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4 out of 4 people found the following review useful:
Short-order satanic snoozer., 14 August 2011
Author:
EyeAskance from fabulous Las Vega$!
In days of olde, an evil but beautiful seductress and her alchemist
cohort manipulate a wealthy Baron into serving Satan. He grows more
power-hungry with each ritual killing, until a revolt of the working
class is mobilized against him.
DEVIL'S POSSESSED is a weak offering, ennobled somewhat by Paul
Naschy's dependable screen vitality. Despite having a few fleeting gory
moments, it's a curiously tame item, and less a horror film than a
medieval Robin Hood type adventure with poorly choreographed swordfight
scenes. The strongest aspect of this production is the
better-than-usual stylistic formulation of its period setting...hardly
enough reason to sing great praises.
Forestall Ye this picture, lest Ye perish in boredom. 3.5/10.
4 out of 4 people found the following review useful:
Adventure , horror and ¨sword and witchery ¨ based on the historic character Gilles De Rais, 4 February 2011
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Author:
ma-cortes
It's an adventure/action movie with sensationalistic scenes , Naif
style and lots of blood , swordplay and witchery .Dark Ages , Gilles De
Lancre (Paul Naschy) , former Mariscal of France , brave chief and
courageous warrior is now a vengeful lord , helped by his nasty
underling Sille (Mariano Vidal Molina) and his beautiful lover
Georgel(Norma Sebre) . He falls into Occultist practices and spend his
money looking the philosopher's stone by means of alchemy . A prisoner
is beheaded and Gilles pronounces a curse against his enemies ,
meanwhile he continues a murderous rampage . Gilles longing for power
and for his ambition on French crown , then he carries out criminal
rampage . He commits ominous killings and injustices against his
vassals . Gilles takes on Gaston of Malebranche who previously was
under his command . As a valiant group of rebels (Guillermo Bredeston ,
Luis Induni) sheltered in woods -such as Robin Hood and his Merrymen-
fight against the tyrant .
This terrifying exploitation picture displays adventures , fencing with
bounds and leaps ,necromancy , grisly killing, satanism and lots of
blood . B-entertainment with a fairly adventuring and horrifying story
in which a prestigious Mariscal of France turns into craziness and
undergoes a cruel slaughter . This tale about countrymen who are
attacked by the malevolent knight begins well and grows more and more
until a spectacular finale with duels and exciting fencing . Revolting,
horrible scenes and nasty images take place on decapitation , and
bloody murders with axes and arrows .The movie has a bit of ridiculous
gore with loads of blood similar to tomato and is occasionally an
engaging ¨sword and sorcery¨ movie full of thrilling sequences ,
witchery , beheading , and several other things . Sensationalistic and
exaggerated performance of Paul Naschy or Jacinto Molina . It packs a
colorful cinematography by Francisco Sanchez and atmospheric musical
score . Filmed in location on Aldea del Fresno, Madrid, Belmonte,
Cuenca, Castilla-La Mancha,Pelayos De la Presa, Seseña, Toledo,
Castilla-La Mancha, Talamanca del Jarama, Madrid, Spain. The late
Naschy was a good professional , writing, filmmaking and acting about
hundred titles , mainly in terror genre. ¨Marshall of Hell¨ is written
by Molina along with 21 screenplays as ¨Mark of Wolfman¨, ¨Night of
Walpurgis¨, ¨Vengeance of the mummy¨, ¨Licantropo¨, among them . He
directed 13 films as ¨The Cantabros¨, ¨Return of Wolfman¨, ¨The Beast
and the magic sword¨ and several others. Years later , Naschy goes back
with a similar character named Alaric De Marnac role in the film titled
¨Horror rises from the tomb¨ and ¨Panic beats¨ that acted , produced ,
wrote and directed in his peculiar style . This Spanish-Argentinian
co-production is regularly directed by Leon Klimovsky . Rating: 5,5 .
The flick will appeal to Jacinto Molina fans and Euroterror buffs .
The picture is based on historical character Gilles De Rais , the
actual events are the following : Rais served as a commander in the
Royal Army, distinguishing himself by displaying reckless bravery on
the battlefield during the renewal of the Hundred Years War. In 1429,
he fought along with Joan of Arc in some of the campaigns waged against
the English and their Burgundian allies. He was present with Joan when
the Siege of Orléans . In his confession Gilles maintained the first
assaults on children occurred between spring 1432 and spring 1433. The
first murders occurred at Champtocé-Sur-Loire; however, no account of
these murders survives. Shortly after, Gilles moved to Machecoul where,
as the record of his confession states, he killed, or ordered to be
killed, a great but uncertain number of children after he committed
sodomy upon them. Forty bodies were discovered in Machecoul in 1437.
