Following World War II, a retired professor, approaching his autumn years, finds his quality of life drastically reduced in war torn Tokyo. Denying despair, he pursues writing and celebrates his birthday with his adoring students.
A Russian army explorer who is rescued in Siberia by a rugged Asian hunter renews his friendship with the woodsman years later when he returns as the head of a larger expedition. The hunter finds that all of his nature lore is of no help when he accompanies the explorer back to civilization. Written by
Keith Loh <email@example.com>
Same as in Kurosawa's other films, this one too continues the tradition of having various weather conditions (rain, snow, rainbow...) for aesthetic or symbolic value. See more »
The rifle Captain Arseniev carries is a Winchester Model 1895 musket. The Russians acquired these rifles in 1915-1916, therefore the Captain most likely would not be issued a Winchester in 1905. See more »
A hauntingly beautiful film set in the wilderness of eastern Siberia
On the face of it, Dersu Uzala would not seem like a candidate for a great film. The story is about a young Russian (Imperial Russia) officer is sent to the far east of Siberia to explore. He meets with a native of the region and they form a bond together. The territory in question is the wild, rugged eastern Siberia (north of Valdivostok). I would say that you have not lived until you have seen what Kurosawa can do filming nature in its raw splendor and magnificence. The scenes in this film like the wind rushing through the tall reeds, or the mist draping the forested hills, are images of haunting beauty.
Kurosawa, one of the greatest film directors of the 20th century, made his final masterpiece with film. The characters are well drawn, the sub-text of the story (the clash of civilization vs. nature) is nuanced, but most of all it is the wild beauty of nature which is the focus of this film. Once you see it, I don't think you will forget it, I know I never have.
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