The most prominent female painter of Latin America, Frida Kahlo, is agonizing in her Coyoacán home. She evokes memories of her childhood, of the streetcar accident that caused her terrible ... See full summary »
Juan José Gurrola,
Vincent is a quiet, unassuming man. Who happens to have superhuman powers when exposed to water. He lives a life that keeps him away from others for the most part. Then he meets a girl. Then his powers are discovered. And his life changes.
Ginette Chaluzac, who has left Central France for Paris, now works as a seamstress in a modest workshop in the Marais district. Her life is quiet and uneventful until the day when, to her ... See full summary »
The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family: the matriarch is a sick old woman obsessed by ... See full summary »
Fernando Fernán Gómez,
José María Prada
A curiosity shot in 16mm, with the personnel working for free and using Brechtian acting techniques, the same year that Jacques Rivette released his fascinating story about other two femmes: "Céline et Julie vont en bateau". Paul Vecchiali though is a French director seldom mentioned in the circles of film buffs, but his name should be added to their ruminations, at least for this title, which relies upon the leading actresses' improvisations of dialogue and situations. Hélène Surgère and Sonia Saviange play two mature actresses living in a Parisian flat. While one still tries to work on the stage and in television, the other stays at home sewing dresses for a client or two: both Hélène and Sonia are alcoholics and little by little they are detaching from reality. Characters appear and disappear only to reinforce their isolation, while the story-telling recourse of change of fortune is mainly used as a joke. An experimental work that deserves more prominence, with outstanding work from Surgère and Saviange, who impressed Pier Paolo Pasolini so much during 1974 Venice film festival, that he cast both in his last film, "Salò or The 120 Days of Sodom", as one of the story-tellers and as the pianist, respectively, in which they pay a small hommage to Vecchiali's movie.
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