Julian, a middle-aged single doctor, meets his childhood friend Pablo again. The latter is back from Africa and has just married a beautiful young blonde, Elena. Julian falls in love with ... See full summary »
José Luis López Vázquez,
Rosa la Rose is a Parisian hooker who works in Les Halles area. Her pimp is an understanding guy and she leads an uneventful life. One day she meets Julien, a young worker and falls in love... See full summary »
Tilt is the story of a young girl, who is a pinball machine wizard. Because she does not get on with her parents, Tilt is contemplating running away from home, and skipping school one day ... See full summary »
Elizabeth sends telegrams to her old boyfriend Ben in NYC and to her younger sister Leo in Rome to join her in Paris, where she is selling her dead father's estate. When Ben and Leo arrive, a mysterious adventure begins.
Boris and Dimitri are brothers. They are both doctors in the 13th district of Paris and always work together. They devote all their time to their patients. One day, they start looking after... See full summary »
A man walks every night along the jetty. There he meets a young woman who is waiting for the man of her life. Over four nights, they discuss life and he gradually falls in love with her. But then the man she's been yearning for arrives.
A curiosity shot in 16mm, with the personnel working for free and using Brechtian acting techniques, the same year that Jacques Rivette released his fascinating story about other two femmes: "Céline et Julie vont en bateau". Paul Vecchiali though is a French director seldom mentioned in the circles of film buffs, but his name should be added to their ruminations, at least for this title, which relies upon the leading actresses' improvisations of dialogue and situations. Hélène Surgère and Sonia Saviange play two mature actresses living in a Parisian flat. While one still tries to work on the stage and in television, the other stays at home sewing dresses for a client or two: both Hélène and Sonia are alcoholics and little by little they are detaching from reality. Characters appear and disappear only to reinforce their isolation, while the story-telling recourse of change of fortune is mainly used as a joke. An experimental work that deserves more prominence, with outstanding work from Surgère and Saviange, who impressed Pier Paolo Pasolini so much during 1974 Venice film festival, that he cast both in his last film, "Salò or The 120 Days of Sodom", as one of the story-tellers and as the pianist, respectively, in which they pay a small hommage to Vecchiali's movie.
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