| Photos (See all 20 | slideshow) |
| Gene Hackman | ... | Harry Caul | |
| John Cazale | ... | Stan | |
| Allen Garfield | ... | Bernie Moran | |
| Frederic Forrest | ... | Mark | |
| Cindy Williams | ... | Ann | |
| Michael Higgins | ... | Paul | |
| Elizabeth MacRae | ... | Meredith (as Elizabeth Mac Rae) | |
| Teri Garr | ... | Amy | |
| Harrison Ford | ... | Martin Stett | |
| Mark Wheeler | ... | Receptionist | |
| Robert Shields | ... | The Mime | |
| Phoebe Alexander | ... | Lurleen | |
| rest of cast listed alphabetically: | |||
| Ramon Bieri | ... | Man at Party (uncredited) | |
| Gian-Carlo Coppola | ... | Boy in Church (uncredited) | |
| Robert Duvall | ... | The Director (uncredited) | |
| Richard Hackman | ... | Confessional Priest / Security Guard (uncredited) | |
| George Meyer | ... | Salesman (uncredited) | |
| Al Nalbandian | ... | Salesman at Surveilance Convention (uncredited) | |
| Billy Dee Williams | ... | Man in Yellow Hat (uncredited) | |
Directed by | |||
| Francis Ford Coppola | |||
Writing credits | ||
| Francis Ford Coppola | (written by) | |
Produced by | |||
| Francis Ford Coppola | .... | producer | |
| Fred Roos | .... | co-producer | |
| Mona Skager | .... | associate producer | |
Original Music by | |||
| David Shire | (music) | ||
Cinematography by | |||
| Bill Butler | (director of photography) (uncredited) | ||
| Haskell Wexler | (director of photography) (uncredited) | ||
Film Editing by | |||
| Richard Chew | |||
Casting by | |||
| Jennifer Shull | |||
Production Design by | |||
| Dean Tavoularis | |||
Set Decoration by | |||
| Doug von Koss | (set decoration) (as Doug Van Koss) | ||
Costume Design by | |||
| Aggie Guerard Rodgers | (costumer) | ||
Production Management | |||
| Clark L. Paylow | .... | production manager (as Clark Paylow) | |
Second Unit Director or Assistant Director | |||
| Charles Myers | .... | assistant director (as Chuck Myers) | |
| Paul J. Crossey | .... | dga trainee (uncredited) | |
Art Department | |||
| Ted Moehnke | .... | property master | |
Sound Department | |||
| Nathan Boxer | .... | production recordist (as Nat Boxer) | |
| Michael Evje | .... | production recordist (as Mike Evje) | |
| Walter Murch | .... | sound montage | |
| Walter Murch | .... | sound re-recordist | |
| Art Rochester | .... | production recordist | |
| Howard Beals | .... | sound effects editor (uncredited) | |
| Walter Murch | .... | sound editor (uncredited) | |
Stunts | |||
| Buddy Joe Hooker | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Joe Dunnigan | .... | gaffer | |
| Doug Finn | .... | gaffer | |
| Ralph Gerling | .... | camera operator | |
| James Glennon | .... | assistant cameraman (as Jim Glennon) | |
| Keith Mason | .... | key grip | |
| Robert Edesa | .... | assistant camera (uncredited) | |
| Brian Hamill | .... | still photographer: special assignment (uncredited) | |
Editorial Department | |||
| Walter Murch | .... | supervising editor | |
| Julie Zale | .... | assistant editor | |
| Donald Freeman | .... | final colorist (uncredited) | |
Music Department | |||
| Justin Gordon | .... | musician: saxophone for Gene Hackman (uncredited) | |
Other crew | |||
| Jim Bloom | .... | administrative assistant | |
| Randy Carter | .... | administrative assistant | |
| Wayne Fitzgerald | .... | title | |
| Nancy Hopton | .... | script supervisor (as Nancy Tonery) | |
| Mona Houghton | .... | administrative assistant | |
| Leo Jones | .... | technical advisor | |
| Hal Lipset | .... | technical advisor | |
| Pat Smith | .... | production secretary | |
| Alex Tavoularis | .... | location coordinator | |
| Lawrence Bridges | .... | production assistant (uncredited) | |
| Martin Kaiser | .... | technical advisor (uncredited) | |
| Joe Roth | .... | production assistant (uncredited) | |
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| Blow Out | The Departed | Breach | The Lives of Others | The Professional: Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
'The Conversation' sadly doesn't get mentioned as much as Coppola's other (more flamboyant) seventies movies ('The Godfather' parts one and two, 'Apocalypse Now'), even though it as good as, if not better than the aforementioned. In fact if someone argued that this was his greatest achievement as a director, I would be hard pressed to disagree.
'The Conversation' bears many similarities to Antonioni's 'Blowup', another superb movie that requires multiple viewings to really appreciate. Both movies are very much of their time, and therefore 'The Conversation' is fuelled by the keywords of the decade it was made in - paranoia and deceit. The other main difference between the two movies it that 'The Conversation' is not only a head trip but also a taut and suspenseful thriller. Post Simpson/Bruckheimer audiences may not have the attention spans to appreciate it, but that is their failing, not this movie's.
Gene Hackman gives one of the finest performances of his career here as the complex and troubled surveillance expert Harry Caul, one that is possibly rivaled only by his too little seen gem 'Scarecrow'. And the supporting cast is first rate, and includes the late John Cazale, a favourite of Coppola's, Harrison Ford, Frederick Forrest, Cindy Williams, Teri Garr, and (an uncredited) Robert Duvall. Last but not least a superb turn from the underrated Allen Garfield, an actor who has appeared in many odd movies, from 'Get To Know Your Rabbit' to 'Destiny Turns On The Radio'. He is dynamite here, in a role originally intended for the legendary Timothy Carey, as a pushy rival bugging expert.
'The Conversation' is hypnotic, multi-layered and haunting. See it whatever you do.