White Pat Conroy was born and raised in Beaufort, South Carolina. In March, 1969 under the Beaufort School District, he starts a job teaching at a small poor school located on Daufuskie ... See full summary »
The son of a powerful Mafia don comes home from his army service in Vietnam and wants to lead his own life, but family tradition, intrigues and powerplays involving his older brother ... See full summary »
Experience the American Journey through our country's visual heritage in this historical recording provided by the National Archives of the United States.A film released by the U.S. ... See full summary »
Yugoslav partisans grimly crop the hair of a village quintet of women believed to have consorted with the occupational Nazis. Four, for various reasons, have indeed - and their seducer is a... See full summary »
After mobsters murder her husband, Rose Bianco works long hours making artificial flowers, to support herself and her son. Some suspect that Rose's demand for a lavish lifestyle pushed her ... See full summary »
Peter Mark Richman
Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage ... See full summary »
After serving a prison term for killing his wife, a man is paroled and returns to his home town. He tries to re-establish his relationship with his now-grown son, who was a child when the ... See full summary »
Herbert B. Leonard
White Pat Conroy was born and raised in Beaufort, South Carolina. In March, 1969 under the Beaufort School District, he starts a job teaching at a small poor school located on Daufuskie Island, an island in a South Carolina river delta, the island accessible only by boat. The island is inhabited exclusively by blacks. He quickly learns that his students, who have never left the island, lack not only a basic understanding of academic items such as the alphabet and simple arithmetic, but also of other basic necessities of life such as personal hygiene. They can't even pronounce his name, they who call him Conrack. The teachers before him, including the school principal Mrs. Scott, have always treated the students as being slow and basically unteachable of academics. Conrack, a free thinking man, decides to expose his students not only to the academic subjects, but also to the gamut of life skills from brushing one's teeth to human anatomy, and some of the fun things in life like ... Written by
In a 2007 interview on the Dennis Miller Radio Show, Jon Voight recalled a reunion that was held 20 years after the release of the movie, with all of the available actors. Of the 21 actors who portrayed students, at the time of the reunion, 3 were teachers. See more »
Gang, we're going to learn all these records. We're gonna look like geniuses when we know all these songs. Visitors are going to come here, expecting nothing but stupidity and poverty - I'm going to switch on this record player - you're going to look those people right in the eye, and exclaim: "Are you perchance... familiar with the works of Rimsky-Korsakov?" We'll knock their behinds off... Now here we got something very sweet
[begins playing record]
... Brahms' Lullaby. You don't need any ...
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Pat Conroy must be an interesting guy. It's easy to be progressive in, say, Milwaukee. (In fact, you had BETTER be.) But he evidently grew up in the South, military family, attended the Citadel, and then finally found his head different from most of the others in his community. Social friction in the South is nothing to mess with. No, sir. He's writing good novels and letters to the editor. I admire him tremendously. The movie reminds me of a lesson in an introductory philosophy class, about the fallacy of arguing by analogy. Time is like a river, you see, and you can travel back in time because you can paddle upstream in a river. Conrack gives us a little trip into the past, when things were even worse than they are now. The African-American kids he's teaching don't know what country they live in, or the name of the ocean lapping at the shores of their little island. (Perhaps now overgrown with expensive condos.) He paints himself as an inspiring teacher. He can't help it. He was callow, and anyway autobiographies don't have much choice -- they're either hagiographic or honest, and in the second case the author always comes out looking like a Schmuck. Anyhow, in the end he admits failure, though through no fault of his own. John Voight, known for his involvement in sociopolitical issues, is the perfect choice for Conroy's surrogate, and Martin Ritt perhaps the best possible director, given his having lived in the South and coped with it, though his hand slips from time to time and we get black kids answering Conrack's questions in plainsong. The musical score sucks, so when the kids are out on a Halloween spree we have music that belongs in Robin Hood. The photography is good. The film hit a nerve. I was subbing as a teacher in elementary school in the South at one point. My wife at the time was a professor at UNC, Wilmington, and told me matter of factly how she was having lunch with her colleagues and some guy's daughter met him in the cafeteria and told him so enthusiastically about the new substitute teacher they had that day, and it was only after several minutes of conversation that she realized the girl was talking about me. I can't remember many moments in my life when I felt more pleased. Nothing is as exalting as seeing somebody's face light up when they learn something new and extraordinary. I've seen it in kindergarten kids and in Marines at Camp Lejeune, people wincing with pleasure at the dawning of a new realization. As Mel Brooks might say, "It's good to be da teacher." Conrack gets that idea across most effectively.
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