Gilles' body-servant Étienne Corrillaut, known as Poitou, was an
accomplice in many of the crimes and testified that his master hung his
victims with ropes from a hook . Taking the victim down, Rais comforted
the child and assured him he only wanted to play with him. Gilles then
either killed the child himself or had the child slain by his cousin
Gilles de Sillé, Poitou or another body-servant called Henriet. The
victims were killed by decapitation, cutting of their throats,
dismemberment, or breaking of their necks with a stick . Rais's
prosecution would be on charges which included murder, sodomy, and
heresy. The precise number of Gilles' victims is not known, as most of
the bodies were burned or buried. The number of murders is generally
placed between 80 and 200; a few have conjectured numbers upwards of
600. The victims ranged in age from six to eighteen and included both
sexes.Execution by hanging and burning was set and Gilles and his two
accomplices made their way in procession to the place of execution on
the Ile De Biesse. There, Gilles addressed the throng of onlookers with
contrite piety, and exhorted Henriet and Poitou to die bravely and
think only of salvation. Gilles' request to be the first to die had
been granted the day before. The brush at the platform was set afire
and Rais was hanged. His body was cut down before being consumed by the
flames and claimed by "four ladies of high rank" for burial. Henriet
and Poitou were executed in similar fashion; their bodies however were
reduced to ashes in the flames and then scattered.
2 out of 2 people found the following review useful:
One of Paul Naschy's Worst Efforts, 16 May 2011
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Author:
BloodTheTelepathicDog from north dakota
Paul Naschy, werewolf of Spain and worldwide horror icon thanks to DVD,
has done a bevy of great work--but this isn't among his finest outings.
This movie centers on two war heroes who have returned from their
fight, Naschy and Guillermo Bredeston. While Paul was away, his sexy
bride (Norma Sebre) employed an alchemist and adopted the black arts.
She persuades Naschy to engage in the dark doings as well and soon he
begins sacrificing virgins to Satan in an effort to rule the world.
Guillermo, as Gaston, who saved Naschy's life in battle, sees the
transformation of his battle buddy and isn't pleased. Naschy has
effectively planted the seed of terror throughout the kingdom and the
master swordsman can only be beaten by an uprising led by Gaston, his
military equal. Gaston, in great Robin Hood fashion, leads a revolt
against the devil-worshipping Baron Naschy in order to quell the fears
of the people.
STORY: $$ (As with most of these Spanish horror films we, US film
viewers, don't know what all has been cut for editing purposes. Be that
as it may, this story has many flaws that editing had little to do
with. At times Paul struggles with his satanic dealings and a great
inner conflict could have been had there, but the writers fail to
deliver. Naschy hears the voices of dead women and children he has
killed but we only get one such seen late in the film. This leads him
to make a pilgrimage to cleanse his soul but he decides to slaughter
monks instead. The alchemy touch in the script was wanting as well.
You'll scratch your head too much in this film).
ACTING: $$$ (The acting is okay across the board. Naschy makes a much
better werewolf that aristocrat but he gets decent support from
Guillermo Bredeston as Gaston. The two actors were well cast as
opposites. Paul has that dark quality which contrasted quite well with
Guillermo's more stereotypical heroic looks. Norma Sebre shines as
Paul's twisted wife who lures him to do the Devil's bidding with
promises of world domination. It's easy to see why Paul went along with
the schemes--Norma Sebre is quite exquisite).
NUDITY: None (However, the version I viewed was clearly edited--from
the Mill Creek PURE TERROR 50 MOVIE PACK, so there might be some skin
in another version of the film. Norma Sebre is nice to look at and in
an unedited version she might offer skin. There is probably also some
virgin sacrifice nudity in unedited versions but what struck me as odd
was Paul had to sacrifice seven virgins to the Devil but he he sexually
assaults all the virgins first. Perhaps they weren't as pure after Paul
invited them to his chamber).
