In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
Udo Kier is without a doubt the sickliest of vampires in any director's interpretation of the Bram Stoker tale. Count Dracula knows that if he fails to drink a required amount of pure ... See full summary »
Vittorio De Sica
The story of Joe [Dallesandro] and his lover-protector, Holly [Woodlawn], who is something to behold, a comic book Mother Courage who fancies herself as Marlene Dietrich but sounds more ... See full summary »
"Heat" is a parody of "Sunset Boulevard." Joey Davis, an unemployed ex-child actor, uses sex to get his landlady, Lydia, to reduce his rent, and then tries to exert his influence on Sally ... See full summary »
Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her... See full summary »
A priest comes to a small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.
Ondine is a gay man attempting to re-adjust his sexuality via various encounters with different women. After trying his luck with three women, Ondine becomes a background character in a ... See full summary »
In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be superbody and superlover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual aesthete. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children? Written by
According to Luigi Cozzi, Antonio Margheriti allowed his friend producer to use his name as the official Italian director of this film in order to keep financial help from the state. However, this trick led to a costly prosecution for both Margheriti and the producer. See more »
When the two children escape through through the small hole, the boy goes in with one leg first, though on the other side he appears head first. See more »
Something went wrong.
Otto, the Baron's assistant:
Maybe the mixture of the blood wasn't right. You was the only one who knew about it... But maybe someone got into the laboratory?
Otto, the Baron's assistant:
But who, Baron?
The children? But they wouldn't do it. My sister. My sister! She always was very jealous of me. Always! But, we failed. That beautiful Serbian female. Everybody would have jumped-everyone! But maybe that head of that... creature wasn't any good? His perfect nose, his perfect nose, he has the perfect brain, he was the ...
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"Flesh For Frankenstein" of 1973 is a wonderfully grotesque, bloody, bizarre, creepy, hilarious, artistic and absolutely brilliant slice of European Exploitation Horror that may not be missed by any lover of cult-cinema. The first of two takes on classic Horror tales directed by Paul Morrissey, starring Udo Kier and Joe Dallessandro and (co-)produced by iconic artist Andy Warhol (the other being "Blood For Dracula), "Flesh For Frankenstein" (which is sometimes referred to as "Andy Warhol's Frankenstein") is an Italian/French/American co-production that simply has to be seen to be believed.
A blend of rich Gothic atmosphere, grotesque artsy imagery, unvarnished sleaze and excessive gore and wonderfully black humor, "Flesh For Frankenstein" is both a tribute to- and satire of earlier Horror greats. At the time of its release, the film was highly controversial for its depiction of sex and gore and even received an X-Rating in the US: No wonder, as this unspeakably morbid little gem features all kinds of demented scenes including explicit perversions, such as necrophilia, all containing a very VERY morbid sense of humor.
Udo Kier shines as a very demented Baron Frankenstein (with a thick German accent), who lives with his sister/wife (!) Katrin (Monique Van Vooren), their two children, as well as his equally demented assistant in a castle in Serbia. Frankenstein plans to create female and a male Zombie from body parts; the natural children of his creations are then to become a perfect race of people. In the meanwhile, the super-potent stable-hand Nicholas (Joe Dallesandro) has sex with every female that crosses his way...
Udo Kier fits perfectly in the role of the Baron - extremely demented, perverted and weird, Frankenstein constantly yells at his assistant for being a pervert. This Baron is dedicated to science and obsessed with results as are other Frankenstein versions in cinema (such as those played by Colin Clive or Peter Cushing), but, unlike these predecessors, he is also demented in every other imaginable way. Udo Kier is definitely one of Germany's greatest actors and doubtlessly THE remaining expert for sinister and eccentric characters since Klaus Kinski passed away. He is truly great here. Monique van Vooren is also very good as the Baron's equally malicious sister/wife - van Vooren looks very young for her age (she was 48 when the film was made), but also really weird, since she has no eyebrows. Italian Horror enthusiasts will notice that the Frankenstein couple's daughter is played by Nicoletta Elmi, who was in many other cult-classics such as Dario Argento's "Profondo Rosso" (1975), Mario Bava's "Bay of Blood" (1971) and "Baron Blood" (1972), as well as Aldo Lado's Giallo "Who Saw Her Die?" (1972).
"Flesh For Frankenstein" is a film that is very gory and outrageously morbid for its day. When I first saw it, some scenes even reminded me of Joe D'Amato's 1979 shocker "Buio Omega" (though this film isn't quite AS demented and sick as D'Amato's film). IMDb and some other sources credit Italian Horror deity Antonio Margheriti, who happens to be an idol of mine, as co-director of this film; however, it appears that Margheriti was merely credited to draw Italian viewers into cinemas, and had little to nothing to do with the actual production of the film. Either way, this is a must-see. "Flesh For Frankenstein" is a wonderfully bizarre, atmospheric, gory, demented, morbid, incredibly (and VERY darkly) funny film, that MUST be seen by all cult-cinema fans, and, personally, I cannot understand how anyone could not love it. My rating: 10/10
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