In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
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In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be superbody and superlover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual aesthete. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children? Written by
According to Luigi Cozzi, Antonio Margheriti allowed his friend producer to use his name as the official Italian director of this film in order to keep financial help from the state. However, this trick led to a costly prosecution for both Margheriti and the producer. See more »
When Frankenstein "shocks" life into his creatures, him and Otto are touching the bodies with bare hands, yet they do not seem to be receiving any of the electricity. See more »
Something went wrong.
Otto, the Baron's assistant:
Maybe the mixture of the blood wasn't right. You was the only one who knew about it... But maybe someone got into the laboratory?
Otto, the Baron's assistant:
But who, Baron?
The children? But they wouldn't do it. My sister. My sister! She always was very jealous of me. Always! But, we failed. That beautiful Serbian female. Everybody would have jumped-everyone! But maybe that head of that... creature wasn't any good? His perfect nose, his perfect nose, he has the perfect brain, he was the ...
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This was the first of 2 films made in quick succession by Paul Morrissey in Italy in 1973. Blood for Dracula was the other.
Flesh for Frankenstein was obviously made with it's tongue firmly in it's cheek. It's a step beyond anything Hammer attempted in this genre, especially regarding gore and dodgy accents!
Udo Kier and Arno Juerging are possibly the best comic duo to hit the screens since Abbot & Costello as the Baron and faithful sidekick Otto! Whether fooling around in the lab or scouting for suitable organs they never fail to raise a smile. Kier gets all the best lines, letting us know his views on gall bladders and his plans for the new race he is ..ehm.. putting together.
Monique Van Vooren is more sinister as the Baroness, who initially appears relatively normal, in comparison to her "husband" at least. However her eccentricities become apparent as the film goes on.
Joe Dallesandro is on screen a lot but his character doesn't contribute much to the plot. Presumably his name was used to garner publicity for the film in the US.
The Frankenstein kids take after their parents and are crucial to the twist at the end of the film. The young actors playing the kids do a good job.
The actors playing the Baron's works in progress don't have much to do, even when their characters are brought to life.
Certainly the film will not be to everybody's taste. There is plenty of gore and some dodgy sex scene sound effects. The scene showing the Baron's "interest" in the female creation and her innards pushes the boundaries a bit but it is too over the top to be anything more than comical. So sit back and enjoy this piece of 70's schlock horror.
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