In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
Sequel to "Tetsuo" this time has the Iron Man transforming into cyberkinetic gun when a gang of vicious skinheads kidnap his son. When the skinheads capture him, they begin to experiment on... See full summary »
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be superbody and superlover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual aesthete. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children? Written by
According to Luigi Cozzi, Antonio Margheriti allowed his friend producer to use his name as the official Italian director of this film in order to keep financial help from the state. However, this trick led to a costly prosecution for both Margheriti and the producer. See more »
When the two children escape through through the small hole, the boy goes in with one leg first, though on the other side he appears head first. See more »
Better than BLOOD FOR DRACULA -- Udo Kier is tops (laughs)
This is clearly the superior of the two films that Paul Morrissey filmed at Cinecitta studios (Rome) during the early 1970s. It's the typical Frankenstein story with the Morrissey's spin on it.
And I suspect that it has a lot to do with Antonio Margheriti being involved since he is famous in Italian horror circles for the gore effects he brings to films. Especially the scene where the male monster (Srdjan Zelenovic) rips open his stomach sutures, exposing his organs in an act of suicide. Very anatomically correct.
Udo Kier is probably the best reason to see this film, however. His hammy acting skills are tops! His version of Frankenstein is so demented, I guess the German accent adds a lot to it. Usually it's an American or English actor who plays Frankenstein so having a real life German (speaking in English, of course) adds to the atmosphere.
And of course Joe Dallesandro's New York accent sounds totally out of place here, just as it did in BLOOD FOR DRACULA. He sounds like a male hustler hanging out in Times Square instead of an Italian stable boy
Also hideous is Monique Van Vooren as Baroness. Good gawd, the Dallesandro character must have been real hard-up in order to sleep with that old hag.
Still, it has decent atmosphere and the Criterion DVD uses a widescreen print that looks crystal along with production stills of the movie, secondary commentary track by Morrissey who has some revealing comments about the film, and some silly, pseudo-intellectual commentary by Maurice Yakowar that a trashy film like this doesn't deserve.
Worth seeing mostly for Kier's presence.
6 out of 10
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