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A small boy abandoned in the jungle and raised by a benevolent group of apes slowly begins to realize that he isn't quite like the rest of his primate family in this touching meditation on the bond shared between man and beast.
Construction Engineer Stuart Graff is estranged from his jealously possessive wife, Remy, and has an affair with Denise Marshall, the widow of a co-worker. Meanwhile, Remy tries to persuade her father, Sam Royce, who is Stuart's employer, to use his influence to stop Stuart from seeing Denise. Rogue policeman Lew Slade is suspended from the L.A.P.D. for having punched an obtuse officer from another jurisdiction. Embittered, Slade contemplates quitting the police force. Jody, a perverted grocery store manager, lusts after Rosa Amici, sister of Sal, the assistant to Miles Quade, an aspiring daredevil motor cyclist. The lives of all these people are devastated when a major earthquake rips through Los Angeles and reduces the city to ruins. Written by
Kevin McCorry <firstname.lastname@example.org>
I saw Earthquake on the big screen, complete with the giant "Sensurround" sub-woofer installation. Everyone went, to see the spectacle and feel Sensurround, but the only good thing about the movie was that it sold lots of tickets. Walking in, we wondered how cool Sensurround would be. Half way through, we wondered when something interesting would happen. Walking out, we wondered if it was bad enough to kill the disaster genre entirely.
The Sensurround didn't feel like an earthquake (as anyone who has experienced a real one would know), it felt like a giant sub-woofer. Worse, it could rumble at only one tone and loudness -- it was either on or off. Even though I was a kid, I wondered why the Sensurround speakers couldn't make us feel the difference between the little "warning" earthquake, the Big One, and the aftershocks. The only difference between the quakes was how long they lasted. What does it say about the movie when kids in the audience are thinking about the deficiencies of the movie's big gimmick, rather than caring about what was happening in the movie?
On the small screen, without even the gimmick attraction of the flawed Sensurround, I can't imagine this movie being entertaining, except as an object of audience mockery. Unless you're in the mood to laugh at bad movie-making, see The Poseidon Adventure instead.
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