Following World War II, a retired professor approaching his autumn years finds his quality of life drastically reduced in war-torn Tokyo. Denying despair, he pursues writing and celebrates his birthday with his adoring students.
A Russian army explorer who is rescued in Siberia by a rugged Asian hunter renews his friendship with the woodsman years later when he returns as the head of a larger expedition. The hunter finds that all of his nature lore is of no help when he accompanies the explorer back to civilization. Written by
Keith Loh <email@example.com>
This film was made when a member of the Russian embassy contacted Akira Kurosawa, asking him to make a Russian film for Russians, being that television hadn't grown yet in the USSR and that Russia lacked, according to the ambassador, good writers and directors for films. See more »
The rifle Captain Arseniev carries is a Winchester Model 1895 musket. The Russians acquired these rifles in 1915-1916, therefore the Captain most likely would not be issued a Winchester in 1905. See more »
Fire angry, forest burn for many days. Fire get angry, frightful. Water get angry, frightful. Wind get angry, frightful. Fire, water, wind. Three mighty men.
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Dersu Uzala is without a doubt one of the best films I have seen. It is a film that haunts me still. It is a story of a lone hunter that befriends some explorers and guides them through the wilderness of Siberia.
The cinematography is spectacular (Kurosawa--need I say more?) and the story is so well told. The story is both obvious and subtle at the same time. The old man guides them and they survive. Also the old man represents the ways of the hills--even represents the hills and wilderness itself--and we see how he fails to fit in with civilization and progress. It is a story of great triumph and great sorrow. It it does not move you, then you are truly dead inside.
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