Unhappy women are being murdered by Emile (Jacques Perrin), a psychotic young man suffering from the delusion that his acts are mercy killings. The detective (Julien Guiomar) assigned to ... See full summary »
Pierrot, a mechanic in Paris, falls madly for an older woman, a chemist, who at first refuses his love. Finally she accepts his love when she discovers she is affected by a deadly illness. ... See full summary »
Two young women from very different backgrounds journey into the countryside seeking respite from unsatisfactory lives and relationships, but ultimately find that there is no way back to ... See full summary »
(Korean with English subtitles) Helmed by one of Korea's leading directors, Hong Sang-soo, Jisook joins two of her girlfriends for a holiday in Korea's Kangwon Province. But in an eerie ... See full summary »
In the first half of this century, young Li Tienlu joines a travelling puppet theatre and subsequently makes a career as one of Taiwan's leading puppeteers. During World War II the Japanese... See full summary »
A curiosity shot in 16mm, with the personnel working for free and using Brechtian acting techniques, the same year that Jacques Rivette released his fascinating story about other two femmes: "Céline et Julie vont en bateau". Paul Vecchiali though is a French director seldom mentioned in the circles of film buffs, but his name should be added to their ruminations, at least for this title, which relies upon the leading actresses' improvisations of dialogue and situations. Hélène Surgère and Sonia Saviange play two mature actresses living in a Parisian flat. While one still tries to work on the stage and in television, the other stays at home sewing dresses for a client or two: both Hélène and Sonia are alcoholics and little by little they are detaching from reality. Characters appear and disappear only to reinforce their isolation, while the story-telling recourse of change of fortune is mainly used as a joke. An experimental work that deserves more prominence, with outstanding work from Surgère and Saviange, who impressed Pier Paolo Pasolini so much during 1974 Venice film festival, that he cast both in his last film, "Salò or The 120 Days of Sodom", as one of the story-tellers and as the pianist, respectively, in which they pay a small hommage to Vecchiali's movie.
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