Flesh for Frankenstein (1973)

R  |   |  Horror  |  17 March 1974 (USA)
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In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »


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Complete credited cast:
Nicholas, the stableboy
Monique van Vooren ...
Arno Juerging ...
Otto, the Baron's assistant
Dalila Di Lazzaro ...
Female Monster
Srdjan Zelenovic ...
Sacha / Male Monster
Nicoletta Elmi ...
Monica, the Baron's daughter
Marco Liofredi ...
Erik, the Baron's son
Liù Bosisio ...
Olga, the maid
Fiorella Masselli ...
Large prostitute
Cristina Gaioni ...
Farmer, Nicholas' girlfriend
Rosita Torosh ...
Sonia, the prostitute
Carla Mancini ...
Imelde Marani ...
Blonde prostitute


In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be super-body and super-lover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual ascetic. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


We dare you to see... See more »



Motion Picture Rating (MPAA)

Rated R for bizarre violence and sexuality, and for language | See all certifications »

Parents Guide:




| |



Release Date:

17 March 1974 (USA)  »

Also Known As:

Andy Warhol's Frankenstein  »

Box Office


$450,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Swedish grindcore band Nasum takes their name from a line spoken in this film. A sample of the film's dialogue is featured on their song "Blind World". See more »


When Frankenstein "shocks" life into his creatures, him and Otto are touching the bodies with bare hands, yet they do not seem to be receiving any of the electricity. See more »


Baron Frankenstein: [holding up his severed hand] It's all your fault!
See more »


Featured in Frankenstein: A Cinematic Scrapbook (1991) See more »

Frequently Asked Questions

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User Reviews

Often confused but plenty to enjoy
2 June 2011 | by (United Kingdom) – See all my reviews

Possibly the oddest re-imagining of the Frankenstein story ever made, Paul Morrissey's 1973 semi-avant-garde, satirical spoof is also one of the funniest, and most gruesome. Dr. Von Frankenstein (played by B-movie favourite Udo Kier) is obsessed with creating what he believes will become a master race of Serbians who will bend at his will. He locks himself away with his assistant Otto (Arno Juerging), manufacturing hideous creations from body parts. He creates a male and a female to give birth to the first of his new race, but he is frustrated and unsatisfied with the male's sexual urges. Von Frankenstein's wife/sister, meanwhile, is following her own urges with farmhand Nicholas (Joe Dalessandro), who is coincidentally the best friend of the doctor's latest victim.

One of the strangest pairings in cinema history, director Morrissey and producer Andy Warhol have certainly created an interesting piece of horror. For all it's rather sick moments of debauchery, it is actually quite impressive artistically. Filmed in Cinecitta in Rome (one of Federico Fellini's favourite film studios), the set design for Von Frankenstein's laboratory in vast and impressive. This approach works both for and against the film, as although it gives the film a grand, often operatic feel, the film can sometimes look like it's on stage. That said, Morrissey's ability to frame a shot is often spectacular, especially in the ultra-wide dinner table scene, where Von Frankenstein introduces his wife/sister to his fresh creations.

Yet sometimes the film can feel a bit confused. It works well just a straight B-movie, with plenty of the weird and gruesome on show to satisfy horror fans (given those fans are into watching sex with torso wounds). But the film isn't really funny enough to call itself a comedy, clever enough to call itself a satire, or pretentious enough to be avant-garde. All these different themes seemed to clash together and I never felt settled with what kind of film I was supposed to be watching. If that was the point, then well done, but it still doesn't make the movie into anything special.

Saying that, I did thoroughly enjoy 90 minutes in the minds of two strange characters that had a small, if fascinating, effect on cinema.


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