Cockfighter (1974)

Director:

Monte Hellman

Writers:

Charles Willeford (novel)
Charles Willeford (screenplay)

Release Date:

August 1974 (USA)

Genre:

Drama

Tagline:

He came into town with his cock in hand, and what he did with it was illegal in 49 states.

Plot:

Southern action drama film about cockfighting.

Plot Keywords:

Medal | Champion | Money | Cockfighting | Rooster

Cast

Warren Oates	...	Frank Mansfield
Richard B. Shull	...	Omar Baradansky
Harry Dean Stanton	...	Jack Burke
Ed Begley Jr.	...	Tom Peeples
Laurie Bird	...	Dody White Burke
Troy Donahue	...	Randall Mansfield
Warren Finnerty	...	Sanders
Robert Earl Jones	...	Buford
Patricia Pearcy	...	Mary Elizabeth
Millie Perkins	...	Frances Mansfield
Steve Railsback	...	Junior
Tom Spratley	...	Mister Peeples
Charles Willeford	...	Ed Middleton
Pete Munro	...	Packard
Kermit Echols	...	Fred Reed

Also Known As:

Born to Kill
Gamblin' Man
Wild Drifter

Runtime:

83 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Certification:

Australia:M | Norway:16 | Spain:18 | UK:(Banned) | USA:R

Filming Locations:

Juliette, Georgia, USA

Company:

Artists Entertainment Complex

Trivia:

The film has never been released in the UK and was recently banned from public showing at the 2006 Edinburgh Film Festival following intervention by the Scottish Society for the Prevention of Cruelty to Animals (SSPCA). According to the BBFC the movie would never receive a UK certificate as the film contravened the Cinematograph Films (Animals) Act 1937 because the cockfighting scenes were organized for the purpose of filming.

Movie Connections:

Referenced in Final Exam (1981)

Existential Modern Western

"Cockfighter" is one of a number of collaborations between Monte Hellman and Warren Oates, with a brilliant, austere script written by Charles Willeford (also author of the book) and equally simple yet elegant cinematography by Nestor Alemendros, D.P. of Malick's "Badlands" and "Days of Heaven".

This film really captures an emerging respect and relationship between Hellman and Oates, who barely utters a word through the whole film. Like "The Shooting", "Ride in the Whirlwind" and "Two-lane Blacktop", Hellman turns to Oates for a unique and character-driven performance.

It's qualities envoke a very specific 60s and 70s motif of existentialism, a rambling from place to place and between relationships. Oates' stoicism really carries the feel of the film, with very honest performances from supporting actors Harry Dean Stanton, Richard B. Shull and Laurie Bird.

While not wanting to ruin the plot, it must be stated that the "sport" of cockfighting, while playing a part in the plot and cinematography, is really the backdrop of the story. Oates' Frank Mansfield is the true subject of the film, who, from the beginning, is a broken man on a mission, willing to keep going against the odds for his small piece of redemption. His path is very idiosyncratic, yet empathy for his positions and desires is universal.

From the cover and other reviews, it may seem that "Cockfighter" is an adventure film, rife with shock value and violence. While there are distinctly beautiful and poignant images of cockfighting (animal lovers beware), it's pace and personality are more like that of an "art film". In an effort to market the film by famed "shock" producer Roger Corman, posters and alternate titles ("Born to Kill") depict a film for a mass, Middle-American audience ready to see blood drawn.

As a huge fan of Hellman and Oates, especially Cockfighter, my opinion is that the marketing of the film and it's outer "cover" (literally and figuratively) were designed to get it seen at any cost.

This is Independent Film before it had a name, when it was simply at any cost and by any means. "Cockfighter" is a film full of philosophy, humility and respect, underrated if one ever was.