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Flesh for Frankenstein (1973)

 -  Horror  -  17 March 1974 (USA)
5.9
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Ratings: 5.9/10 from 3,752 users  
Reviews: 81 user | 50 critic

In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »

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Title: Flesh for Frankenstein (1973)

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Cast

Complete credited cast:
...
Nicholas, the stableboy
Monique van Vooren ...
...
Arno Juerging ...
Otto, the Baron's assistant
Dalila Di Lazzaro ...
Female Monster
Srdjan Zelenovic ...
Sacha / Male Monster
Nicoletta Elmi ...
Monica, the Baron's daughter
Marco Liofredi ...
Erik, the Baron's son
Liù Bosisio ...
Olga, the maid
Fiorella Masselli ...
Large prostitute
Cristina Gaioni ...
Farmer, Nicholas' girlfriend
Rosita Torosh ...
Sonia, the prostitute
Carla Mancini ...
Farmer
Imelde Marani ...
Blonde prostitute
Edit

Storyline

In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be superbody and superlover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual aesthete. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

We dare you to see... See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for bizarre violence and sexuality, and for language | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

|

Release Date:

17 March 1974 (USA)  »

Also Known As:

Andy Warhol's Frankenstein  »

Filming Locations:


Box Office

Budget:

$450,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Both this film and Blood for Dracula (1974) shared many of the same sets and the same principal cast (Joe Dallesandro, Udo Kier, and Arno Juerging). See more »

Goofs

When the two children escape through through the small hole, the boy goes in with one leg first, though on the other side he appears head first. See more »

Quotes

Baron Frankenstein: Two girls? One man? He must be very powerful!
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Trashy fun
11 April 2012 | by (Canada) – See all my reviews

This messy little splatter-fest was heavily censored in most markets back in the 70s and fully restored its wildly lurid visuals can still shock. The movie is all about the visuals and the splatter, and is so over the top that it gets a bit silly. The exploitation elements of the Frankenstein story - the grave-robbing, the obsessive experiments in mad science - have never been this wildly exploited and manage to straddle spoofery and shock cinema about equally well. This is not to say that this is in any way a good movie. It's almost a joke on the audience. The script is complete trash, straight out of a bad Gothic novel and probably meant to be laughed at, but played straight-faced by the film's 'actors'. The 'acting' is pretty horrible. Udo Keir is his usual creepy Eurotrash self and even moderately effective in a one-note performance, but he's the only cast member who has any business being in a period piece. Everybody else, especially Warhol protégé and gay icon Joe Dallesandro, is just too urban-contemporary (not to mention inexperienced) to pull off a 19th century look or 19th century speech. The women look decorative and shed their tops fairly often, but don't look for a romantic subplot or a strong female character because there aren't any. As straight-forward drama, this movie would get about 1/2 a star.

My rating is based on its effectiveness as an exercise in subverting audience expectations and slamming the Gothic horror genre which, after 15 straight years of Hammer and Roger Corman, had become a bit ripe.


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