Top detective Lou Torrey is transferred to Los Angeles and uncovers a plot by a Sicilian mafioso to use Vietnam veterans to murder all his enemies in a rerun of the "Sicilian Vespers" when ... See full summary »
Canada 1931: The unsociable trapper Johnson lives for himself in the ice-cold mountains near the Yukon river. During a visit in the town he witnesses a dog-fight. He interrupts the game and... See full summary »
Peter R. Hunt
Wifes and children of the Mormon Orville Beecham become victims of a massacre in his own house. The police believes the crime had a religious motive. Orville doesn't give any comment on the... See full summary »
J. Lee Thompson
Trish Van Devere,
After Pardon Chato, a mestizo, kills a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more prey than hunters, ... See full summary »
Open-minded architect Paul Kersey returns to New York City from vacationing with his wife, feeling on top of the world. At the office, his cynical coworker gives him the welcome-back with a warning on the rising crime rate. But Paul, a bleeding-heart liberal, thinks of crime as being caused by poverty. However his coworker's ranting proves to be more than true when Paul's wife is killed and his daughter is raped in his own apartment. The police have no reliable leads and his overly sensitive son-in-law only exacerbates Paul's feeling of hopelessness. He is now facing the reality that the police can't be everywhere at once. Out of sympathy his boss gives him an assignment in sunny Arizona where Paul gets a taste of the Old West ideals. He returns to New York with a compromised view on muggers... Written by
In the scene where Ames Jainchill (Stuart Margolin) and Paul Kersey (Charles Bronson) are at the gun club, Ames hands Paul a blackpowder pistol stating it is an '1842'. Ames is totally incorrect. Paul takes it and lifts the gun to shoot it down range, it is clearly a Remington model 1858 blackpowder pistol based on the Fordyce Beals patent of September 14, 1858 (Patent 21,748), produced by Remington Arms from 1862-1875. See more »
Nothing to do but cut and run, huh? What else? What about the old American social custom of self-defense? If the police don't defense us, maybe we ought to do it ourselves.
We're not pioneers anymore, Dad.
What are we, Jack?
What do you mean?
I mean, if we're not pioneers, what have we become? What do you call people who, when they're faced with a condition or fear, do nothing about it, they just run and hide?
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Actresses Olympia Dukakis ('Cop at the Precinct') and Marcia Jean Kurtz as Marcia Jean-Kurtz ('Woman at Airport') get credited in opening credits only. There's no mention of them in the closing credits. See more »
I guess by now you could call this movie a "classic." It would meet most definitions. It was so popular that it spawned a number of sequels, but they just got dumb and dumber. This is one of the most famous "revenge" movies ever made and still stands up today.
This was a very, very simple story and it panders to our base instincts which is probably why it was so successful. Most people want justice, and they want it now....which is what this movie preaches. At the time, the movie was shocking. If it came out today, it wouldn't have nearly the impact. However, the early scene of the mother and daughter raped and killed is still horrifying. That will never change.
The story then slows down as we see the transformation of the husband, from conscientious objector to vigilante. When Charles Bronson hits the streets, the film picks up big-time. The movie also ends on a very satisfying note.
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