4 out of 6 people found the following review useful:
Okay Film, 29 February 2008
Author:
Michael_Elliott from Louisville, KY
Devil's Possessed, The (1974)
** (out of 4)
Spanish horror film with Paul Naschy is pretty much Mark of the Devil
meets The Adventures of Robin Hood. Naschy plays an evil king who's
trying to locate of jewel that will give him eternal life. While
searching for that he spends the rest of his days torturing poor people
but a Robin Hood like character shows up to challenge him. If you're
expecting a gore soaked film then you'll be highly disappointed because
this thing would probably get a PG rating. I'm not really sure what it
is but I found myself enjoying this a bit more than its rather poor
reputation. There's no nudity and very little blood but I enjoyed it
somewhat.
1 out of 1 people found the following review useful:
The Gilles Man, 20 March 2012
Author:
ferbs54 from United States
*** This review may contain spoilers ***
The real-life historical figure Gilles de Rais apparently inspired Paul
Naschy--the so-called "Boris Karloff of Spain"--to create two of his
greatest characters. de Rais, a 15th century French knight who fought
alongside Joan of Arc and later became an aspiring alchemist, Satanist
and serial child killer, first prompted Naschy to come up with the
necromancer/Satanist character Alaric de Marnac for his 1973 classic
"Horror Rises From the Tomb." Though beheaded in 1454, de Marnac
(played by Naschy himself) returned to cause major-league mishegas 520
years later in the film, and even came back for an encore in 1983's
"Panic Beats," an even superior outing. In 1974, though, Naschy wrote
the screenplay for a more realistic look at the Gilles de Rais legend,
for that year's "The Devil's Possessed." Here, Naschy plays a character
named Gilles de Lancre, a noble French warrior who returns to his
baronial castle after years of warring with the English. Not given what
he deems sufficient recognition by his king, de Lancre decides to
dedicate the remainder of his life to learning and science. His wife
Georgelle (a wonderfully evil performance from the beautiful blonde
Norma Sebre) and the quack alchemist Simon de Braqueville (Eduardo
Calvo) convince him to seek the legendary Philosopher's Stone, despite
the necessity involved of sacrificing young village maidens to obtain
their blood. de Lancre initially refuses to proceed--"Science should
not be related to crime," he declares--but once on that slippery slope,
he becomes increasingly more power hungry, sadistic and insane.
Meanwhile, an old war buddy of his, the Captain Gaston de Malebranche
(an energetic performance from the extremely likable Guillermo
Bredeston), returns from a four-year captivity amongst the English, is
appalled at the change in his old friend, and opts to lead a rebellion
against the baron and his well-guarded castle....
Basically a sword-and-sandal flick with an increased payload of
violence and gore, torture and mayhem, "The Devil's Possessed" has been
well directed by frequent Naschy collaborator Leon Klimovsky and
features authentic-looking costumes and realistically grubby sets.
(Many of these medieval epics look a bit too clean and tidy to me;
here, even the baron's feasting chamber looks like the inside of a
barn; hardly an ornate affair!) The picture sports some nice outdoor
location shooting and a most impressive-looking castle, having been
shot in Sesena (30 miles south of Madrid), Aldea del Fresno (30 miles
west of Madrid) and Belmonte (80 miles southeast of Madrid). The film's
lovely opening theme for strings and flute, composed by Carlos
Vizziello, goes far in setting up a medieval atmosphere; his background
music often turns decidedly strange, however, such as those electronic
blips and blurps that accompany the first Satanic sacrifice at the
ruined abbey. Befitting a film of this type, traditional set pieces
such as a quarterstaff match, a joust and that aforementioned castle
banquet (replete with capering jesters) are trotted out, and the
gorehounds in the audience should delight in the film's many scenes of
torture (on the rack, with red-hot brands and a red-hot crown, via eye
gouging) and mayhem, including a decapitation and any number of sword
and knife casualties. The viewer waits patiently for the final showdown
between de Lancre and Malebranche--"It could be a great, great
spectacle," de Lancre muses out loud whilst thinking of this impending
mano a mano--and when it does come, it does not disappoint. (Still, it
cannot compare to the awesome sword fight to be had between Stewart
Granger and Mel Ferrer in "Scaramouche," or between Errol Flynn and
Basil Rathbone in "The Adventures of Robin Hood," or between Tyrone
Power and Basil Rathbone in "The Mark of Zorro"....) de Lancre is a
fascinating character, an epileptic who shows remorse for his sins and
is plagued by the voices of the many villagers he has slain. But when
he goes to a local church to do penance, and kills an accusing monk
while en route, the viewer knows that he is truly doomed. And in a
finale cleverly lifted from Akira Kurosawa's "Throne of Blood," that
doom really is something to behold!
