| Photos (See all 10 | slideshow) |
Directed by | |||
| Michael Winner | |||
Writing credits | ||
| Brian Garfield | (novel) | |
| Wendell Mayes | (screenplay) | |
Produced by | |||
| Hal Landers | .... | producer | |
| Bobby Roberts | .... | producer | |
| Michael Winner | .... | co-producer | |
| Dino De Laurentiis | .... | producer (uncredited) | |
Original Music by | |||
| Herbie Hancock | |||
Cinematography by | |||
| Arthur J. Ornitz | (director of photography) | ||
Film Editing by | |||
| Bernard Gribble | |||
Casting by | |||
| Cis Corman | |||
Production Design by | |||
| Robert Gundlach | |||
Set Decoration by | |||
| George DeTitta Sr. | (as George DeTitta) | ||
Costume Design by | |||
| Joseph G. Aulisi | |||
Makeup Department | |||
| Phil Rhodes | .... | makeup artist (as Phillip Rhodes) | |
| Verne Caruso | .... | hairdresser (uncredited) | |
Production Management | |||
| Stanley Neufeld | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Larry Y. Albucher | .... | assistant director (as Larry Albucher) | |
| Charles Okun | .... | assistant director | |
| Ralph S. Singleton | .... | assistant director (as Ralph Singleton) | |
| Howard Himmelstein | .... | dga trainee (uncredited) | |
Art Department | |||
| Connie Brink | .... | property master (as Conrad Brink) | |
| Sante Fiore | .... | scenic artist | |
| Richard Adee | .... | assistant property master (uncredited) | |
| Joe Gerson | .... | assistant production designer (uncredited) | |
| Robert H. Klatt | .... | set dresser (uncredited) | |
| Carlos Quiles | .... | carpenter (uncredited) | |
Sound Department | |||
| Alfred Cox | .... | dubbing editor | |
| James Sabat | .... | sound recordist | |
| Jim Shields | .... | dubbing editor (as James Shields) | |
| Hugh Strain | .... | re-recordist | |
| Arthur Bloom | .... | sound recordist (uncredited) | |
| Robert Rogow | .... | boom operator (uncredited) | |
Stunts | |||
| Alan Gibbs | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Lou Barlia | .... | camera operator (as Louis Barlia) | |
| Charles Kolb | .... | head grip | |
| Willie Meyerhoff | .... | gaffer (as Willy Meyerhoff) | |
| Don Biller | .... | camera assistant (uncredited) | |
| Louis Cappeta | .... | grip (uncredited) | |
| Joseph Di Pasquale | .... | first assistant camera (uncredited) | |
| Jack Gereghty | .... | still photographer (uncredited) | |
| Cornelius Hannan | .... | electrician (uncredited) | |
| John Khorigan | .... | grip (uncredited) | |
| Owen Marsh | .... | camera operator (uncredited) | |
| Sal Martorano | .... | best boy (uncredited) | |
| Richard Meyerhoff | .... | electrician (uncredited) | |
| Jack Stager | .... | still photographer (uncredited) | |
| Ken Thompson Sr. | .... | grip (uncredited) | |
Casting Department | |||
| Frank Kennedy | .... | extras casting: locations (uncredited) | |
Costume and Wardrobe Department | |||
| Joseph W. Dehn | .... | wardrobe (as Joseph Dehn) | |
Editorial Department | |||
| William Lustig | .... | apprentice editor (uncredited) | |
Music Department | |||
| Herbie Hancock | .... | music performer | |
| Herbie Hancock | .... | orchestrator | |
Transportation Department | |||
| James Lake | .... | driver (uncredited) | |
| Harold 'Whitey' McEvoy | .... | transportation captain (uncredited) | |
Other crew | |||
| Stephen Cory | .... | assistant to director (as Steven Cory) | |
| Dino De Laurentiis | .... | presenter | |
| Barbara Robinson | .... | script supervisor | |
| Ernest Anderson | .... | press agent (uncredited) | |
| Sam Goldrich | .... | location auditor (uncredited) | |
| Michael Kennedy | .... | production assistant (uncredited) | |
| Adeline Leonard Seakwood | .... | production office coordinator (uncredited) | |
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| Death Wish II | Death Wish 3 | Dirty Harry | The Dark Knight | The Professional: Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
An animated performance by the normally stoic Charles Bronson lifts what would have been a standard revenge yard to new heights. Bronson plays Paul Kersey, a typical liberal New Yorker who struggles with his bleeding heart ideals after his family become the victims of a violent crime.
Frustrated by the police's inability to solve the crime, Kersey considers taking matters into his own hands. After much soul searching he begins taking to the streets and hunting criminals.
Soon punks start turning up dead. The press glorifies the killings. The public considers the vigilante a hero. The police search in vain for the killer. And Kersey slowly begins to enjoy his new mantle of dispenser of justice.
It all ends somewhat predictably albeit satisfactorily.
Kersey's transformation from arch-liberal to gun-toting Vigilante is classic. This is unquestionably Bronson's finest on screen hour.