Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
Following World War II, a retired professor approaching his autumn years finds his quality of life drastically reduced in war-torn Tokyo. Denying despair, he pursues writing and celebrates his birthday with his adoring students.
A Russian army explorer who is rescued in Siberia by a rugged Asian hunter renews his friendship with the woodsman years later when he returns as the head of a larger expedition. The hunter finds that all of his nature lore is of no help when he accompanies the explorer back to civilization. Written by
Keith Loh <firstname.lastname@example.org>
Kurosawa, since childhood, had been a devoted fan of Russian literature - a fact, of course, already well-known to Mosfilm when that studio asked him to suggest a literary source for the director to adapt into a film to be shot in the Soviet Union. Nevertheless, the studio was taken aback when he suggested that he be allowed to film Arseniev's book about Dersu Uzala: they were astonished that he had even heard of it, because the book at that time was so little known outside the USSR. See more »
Near the end of the movie, when Dersu gives Vova his forked walking stick, he tells the boy that he's had that stick for "many, many years." In the first half of the film Dersu's walking stick had much longer forks. See more »
A hauntingly beautiful film set in the wilderness of eastern Siberia
On the face of it, Dersu Uzala would not seem like a candidate for a great film. The story is about a young Russian (Imperial Russia) officer is sent to the far east of Siberia to explore. He meets with a native of the region and they form a bond together. The territory in question is the wild, rugged eastern Siberia (north of Valdivostok). I would say that you have not lived until you have seen what Kurosawa can do filming nature in its raw splendor and magnificence. The scenes in this film like the wind rushing through the tall reeds, or the mist draping the forested hills, are images of haunting beauty.
Kurosawa, one of the greatest film directors of the 20th century, made his final masterpiece with film. The characters are well drawn, the sub-text of the story (the clash of civilization vs. nature) is nuanced, but most of all it is the wild beauty of nature which is the focus of this film. Once you see it, I don't think you will forget it, I know I never have.
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