Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very ... See full summary »
In order to escape from her former lover Marc, Sylvia goes to Brazil where Dr. Santamo transforms her into the beautiful Emmanuelle. With this new identity comes a sexual awakening which is... See full summary »
The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion. Rene discharges a personal debt by transferring possession of O... See full summary »
Emmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dilliance between her and a film director starts to turn serious her husband shows ... See full summary »
In her first onscreen adventure, journalist/photographer Mae Jordan (known to her readers as "Emanuelle") travels to Africa on assignment. Questions of her own racial and sexual identity ... See full summary »
[American version.] Emmanuelle has a streak of bad luck that starts when she is stripped by a mob of adoring fans at the Cannes Film Festival. Her rotten luck continues when the dictator of... See full summary »
Dana Burns Westburg
Journey with Emmanuelle and the world's most exquisite models deep into the Amazon jungle to the heart of paradise. Beauty can be dangerous and the women soon find themselves captive to a ... See full summary »
A film adaptation of D.H. Lawrence's novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her ... See full summary »
Emmanuelle is a beautiful young model and lives in Bangkok together with her husband Jean, who's several years older. She likes him because he's taught her much, and he likes her because she's learning so well - and wants to often. Both are very tolerant in matters of extramarital affairs, so he doesn't mind the young Marie-Ange coming over every so often, although she obviously wants more than talk from his wife. But Emmanuelle is more fascinated by the older Bee, and joins her on a trip into the jungle. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Star Sylvia Kristel was apparently fairly unhappy that she was not approached regarding the English-language dub of the film, as she herself spoke fluent English and felt she was capable of doing the job herself. See more »
(at around 1 min) When Emmanuelle is on the plane, she closes the blind fully and curls up. A fellow passenger sits down and embraces her. In addition to the high spotlight on her cleavage, there's a bright light coming from the direction of said covered window. See more »
It states that one must make love without shame or constraint. That virginity is not glorious. That the couple has its limits. And that these limits must be stretched to infinity.
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The biggest cinema surprise hit of 1975, based on a book by Emmanuelle Arsan, made Dutch model Sylvia Kristel a famous actress. The first thing you'll notice is that over 30 years later, the fascination with the exotic is still strong. It was worth going to Thailand and present the real thing instead of shooting "Asian" scenes in a park in Spain or Italy like many other European film crews did at the time. And it surely is one of the very few erotic films where you have to pay attention to the dialogs. It was important to explain the bizarre idea of "freedom" which the scandalous novel had introduced - arguably a two-edged sword. It is said that dependency is humiliating, but aren't scenes like when Emmanuelle is given as a "prize" to the Thai boxer even more humiliating? Easy to see why the movie stirred up discussions
which made even more people want to watch it. The ambiguity of this
"freedom" in "Emmanuelle" thus was used for marketing. In her autobiography "Undressing Emmanuelle", Kristel recalls one scene with real horror: near the end, when she is raped by the opium smoker. The young man didn't understand a word of what she or the director said, so he just grabbed her. Sylvia's disgust is visible, and if the sequels hadn't been softer, she probably wouldn't have made them. The first Emmanuelle film still was experimenting with both visual style and a provocative attitude; it may have created a certain formula even though it didn't completely obey its rules, since it was rather the more gentle and glossy second Emmanuelle film which perfected the formula. I voted 7/8/6/4/6/7 for the six cinema films of the series.
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