7.3/10
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Cockfighter (1974)

R | | Drama | August 1974 (USA)
Southern action drama film about cockfighting.

Director:

Writers:

(novel), (screenplay)
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Cast

Cast overview, first billed only:
...
Frank Mansfield
Richard B. Shull ...
Omar Baradansky
...
Jack Burke
...
Tom Peeples
...
Dody White Burke
...
Randall Mansfield
Warren Finnerty ...
Sanders
...
Buford
...
Mary Elizabeth
...
Frances Mansfield
...
Junior
Tom Spratley ...
Mister Peeples
Charles Willeford ...
Ed Middleton
Pete Munro ...
Packard
Kermit Echols ...
Fred Reed
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Storyline

Frank Mansfield has wanted to win the Cockfighter of the Year medal for ages. Frank never speaks. After shooting his mouth off one too many times then losing a champion rooster in a casual hotel room cockfight, he swore never to speak again until he's won that award... He makes a bet with old crony Jack to be settled at the upcoming meet. Frank puts his car and his trailer on the line; he loses. Jack gets the trailer, and Frank's part-time girlfriend who goes with it. Frank's long-time girlfriend Mary Elizabeth wants him to get serious and settle down. But Frank has to raise some money for a new cock - $500 - then he can form a partnership with fellow cocksman Omar Baradansky and make another try for that medal... Written by David Woodfield

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

R | See all certifications »
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Details

Official Sites:

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Language:

Release Date:

August 1974 (USA)  »

Also Known As:

Born to Kill  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Despite generally positive critical reception, this film was, according to Roger Corman, the only New World Pictures release to lose money. See more »

Connections

Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 8 (2002) See more »

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User Reviews

Existential Modern Western
5 October 2004 | by (Los Angeles, CA) – See all my reviews

"Cockfighter" is one of a number of collaborations between Monte Hellman and Warren Oates, with a brilliant, austere script written by Charles Willeford (also author of the book) and equally simple yet elegant cinematography by Nestor Alemendros, D.P. of Malick's "Badlands" and "Days of Heaven".

This film really captures an emerging respect and relationship between Hellman and Oates, who barely utters a word through the whole film. Like "The Shooting", "Ride in the Whirlwind" and "Two-lane Blacktop", Hellman turns to Oates for a unique and character-driven performance.

It's qualities envoke a very specific 60s and 70s motif of existentialism, a rambling from place to place and between relationships. Oates' stoicism really carries the feel of the film, with very honest performances from supporting actors Harry Dean Stanton, Richard B. Shull and Laurie Bird.

While not wanting to ruin the plot, it must be stated that the "sport" of cockfighting, while playing a part in the plot and cinematography, is really the backdrop of the story. Oates' Frank Mansfield is the true subject of the film, who, from the beginning, is a broken man on a mission, willing to keep going against the odds for his small piece of redemption. His path is very idiosyncratic, yet empathy for his positions and desires is universal.

From the cover and other reviews, it may seem that "Cockfighter" is an adventure film, rife with shock value and violence. While there are distinctly beautiful and poignant images of cockfighting (animal lovers beware), it's pace and personality are more like that of an "art film". In an effort to market the film by famed "shock" producer Roger Corman, posters and alternate titles ("Born to Kill") depict a film for a mass, Middle-American audience ready to see blood drawn.

As a huge fan of Hellman and Oates, especially Cockfighter, my opinion is that the marketing of the film and it's outer "cover" (literally and figuratively) were designed to get it seen at any cost.

This is Independent Film before it had a name, when it was simply at any cost and by any means. "Cockfighter" is a film full of philosophy, humility and respect, underrated if one ever was.


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