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Effi Briest (1974)
"Fontane Effi Briest" (original title)

 |  Drama, History  |  16 June 1977 (USA)
7.0
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Ratings: 7.0/10 from 1,500 users  
Reviews: 10 user | 19 critic

In the nineteenth century, seventeen year old Effi Briest is married to the older Baron von Instetten and moves into a house, that she believes has a ghost, in a small isolated Baltic town.... See full summary »

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Cast

Cast overview, first billed only:
...
Wolfgang Schenck ...
...
Lilo Pempeit ...
Frau Briest
Herbert Steinmetz ...
Ursula Strätz ...
Irm Hermann ...
Karlheinz Böhm ...
Wüllersdorf (as Karl-Heinz Böhm)
Karl Scheydt ...
Kruse
Barbara Lass ...
Polnische Köchin
Rudolf Lenz ...
Geheimrat Rummschüttel
Andrea Schober ...
Annie von Instetten
Eva Mattes ...
Theo Tecklenburg ...
Pastor Niemeyer
An Dorthe Braker ...
Frau Pasche (as Anndorthe Braker)
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Storyline

In the nineteenth century, seventeen year old Effi Briest is married to the older Baron von Instetten and moves into a house, that she believes has a ghost, in a small isolated Baltic town. She soon bears a daughter, Annie, and hires the lapsed Catholic Roswitha to look after her. Effi is lonely when her husband is away on business, so she spends time riding and walking along the shore with Major Crampas. Instetten is promoted to Ministerial Councillor and the family moves to Berlin, where Effi enjoys the social life. Six years later, the Baron is given letters from Crampas to Effi that convince him that they had an affair. He feels obliged to challenge Crampas to a duel and banish Effi from the house. Written by Will Gilbert

Plot Summary | Add Synopsis

Genres:

Drama | History

Certificate:

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Details

Country:

Language:

Release Date:

16 June 1977 (USA)  »

Also Known As:

Effi Briest  »

Box Office

Budget:

DEM 750,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Rainer Werner Fassbinder insisted that Kurt Raab have a bald patch shaved into his scalp for an important scene. Raab did what was asked of him only for Fassbinder to drop the scene altogether. See more »

Quotes

Effi Briest: He was as noble as one who doesn't know true love can be.
See more »

Connections

Version of Rosen im Herbst (1955) See more »

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User Reviews

 
A Woman's Heart
15 June 2008 | by (Berlin, GER) – See all my reviews

Maybe Theodor Fontane does not belong to the outstanding writers of world literature (he would be too provincial for the whole wide world perhaps), but nevertheless, his poetic realism and his sophisticated powers of observation lead his stories to a deep, often radical criticism of social conventions.

That's probably the reason why Fassbinder adopted Fontane's most famous novel "Effi Briest" - to tell the story from the writer's very point of view, as far as possible and to make the social mechanisms of oppression and the assimilation of the individual to that obvious. His concern is already pointed out in the exceptionally long title of the film, which I can imagine is the longest in history and translates something like this: Fontane – Effi Briest or: Many who have a notion of their abilities and needs and nevertheless accept the current regime in their minds through their deeds and therefore stabilize and pretty much affirm it

The atmosphere of coldness, of distance (which is, thanks to Fassbinder, at times really excruciating), of alienation is thematised through the cinematic techniques: mirror shots of the actors with a sometimes very blurred camera, misalignment of the camera by statues, flowers or curtains, cross-fades of dialogues and blindingly white fade-outs which sometimes abruptly interrupts a scene. In this sense, Fassbinder tightened Fontane's criticism to a maximum, but he wouldn't be Fassbinder otherwise.


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