American based Federation World Airlines has just acquired a Concorde jet, which will make its inaugural commercial flight from Washington D.C. to Paris and then to Moscow as a goodwill ... See full summary »
The plot is about a guile young terrorist who is able to blackmail a series of companies by placing home-made radio controlled bombs within the central attraction of amusement parks; roller... See full summary »
Filmmakers Brent and Craig Renaud were sent to Haiti in January of 2010 by the New York Times to cover the earthquake that devastated Port Au Prince. Their reporting won a Columbia DuPont ... See full summary »
Construction Engineer Stuart Graff is estranged from his jealously possessive wife, Remy, and has an affair with Denise Marshall, the widow of a co-worker. Meanwhile, Remy tries to persuade her father, Sam Royce, who is Stuart's employer, to use his influence to stop Stuart from seeing Denise. Rogue policeman Lew Slade is suspended from the L.A.P.D. for having punched an obtuse officer from another jurisdiction. Embittered, Slade contemplates quitting the police force. Jody, a perverted grocery store manager, lusts after Rosa Amici, sister of Sal, the assistant to Miles Quade, an aspiring daredevil motor cyclist. The lives of all these people are devastated when a major earthquake rips through Los Angeles and reduces the city to ruins. Written by
Kevin McCorry <email@example.com>
The producer, Jennings Lang, offered a cameo role to his friend Walter Matthau, which Matthau accepted without compensation, on the condition that he be billed under his "real name" (which its not), "Walter Matuschanskyasky". Matthau's role was originally scripted as "a drunk sits at the end of the bar", which was expanded by writer George Fox, giving the character lines of dialogue (involving toasts to celebrities). When the film was completed, as agreed by Lang and Matthau, "The Drunk" was credited as "Walter Matuschanskayasky". This lead to a long-standing, but false, rumor that "Matuschanskayasky" was Matthau's real name. See more »
There is no furniture in the collapsing buildings during the big earthquake scene. See more »
I saw this movie on the big-screen when it was released and I actually found the Sensurround (R) to be annoying, but the film isn't as bad as critics made it out to be. I agree, the casting could have been better (the Ava Gardner/Loorne Green argument is a good one), but this is a special effects movie, and the special effects were pretty good by 1974 standards. Besides, how can a movie about the destruction of LA be so bad?
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