A Russian army explorer who is rescued in Siberia by a rugged Asian hunter renews his friendship with the woodsman years later when he returns as the head of a larger expedition. The hunter finds that all of his nature lore is of no help when he accompanies the explorer back to civilization. Written by
Keith Loh <email@example.com>
According to Variety magazine, a Mosfilm spokesman stated that "artistic direction of the [film] will be left 100% to Kurosawa direction." See more »
Near the end of the movie, when Dersu gives Vova his forked walking stick, he tells the boy that he's had that stick for "many, many years." In the first half of the film Dersu's walking stick had much longer forks. See more »
Fire angry, forest burn for many days. Fire get angry, frightful. Water get angry, frightful. Wind get angry, frightful. Fire, water, wind. Three mighty men.
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A hauntingly beautiful film set in the wilderness of eastern Siberia
On the face of it, Dersu Uzala would not seem like a candidate for a great film. The story is about a young Russian (Imperial Russia) officer is sent to the far east of Siberia to explore. He meets with a native of the region and they form a bond together. The territory in question is the wild, rugged eastern Siberia (north of Valdivostok). I would say that you have not lived until you have seen what Kurosawa can do filming nature in its raw splendor and magnificence. The scenes in this film like the wind rushing through the tall reeds, or the mist draping the forested hills, are images of haunting beauty.
Kurosawa, one of the greatest film directors of the 20th century, made his final masterpiece with film. The characters are well drawn, the sub-text of the story (the clash of civilization vs. nature) is nuanced, but most of all it is the wild beauty of nature which is the focus of this film. Once you see it, I don't think you will forget it, I know I never have.
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