A psychotic sniper plans a massive killing spree in a Los Angeles football stadium during a major championship game. The police, led by Captain Peter Holly (Charlton Heston) and SWAT ... See full summary »
American based Federation World Airlines has just acquired a Concorde jet, which will make its inaugural commercial flight from Washington D.C. to Paris and then to Moscow as a goodwill ... See full summary »
Filmmakers Brent and Craig Renaud were sent to Haiti in January of 2010 by the New York Times to cover the earthquake that devastated Port Au Prince. Their reporting won a Columbia DuPont ... See full summary »
Construction Engineer Stuart Graff is estranged from his jealously possessive wife, Remy, and has an affair with Denise Marshall, the widow of a co-worker. Meanwhile, Remy tries to persuade her father, Sam Royce, who is Stuart's employer, to use his influence to stop Stuart from seeing Denise. Rogue policeman Lew Slade is suspended from the L.A.P.D. for having punched an obtuse officer from another jurisdiction. Embittered, Slade contemplates quitting the police force. Jody, a perverted grocery store manager, lusts after Rosa Amici, sister of Sal, the assistant to Miles Quade, an aspiring daredevil motor cyclist. The lives of all these people are devastated when a major earthquake rips through Los Angeles and reduces the city to ruins. Written by
Kevin McCorry <email@example.com>
The "Hollywood Dam" featured in the film is actually known as the "Mulholland Dam", named after famed engineer William Mulholland. The nearly-identical St. Francis Dam, near present-day Valencia, California, actually collapsed due to a geological fault on 12 March 1928. This disaster killed over 450 people and ranks second highest in terms of loss of life (behind the 1906 San Francisco earthquake) in the history of California. See more »
During the chase scene, the branch of a tree suddenly changes position before the county police's car passes the crossroads to join the other two. See more »
Mr. Cameron threw me out of the elevator, and then I heard all those people screaming!
[trying to ease the panic]
Probably the first time the old bastard ever did anybody a favor!
See more »
I saw Earthquake on the big screen, complete with the giant "Sensurround" sub-woofer installation. Everyone went, to see the spectacle and feel Sensurround, but the only good thing about the movie was that it sold lots of tickets. Walking in, we wondered how cool Sensurround would be. Half way through, we wondered when something interesting would happen. Walking out, we wondered if it was bad enough to kill the disaster genre entirely.
The Sensurround didn't feel like an earthquake (as anyone who has experienced a real one would know), it felt like a giant sub-woofer. Worse, it could rumble at only one tone and loudness -- it was either on or off. Even though I was a kid, I wondered why the Sensurround speakers couldn't make us feel the difference between the little "warning" earthquake, the Big One, and the aftershocks. The only difference between the quakes was how long they lasted. What does it say about the movie when kids in the audience are thinking about the deficiencies of the movie's big gimmick, rather than caring about what was happening in the movie?
On the small screen, without even the gimmick attraction of the flawed Sensurround, I can't imagine this movie being entertaining, except as an object of audience mockery. Unless you're in the mood to laugh at bad movie-making, see The Poseidon Adventure instead.
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