IMDb > Celine and Julie Go Boating (1974)
Céline et Julie vont en bateau - Phantom Ladies Over Paris
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Celine and Julie Go Boating (1974) More at IMDbPro »Céline et Julie vont en bateau - Phantom Ladies Over Paris (original title)

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Overview

User Rating:
7.7/10   1,912 votes »
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Up 18% in popularity this week. See why on IMDbPro.
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View company contact information for Celine and Julie Go Boating on IMDbPro.
Release Date:
September 1974 (France) See more »
Genre:
Plot:
A mysteriously linked pair of young women find their daily lives pre-empted by a strange boudoir melodrama... See more » | Add synopsis »
Awards:
1 win See more »
NewsDesk:
(8 articles)
This week's new film events
 (From The Guardian - Film News. 17 June 2011, 4:06 PM, PDT)

Obituary: Marie-France Pisier, 1944-2011
 (From Disc Dish. 28 April 2011, 7:56 AM, PDT)

Around a Small Mountain
 (From GreenCine. 15 March 2011, 10:41 AM, PDT)

User Reviews:
A Magic Candy Moment! See more (32 total) »

Cast

  (in credits order) (verified as complete)
Juliet Berto ... Celine
Dominique Labourier ... Julie
Bulle Ogier ... Camille

Marie-France Pisier ... Sophie

Barbet Schroeder ... Olivier
Nathalie Asnar ... Madlyn
Marie-Thérèse Saussure ... Poupie
Philippe Clévenot ... Guilou
Anne Zamire ... Lil
Jean Douchet ... M'sieur Dede
Adèle Taffetas ... Alice
Monique Clément ... Myrtille
Jérôme Richard ... Julien
Michael Graham ... Boris
Jean-Marie Sénia ... Cyrille
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Directed by
Jacques Rivette 
 
Writing credits
(in alphabetical order)
Juliet Berto 
Eduardo de Gregorio 
Dominique Labourier 
Bulle Ogier 
Marie-France Pisier 
Jacques Rivette 

Produced by
Barbet Schroeder .... producer
 
Original Music by
Jean-Marie Sénia 
 
Cinematography by
Jacques Renard 
 
Film Editing by
Nicole Lubtchansky 
 
Costume Design by
Jean-Luc Berne 
Pierre D'Alby 
Laurent Vicci 
 
Makeup Department
Ronaldo Abreu .... makeup artist
 
Second Unit Director or Assistant Director
Luc Béraud .... assistant director
Pascal Lemaitre .... assistant director
 
Sound Department
Paul Lainé .... sound
Elvire Lerner .... sound mixer
Gilbert Pereira .... sound assistant
 
Camera and Electrical Department
Michel Cénet .... assistant camera
 
Editorial Department
Cristiana Tullio-Altan .... assistant editor
 
Other crew
Jose Cotel .... bags and accessories
Irina Lhomme .... script girl
 
Crew believed to be complete


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Additional Details

Also Known As:
"Céline et Julie vont en bateau - Phantom Ladies Over Paris" - France (original title)
See more »
Runtime:
193 min
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
UK:12A (re-rating) (2005) | UK:15 (video rating) | UK:AA (original rating) | USA:Unrated

Did You Know?

Trivia:
It is a misconception that most of the film was improvised by the actors. Jacques Rivette provided structure but did not let his actors "go wild", instead he let them write. A single scene was improvised, where Celine, played by Julie Berto, brags to her associates about her rich American friend. The rest of the scenes where shot from scripted material, mostly thanks to participating actors. The film is collaboration by several authors, including actors Berto, Labourier, Ogier and Pisier. Rivette's involvement in the writing was to give structure to all the contributions, tightening things up.See more »
Quotes:
Olivier:There is a homosexual pancreas in the closet.See more »
Movie Connections:
References Steamboat Bill, Jr. (1928)See more »

FAQ

This FAQ is empty. Add the first question.
49 out of 60 people found the following review useful.
A Magic Candy Moment!, 14 July 1999
Author: Damion Matthews (damionmatthews@yahoo.com) from San Francisco

Last year, at a crisis time of imminent homelessness, I went to the video store with the idea of renting some banal new release to distract me from my troubles. Waiting in line holding a video starring Tom Hanks (or was it Kevin Costner? Maybe it was Julia Roberts. Such a blur is Hollywood today) something in the foreign section an aisle down caught my eye. It was the video for Jacques Rivette's 1974 masterpiece, Celine and Julie Go Boating.

Immediately upon seeing the cover image of Juliet Berto (Celine) posed as a magician, her Dietrich hauteur kinky and comical, I knew it would be my kind of film. I was also pleased to see it was such a long film it had to be contained in a two-video set. It had long been my suspicion that all secrets of life would be revealed in a film over three hours long and in French.

Indeed, Celine and Julie is just that film. But it conceals as it reveals, which is to say that its great mysteriousness results from its floribundance of revelation. Yes, my friend, a floribundance! I never even thought of such a word until seeing Celine and Julie.

Critics have been unable to explain what it's "about". I cannot. I can't explain the plays of Shakespeare or the poems of Emily Dickinson, but I am moved by them. Attempts to understand them can lead to intense mental spasmodics, but the pain, if the work is good, can be great.

Those who've seen the film will remember the hard magic candy the women savored on their own path to understanding. Vision giving, the candy became an addiction to them. Once is never enough and hasn't been for me. I have seen Celine and Julie three times and thought of it many more.

My favorite scene is where Celine performs her weird magic act in a nightclub where, as far as I can tell, the customers are all convicted poets. The atmosphere there is fascinating. Time stops while she does her act, which is beyond words, indescribable. The whole feeling in that scene of a kind of super sophisticated moment of comedy and sex and mystery all shared by a group of people in silence is one that I find marvelously inspiring. Surely some clever entrepreneur in San Francisco, where I reside, could open such a club. Oh, I suppose it won't happen, but at least one can dream.

Really, it's the importance, power and pleasure-pain of dreaming that this film reawakended me to when I saw it months ago. To be like Celine and Julie with their minds moved by candy is a state I aspire to daily.

When I was briefly without a place to live, I thought of this film and was taken to a sunny day in Montmarte, a house where the living and unliving mingle, a library where stalkers and smokers meet. I savored that magic, the effect of great art on the mind, and I knew I was not truly homeless.

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