In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
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Vittorio De Sica
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Hollywood, California is turned upside down by a series of strange and horrific murders creating chaos and turmoil in tinsel town. One particular victim is kidnapped, held captive and ... See full summary »
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E. Ray Goodwin,
Jason Jay Crabtree
In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be superbody and superlover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual aesthete. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children? Written by
Director, Producer, and intentions aside, movies age however they age. This is the plight of the creative team behind any work of art, and films are no exception. Watching this movie nearly 40 years after it was made, without knowing much about Andy Warhol or anything about Paul Morissey, the best I can do is review this film on what I see:
It's hilarious! I hope that was the intent. The dialog is campy and ridiculous, the acting is over the top, the subject matter is disturbing, the gore is pretty extreme, and the story is pretty far from the touching, haunting tale that Shelley originally penned.
It is a macabre comedy of power gone unchecked (as well as inbreeding, necrophilia, organs fetishes, just for starters!) with pretty great bloody special effects and super creepy children. So, you know, a family film.
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