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The Conversation (1974)

A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that a couple he is spying on will be murdered.
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Nominated for 3 Oscars. Another 14 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Bernie Moran
...
...
Ann
Michael Higgins ...
Paul
...
Meredith (as Elizabeth Mac Rae)
...
Amy
...
...
Receptionist
Robert Shields ...
The Mime
Phoebe Alexander ...
Lurleen
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Storyline

Harry Caul is a devout Catholic and a lover of jazz music who plays his saxophone while listening to his jazz records. He is a San Francisco-based electronic surveillance expert who owns and operates his own small surveillance business. He is renowned within the profession as being the best, one who designs and constructs his own surveillance equipment. He is an intensely private and solitary man in both his personal and professional life, which especially irks Stan, his business associate who often feels shut out of what is happening with their work. This privacy, which includes not letting anyone into his apartment and always telephoning his clients from pay phones is, in part, intended to control what happens around him. His and Stan's latest job (a difficult one) is to record the private discussion of a young couple meeting in crowded and noisy Union Square. The arrangement with his client, known only to him as "the director", is to provide the audio recording of the discussion ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Harry Caul will go anywhere to bug a private conversation. See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

June 1974 (France)  »

Also Known As:

La conversación  »

Filming Locations:

 »

Box Office

Budget:

$1,600,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (restored version)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The blue Mercedes limousine that Cindy Williams is sitting in near the end of the film was won by Francis Ford Coppola on a bet with Paramount Pictures. Coppola had complained about the station wagon he shared with five other passengers during the filming of The Godfather (1972) and studio execs told him if Godfather grossed a certain amount they would spring for a new car. After Godfather was a huge hit, Coppola and George Lucas went to a dealer and picked out the Mercedes, telling the salesman to bill Paramount. See more »

Goofs

When Caul (escorted by Martin Stett) boards the elevator following a meeting with The Director, Caul holds the door open in order to complete an exchange (with Stett). Yet in the last shot of that sequence, it's Stett who's holding the door. See more »

Quotes

[first lines]
Passerby: Well, I want to go over to my place and start, you know, getting it on...
Ann: Oh, that's terrible.
Mark: Yeah. Do you ever, uh... ballet?
Ann: Be thankful. Do you have a quarter for them?
Mark: Yes, I do.
Ann: [gives it to street band]
Ann: What about me?
Mark: You'll see.
Ann: A lot of fun you are. You're supposed to tease me, give hints, make me guess, you know.
See more »

Connections

Spoofed in Me and Earl and the Dying Girl (2015) See more »

Soundtracks

I Remember You
(1941)
Music by Victor Schertzinger
Lyrics by Johnny Mercer
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of the 1970s best!
12 March 2002 | by (Perth, Australia) – See all my reviews

'The Conversation' sadly doesn't get mentioned as much as Coppola's other (more flamboyant) seventies movies ('The Godfather' parts one and two, 'Apocalypse Now'), even though it as good as, if not better than the aforementioned. In fact if someone argued that this was his greatest achievement as a director, I would be hard pressed to disagree.

'The Conversation' bears many similarities to Antonioni's 'Blowup', another superb movie that requires multiple viewings to really appreciate. Both movies are very much of their time, and therefore 'The Conversation' is fuelled by the keywords of the decade it was made in - paranoia and deceit. The other main difference between the two movies it that 'The Conversation' is not only a head trip but also a taut and suspenseful thriller. Post Simpson/Bruckheimer audiences may not have the attention spans to appreciate it, but that is their failing, not this movie's.

Gene Hackman gives one of the finest performances of his career here as the complex and troubled surveillance expert Harry Caul, one that is possibly rivaled only by his too little seen gem 'Scarecrow'. And the supporting cast is first rate, and includes the late John Cazale, a favourite of Coppola's, Harrison Ford, Frederick Forrest, Cindy Williams, Teri Garr, and (an uncredited) Robert Duvall. Last but not least a superb turn from the underrated Allen Garfield, an actor who has appeared in many odd movies, from 'Get To Know Your Rabbit' to 'Destiny Turns On The Radio'. He is dynamite here, in a role originally intended for the legendary Timothy Carey, as a pushy rival bugging expert.

'The Conversation' is hypnotic, multi-layered and haunting. See it whatever you do.


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I KNOW where the tap is! Can't believe nobody figured this out! BartSamson
Worst murder plot ever. drdeaton_2000-1
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where the tap really is yrag-3
Harrison Ford's performance brontlanders
Blood welling out of the toilet... jeffreyholmes
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