shot down by gangsters led by the kinky couple of Steve Elias and Miss Katherine. Written by
Marty McKee <mmckee@wkio.com>
In the opening scenes where Foxy is saving her brother from the 2 hit men, the time of day changes from nighttime to daylight then back to nighttime over the course of 3 minutes. See more »
Quotes
Link Brown:
Foxy, I'm a black man, and I don't know how to sing, and I don't know how to dance, and I don't know how to preach to no congregation. I'm too small to be a football hero, and too ugly to be elected mayor. But I watch TV and see all these folks and the nice homes they live in and all them fancy cars they drive, I just get so full of ambition. Now you tell me what I'm supposed to do with all this ambition?
Foxy Brown:
I don't know, Link, I just don't want to see you end up in jail, or gunned down in the ...
See more »
This was one of the most violent, nonhorror films that I can recall from the 1970s. Beyond the blaxploitation label, Foxy Brown is a solid adventure film, that remains timely to this day. Kudos to Jack Hill, who worked up another treasure with the lovely Ms. Grier. Peter Brown and Kathryn Loder truly deliver unforgettable performances as depraved, sadistic villains, who love each other, but care little for anyone else. The love their characters share is a contrast to the evil that Mr. Elias and Ms. Wall do. As a note, I try to keep things in perspective, and stick to reviewing each film that I write about. But to whoever chooses to read this particular comment, please keep something in mind about the blaxploitation films:
1. They are action films, for the most part, beyond race. 2. These movies were made to play up the social issues of the time, and even today; so yes, most of the villains were white--deal with it!! 3. Because the blaxploitation films were produced in Hollywood, you should take note that the strong, physical prowess exhibited by the heroes and heroines of the films eventually find their way into the mainstream, as the Die Hard, Lethal Weapon, Commando, and Cobra movies of the 1980s and 1990s utilize the same, over-the-top action in urban settings. These films, with white leads, are more inline with the blaxploitation formula, than Dirty Harry and Death Wish pics; the Eastwood and Bronson characters mainly used their guns, and rarely duked it out with any villains.
So maybe I am rambling, but my point is this: enjoy each film for what it's worth. And keep in mind, the target audience for blaxploitation movies was ignored by studios during the decades before the 1970s. If you are white, and like blaxploitation, or of any race and think of these movies as cliched slices of the 1970s, please open your minds and keep a proper perspective of the times.
18 of 23 people found this review helpful.
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This was one of the most violent, nonhorror films that I can recall from the 1970s. Beyond the blaxploitation label, Foxy Brown is a solid adventure film, that remains timely to this day. Kudos to Jack Hill, who worked up another treasure with the lovely Ms. Grier. Peter Brown and Kathryn Loder truly deliver unforgettable performances as depraved, sadistic villains, who love each other, but care little for anyone else. The love their characters share is a contrast to the evil that Mr. Elias and Ms. Wall do. As a note, I try to keep things in perspective, and stick to reviewing each film that I write about. But to whoever chooses to read this particular comment, please keep something in mind about the blaxploitation films:
1. They are action films, for the most part, beyond race. 2. These movies were made to play up the social issues of the time, and even today; so yes, most of the villains were white--deal with it!! 3. Because the blaxploitation films were produced in Hollywood, you should take note that the strong, physical prowess exhibited by the heroes and heroines of the films eventually find their way into the mainstream, as the Die Hard, Lethal Weapon, Commando, and Cobra movies of the 1980s and 1990s utilize the same, over-the-top action in urban settings. These films, with white leads, are more inline with the blaxploitation formula, than Dirty Harry and Death Wish pics; the Eastwood and Bronson characters mainly used their guns, and rarely duked it out with any villains.
So maybe I am rambling, but my point is this: enjoy each film for what it's worth. And keep in mind, the target audience for blaxploitation movies was ignored by studios during the decades before the 1970s. If you are white, and like blaxploitation, or of any race and think of these movies as cliched slices of the 1970s, please open your minds and keep a proper perspective of the times.