As for this DVD, from an outfit apparently known as Substance, it gives
us a decent-looking print, although nothing wonderful, and backed with
lousy dubbing. A bare-bones affair, the only "extras" included are the
chapter stops and a list of some of the cast members. Hardly the
packed-to-the-gills DVD that Troma offers for the Naschy title "The
Hanging Woman," but still, well worth investigating. A project
obviously close to Naschy's heart (and he IS terrific in it), "The
Devil's Possessed" is an important addition to this great filmmaker's
ouevre....
1 out of 1 people found the following review useful:
THE DEVIL'S POSSESSED (Leon Klimovksy, 1974) **1/2, 28 January 2011
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Author:
MARIO GAUCI (marrod@melita.com) from Naxxar, Malta
This misleadingly-titled film should not even really be classified as
horror, despite the myriad diabolic invocations and torture scenes. It
is a good-looking medieval epic with a plot which basically amalgamates
Shakespeare's "Macbeth" (spurned nobleman Paul Naschy being egged on by
his ambitious wife to seize power from the current ruler) with the
legendary exploits of Robin Hood (opposition to the tyrant being
provided by a band of outlaws) cue numerous athletic action scenes,
and there is even a jousting tournament in an effort to catch their
leader (who happens to be the tyrant's former ally) but, rather than
hide his identity, he smiles defiantly at Naschy's wife before taking
on her husband in mortal combat!!
As usual, the star also penned the script attempting to lend sympathy
to his character by making him gullible rather than truly evil (he is
also shown feeling remorse and being, economically but effectively,
haunted by his victims)
though he still gets to lose an eye and,
eventually, expires from a hail of arrows in clear imitation of Akira
Kurosawa's own definitive "Macbeth" adaptation THRONE OF BLOOD (1957).
Still, Klimovsky being no more than a journeyman director, the result
is too often heavy-handed (if undeniably enjoyable) and, in any case,
the countless references to the villain's lust for power as "The Great
Work" is not a little silly (especially since he only sends for the man
he himself dubs "the world's greatest sorcerer" to this end only after
several other alchemists had failed WTF?!). To add insult to injury,
the latter is just another quack who even performs the "Wizard of Oz"
routine of enlightening the hero through a dead man's skull (when, in
reality, he is hiding behind some rocks nearby and talking through a
primitive microphone)! Equally anachronistic is the fact that, while
generally appropriately robust, the music score is marred by
intermittent and completely incongruous electronic passages!
While Naschy's "Waldemar Daninsky" Werewolf effort CURSE OF THE DEVIL
(1973) similarly adopted a medieval setting (as did the opening scene
of his best outing in that popular series i.e. THE CRAVING [1980]), THE
DEVIL'S POSSESSED whose original Spanish title translates to HELL'S
MARSHALL was the first of a loose trilogy, to be followed by two the
star directed himself (which he actually considered his own personal
favorites and that I will be checking out in quick succession):
INQUISITION (1976) and THE TRAVELER (1979).
2 out of 3 people found the following review useful:
Not The Great Late Paul Naschy's Finest Hour, 21 December 2009
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Author:
Benjamin Gauss from Salzburg, Austria
I tend to love everything the great late Paul Naschy (R.I.P.) ever was
in. While not all films starring Naschy are great, they all have a
specific charm that can be found nowhere but in Naschy-flicks, and they
are always entertaining. There is no rule without exception, however,
as "El Mariscal Del Infierno" aka. "The Devil's Possessed" (1974)
proves. While the film does have the specific Naschy-flick-charm, it
sadly drags far too much and gets really, really dull in-between.
Naschy stars as the evil Baron Gilles De Lancré, who oppresses the
people and uses black magic and bloody rituals to stay in power. When
Gaston de Malebranche (Guillermo Bredeston), who fought side by side
with Gilles De Lancré against the British, learns about the Baron's
evil behavior, he decides to turn against his former comrade in arms
and help the people free themselves from the satanic Baron's tyranny...
