Flesh for Frankenstein (1973)

R  |   |  Horror  |  17 March 1974 (USA)
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In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »


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Complete credited cast:
Nicholas, the stableboy
Monique van Vooren ...
Arno Juerging ...
Otto, the Baron's assistant
Dalila Di Lazzaro ...
Female Monster
Srdjan Zelenovic ...
Sacha / Male Monster
Nicoletta Elmi ...
Monica, the Baron's daughter
Marco Liofredi ...
Erik, the Baron's son
Liù Bosisio ...
Olga, the maid
Fiorella Masselli ...
Large prostitute
Cristina Gaioni ...
Farmer, Nicholas' girlfriend
Rosita Torosh ...
Sonia, the prostitute
Carla Mancini ...
Imelde Marani ...
Blonde prostitute


In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be super-body and super-lover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual ascetic. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


Brings The Horror Off The Screen... And Into Your Lap. See more »



Motion Picture Rating (MPAA)

Rated R for bizarre violence and sexuality, and for language | See all certifications »

Parents Guide:




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Release Date:

17 March 1974 (USA)  »

Also Known As:

Andy Warhol's Frankenstein  »

Box Office


$450,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Swedish grindcore band Nasum takes their name from a line spoken in this film. A sample of the film's dialogue is featured on their song "Blind World". See more »


When the two children escape through through the small hole, the boy goes in with one leg first, though on the other side he appears head first. See more »


Baron Frankenstein: The medical profession would love to claim my achievement as part of their own and call it a giant stride forward of medicine. But they can't. It is a giant stride forward for me!
See more »


Referenced in Ban the Sadist Videos! (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Better than BLOOD FOR DRACULA -- Udo Kier is tops (laughs)
6 November 2003 | by (U.S.) – See all my reviews

This is clearly the superior of the two films that Paul Morrissey filmed at Cinecitta studios (Rome) during the early 1970s. It's the typical Frankenstein story with the Morrissey's spin on it.

And I suspect that it has a lot to do with Antonio Margheriti being involved since he is famous in Italian horror circles for the gore effects he brings to films. Especially the scene where the male monster (Srdjan Zelenovic) rips open his stomach sutures, exposing his organs in an act of suicide. Very anatomically correct.

Udo Kier is probably the best reason to see this film, however. His hammy acting skills are tops! His version of Frankenstein is so demented, I guess the German accent adds a lot to it. Usually it's an American or English actor who plays Frankenstein so having a real life German (speaking in English, of course) adds to the atmosphere.

And of course Joe Dallesandro's New York accent sounds totally out of place here, just as it did in BLOOD FOR DRACULA. He sounds like a male hustler hanging out in Times Square instead of an Italian stable boy

Also hideous is Monique Van Vooren as Baroness. Good gawd, the Dallesandro character must have been real hard-up in order to sleep with that old hag.

Still, it has decent atmosphere and the Criterion DVD uses a widescreen print that looks crystal along with production stills of the movie, secondary commentary track by Morrissey who has some revealing comments about the film, and some silly, pseudo-intellectual commentary by Maurice Yakowar that a trashy film like this doesn't deserve.

Worth seeing mostly for Kier's presence.

6 out of 10

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