In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
Sequel to "Tetsou" this time has the Iron Man transforming into cyberkinetic gun when a gang of vicious skinheads kidnap his son. When the skinheads capture him, they begin to experiment on... See full summary »
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
The ultimate weapon which was meant to be safe for the mankind produces global side effects including time slides and disappearances. The scientist behind the project and his car are zapped... See full summary »
In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be superbody and superlover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual aesthete. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children? Written by
When Frankenstein "shocks" life into his creatures, him and Otto are touching the bodies with bare hands, yet they do not seem to be receiving any of the electricity. See more »
Something went wrong.
Otto, the Baron's assistant:
Maybe the mixture of the blood wasn't right. You was the only one who knew about it... But maybe someone got into the laboratory?
Otto, the Baron's assistant:
But who, Baron?
The children? But they wouldn't do it. My sister. My sister! She always was very jealous of me. Always! But, we failed. That beautiful Serbian female. Everybody would have jumped-everyone! But maybe that head of that... creature wasn't any good? His perfect nose, his perfect nose, he has the perfect brain, he was the ...
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Better than BLOOD FOR DRACULA -- Udo Kier is tops (laughs)
This is clearly the superior of the two films that Paul Morrissey filmed at Cinecitta studios (Rome) during the early 1970s. It's the typical Frankenstein story with the Morrissey's spin on it.
And I suspect that it has a lot to do with Antonio Margheriti being involved since he is famous in Italian horror circles for the gore effects he brings to films. Especially the scene where the male monster (Srdjan Zelenovic) rips open his stomach sutures, exposing his organs in an act of suicide. Very anatomically correct.
Udo Kier is probably the best reason to see this film, however. His hammy acting skills are tops! His version of Frankenstein is so demented, I guess the German accent adds a lot to it. Usually it's an American or English actor who plays Frankenstein so having a real life German (speaking in English, of course) adds to the atmosphere.
And of course Joe Dallesandro's New York accent sounds totally out of place here, just as it did in BLOOD FOR DRACULA. He sounds like a male hustler hanging out in Times Square instead of an Italian stable boy
Also hideous is Monique Van Vooren as Baroness. Good gawd, the Dallesandro character must have been real hard-up in order to sleep with that old hag.
Still, it has decent atmosphere and the Criterion DVD uses a widescreen print that looks crystal along with production stills of the movie, secondary commentary track by Morrissey who has some revealing comments about the film, and some silly, pseudo-intellectual commentary by Maurice Yakowar that a trashy film like this doesn't deserve.
Worth seeing mostly for Kier's presence.
6 out of 10
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