| Photos (See all 20 | slideshow) |
| Alain Cuny | ... | Mario | |
| Sylvia Kristel | ... | Emmanuelle | |
| Marika Green | ... | Bee | |
| Daniel Sarky | ... | Jean | |
| Jeanne Colletin | ... | Ariane | |
| Christine Boisson | ... | Marie-Ange | |
| Samantha | |||
| Gabriel Briand | (as Gaby Brian) | ||
| Gregory |
Directed by | |||
| Just Jaeckin | |||
Writing credits | ||
| Emmanuelle Arsan | (novel) | |
| Jean-Louis Richard | ||
Produced by | |||
| Yves Rousset-Rouard | .... | producer | |
Original Music by | |||
| Pierre Bachelet | |||
Cinematography by | |||
| Richard Suzuki | (director of photography) | ||
Film Editing by | |||
| Claudine Bouché | |||
Costume Design by | |||
| Georges Bril | (costumes: men) | ||
Makeup Department | |||
| Christine Fornelli | .... | key makeup artist (as Christiane Fornelli) | |
| Andrea Pfister | .... | hair stylist | |
Production Management | |||
| Michel Choquet | .... | production manager | |
| Lionel de Sousa | .... | unit manager | |
| Jean Pieuchot | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Philippe Leriche | .... | assistant director | |
Art Department | |||
| Léo Kouper | .... | poster artist (uncredited) | |
Sound Department | |||
| Paul Bertault | .... | sound mixer | |
| Jean-Claude Duval | .... | sound re-recording mixer | |
| André Hervée | .... | sound engineer | |
Camera and Electrical Department | |||
| Louis Balthazard | .... | key grip | |
| Robert Fraisse | .... | camera operator | |
| Jean-Paul Lemaître | .... | first assistant camera | |
| Jean-Claude Naour | .... | chief electrician | |
| Marie Saunier | .... | still photographer | |
Costume and Wardrobe Department | |||
| Dan Beranger | .... | dresses | |
| Jean-Charles Brosseau | .... | hat designer | |
| Sylvia Panigel | .... | costumer (as Sylvia Panijel) | |
| Andrea Pfister | .... | shoe designer (as Andréa Pfister) | |
| Helene Tourin | .... | swimming costumes (as Hélène Tourn) | |
Editorial Department | |||
| Olivier Froux | .... | apprentice editor | |
| Jérôme Richard | .... | apprentice editor | |
| Dany Zuchowicki | .... | assistant editor | |
Music Department | |||
| Hervé Roy | .... | musical director | |
Other crew | |||
| Nitya Phenkun | .... | interpreter | |
| J. Thévenet | .... | titles | |
| G. Veinat | .... | titles | |
| Alice Ziller | .... | script supervisor | |
|
|
|
|
|
| The Voyeur | Black Belly of the Tarantula | Emmanuelle II | The Key | Strip Nude for Your Killer |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
The biggest cinema surprise hit of 1975, based on a book by Emmanuelle Arsan, made Dutch model Sylvia Kristel a famous actress. The first thing you'll notice is that over 30 years later, the fascination with the exotic is still strong. It was worth going to Thailand and present the real thing instead of shooting "Asian" scenes in a park in Spain or Italy like many other European film crews did at the time. And it surely is one of the very few erotic films where you have to pay attention to the dialogs. It was important to explain the bizarre idea of "freedom" which the scandalous novel had introduced - arguably a two-edged sword. It is said that dependency is humiliating, but aren't scenes like when Emmanuelle is given as a "prize" to the Thai boxer even more humiliating? Easy to see why the movie stirred up discussions - which made even more people want to watch it. The ambiguity of this "freedom" in "Emmanuelle" thus was used for marketing. In her autobiography "Undressing Emmanuelle", Kristel recalls one scene with real horror: near the end, when she is raped by the opium smoker. The young man didn't understand a word of what she or the director said, so he just grabbed her. Sylvia's disgust is visible, and if the sequels hadn't been softer, she probably wouldn't have made them. The first Emmanuelle film still was experimenting with both visual style and a provocative attitude; it may have created a certain formula even though it didn't completely obey its rules, since it was rather the more gentle and glossy second Emmanuelle film which perfected the formula. I voted 7/8/6/4/6/7 for the six cinema films of the series.