5.9/10
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Flesh for Frankenstein (1973)

R | | Horror | 17 March 1974 (USA)
Baron Frankenstein creates two "zombies" - one male, one female - planning to mate them in order to create a master race.

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Cast

Complete credited cast:
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Srdjan Zelenovic ...
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Monica, the Baron's daughter
Marco Liofredi ...
Erik, the Baron's son
Liù Bosisio ...
Olga, the maid
Fiorella Masselli ...
Large prostitute
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Farmer, Nicholas' girlfriend
Rosita Torosh ...
Sonia, the prostitute
Carla Mancini ...
Farmer
Imelde Marani ...
Blonde prostitute
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Storyline

In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be super-body and super-lover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual ascetic. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

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We dare you to see... See more »

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Horror

Motion Picture Rating (MPAA)

Rated R for bizarre violence and sexuality, and for language | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

17 March 1974 (USA)  »

Also Known As:

Andy Warhol's Frankenstein  »

Box Office

Budget:

$450,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The gory special effects are an early example of the work of Carlo Rambaldi who would later go on to create E.T. See more »

Goofs

Frankenstein created his zombies out of selected pieces of various people, and wanted to breed them to get offspring. However, regardless of the body parts he selected for each zombie, the offspring would only be a product of the reproductive organs, so choosing good brains/legs/arms etc would have made no difference at all. See more »

Quotes

Baron Frankenstein: The medical profession would love to claim my achievement as part of their own and call it a giant stride forward of medicine. But they can't. It is a giant stride forward for me!
See more »

Connections

Version of Frankenstein (2015) See more »

Frequently Asked Questions

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User Reviews

 
Better than BLOOD FOR DRACULA -- Udo Kier is tops (laughs)
6 November 2003 | by (U.S.) – See all my reviews

This is clearly the superior of the two films that Paul Morrissey filmed at Cinecitta studios (Rome) during the early 1970s. It's the typical Frankenstein story with the Morrissey's spin on it.

And I suspect that it has a lot to do with Antonio Margheriti being involved since he is famous in Italian horror circles for the gore effects he brings to films. Especially the scene where the male monster (Srdjan Zelenovic) rips open his stomach sutures, exposing his organs in an act of suicide. Very anatomically correct.

Udo Kier is probably the best reason to see this film, however. His hammy acting skills are tops! His version of Frankenstein is so demented, I guess the German accent adds a lot to it. Usually it's an American or English actor who plays Frankenstein so having a real life German (speaking in English, of course) adds to the atmosphere.

And of course Joe Dallesandro's New York accent sounds totally out of place here, just as it did in BLOOD FOR DRACULA. He sounds like a male hustler hanging out in Times Square instead of an Italian stable boy

Also hideous is Monique Van Vooren as Baroness. Good gawd, the Dallesandro character must have been real hard-up in order to sleep with that old hag.

Still, it has decent atmosphere and the Criterion DVD uses a widescreen print that looks crystal along with production stills of the movie, secondary commentary track by Morrissey who has some revealing comments about the film, and some silly, pseudo-intellectual commentary by Maurice Yakowar that a trashy film like this doesn't deserve.

Worth seeing mostly for Kier's presence.

6 out of 10


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