Directed by León Klimovsky, who is best known for directing Naschy in
"La Noche De Walpurgis" ("The Werewolf Vs. The Vampire Woman", 1971),
the film was scripted by Naschy himself. Naschy often scripted his own
films, and one must say that he mostly did a better, more original job
than it is the case here. "El Mariscal Del Infierno" is mostly built up
as a historical adventure rather than a Horror film, and it gets quite
boring throughout the middle. It often resembles the Sword and Sandal
films from the 50s, only that this film is set in medieval times. The
Satanic part was probably only added because the great Paul Naschy's
name is linked to the Horror genre. The film has its good parts: Paul
Naschy giving weird speeches, Paul Naschy looking weird, Paul Naschy
doing Satanic stuff, Paul Naschy torturing innocent victims, etc. But
sadly, most of the film concentrates on the boring hero and the good
guys, and these moments are boring. The female cast members are nice to
look at, but, unlike most Naschy films, this one features no nudity and
sleaze. There is some gore, but it mostly looks clumsy and isn't as fun
too look at as it is the case with most other Naschy films. Overall,
"El Mariscal Del Infierno" is only worth a look for my fellow
Naschy-enthusiasts. There are dozens of films starring the Spanish
Horror deity which should be seen before this one, such as "El Jorobado
De La Morgue" ("The Hunchback of the Morgue", 1973), "La Orgia De Los
Muertos" ("The Hanging Woman", 1973), "El Espanto Surge De La Tumba"
("Horror Rises From The Tomb", 1973), "Latidos De Panico" ("Panic
Beats", 1983), "Rojo Sangre" (2004), or any of the 'Waldemar Daninsky'
werewolf films. R.I.P. Paul Naschy. Legends never die!
An offbeat and atypical Paul Nascy vehicle, 18 April 2012
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Author:
Woodyanders (Woodyanders@aol.com) from The Last New Jersey Drive-In on the Left
*** This review may contain spoilers ***
Nobleman Baron Gilles de Lancre (Paul Naschy in fine sadistic form) falls under the pernicious control of his evil mistress Georgelle (a nicely wicked portrayal by ravishing blonde Norma Sebre) and her shrewd alchemist accomplice Simon de Braqueville (a sound turn by Eduardo Calvo). Gilles begins a vicious reign of terror over his village that includes torture and ritualistic sacrifices. It's up to a band of outlaws to overthrow him. Director Leon Klimovsky, working from an engrossing script by Naschy, relates the intriguing story at a steady pace, delivers a vivid evocation of the flavorsome medieval period setting, stages the lively sword fights with real rip-roaring flair, and certainly doesn't skimp on the bloody violence and raw brutality. Moreover, the plot has neat similarities to Shakespeare's "Macbeth," Naschy has an absolute ball with his juicy bad guy role, and there are praiseworthy contributions from Guillermo Bredeston as the dashing Gaston de Malebrauche and Graciela Nilson as sweet fair maiden Graciela. Francisco Sanchez's crisp cinematography gives the picture an impressively sumptuous look. Carlo Viziello's alternately harmonic and dissonant score does the trick. Worth a watch for Naschy fans.
1 out of 2 people found the following review useful:
Only the Philosopher's Stone will give me the strength., 31 January 2010
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Author:
lastliberal from United States
Not the greatest film to remember Paul Naschy by.
Gaston (Guillermo Bredeston) is probably the worst swordsman I have
ever seen. Zorro would be ashamed! His only salvation came as the
competition was just as bad.
This film is described as adventure and horror. Forget the horror -
there is none. No nudity, no blood, no monsters; just a Robin Hood
adventure against an evil Baron (Paul Naschy) who wants to be King.
The main feature of the film was seeing Graciela Nilson, who only made
four films in two years and disappeared to our regrettable loss. Where
did she go?
2 out of 6 people found the following review useful:
Not the Spanish Inquisition.., 7 January 2006
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Author:
John Mclaren from London, England
This 1974 Naschy outing is directed by Leon Klimovsky, and a cursory
glance at the publicity photos and packaging might lead you to believe
that this medieval romp lies somewhere between "Inquisition" and
"Sadomania". Sadly not.
This is a strictly PG affair with tame torture sequences, no nudity and
little edge at all. Naschy (of whom I am a fan) struts his stuff as
Gilles de Lancre, "antiguo Mariscal de la nacion". Sadly he is more
pantomime villain than anything else. One gets the feeling with this
film that we have seen him (and it) done all before. Strictly therefore
for Naschy completest only.
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