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The Clones (1973)

PG  |   |  Action, Sci-Fi  |  August 1973 (USA)
4.7
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Ratings: 4.7/10 from 82 users  
Reviews: 11 user | 7 critic

A scientist discovers a plot to clone other scientists so the government can control the weather.

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(screenplay), (original story), 1 more credit »
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Title: The Clones (1973)

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Cast

Cast overview, first billed only:
Michael Greene ...
Dr. Gerald Appleby
...
Nemo
Otis Young ...
Sawyer
Susan Hunt ...
Penny
...
Carl Swafford
Alex Nicol ...
Secretary of HEW
...
Brooks Brothers Hippie (as John Barrymore Jr.)
Barbara Bergdorf ...
Janet (as Barbara Burgdorf)
Raynold Gideon ...
Fred Kalif (as Ray Gideon)
...
Sheriff
Noble 'Kid' Chissell ...
Laboratory Guard
Angelo Rossitto ...
Man at Phone Booth (as Angelo Rossito)
...
Dr. Bradigan
Sandy Horowitz ...
Pilot
Dave Atkins ...
Truck Driver
Edit

Storyline

A nuclear scientist is "cloned" by foreign agents, struggles against terrifying odds to prove he is himself and not the clone. Producers note that the word Clones was rarely, if ever heard in the American vocabulary before this picture was released Written by Rajnish Sinha <raj@directorsnet.com>

Plot Summary | Add Synopsis

Taglines:

They sabotaged his nuclear lab. They took his wife...They tried to kill him...Then they cloned him. See more »

Genres:

Action | Sci-Fi

Certificate:

PG | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

August 1973 (USA)  »

Also Known As:

Dead Man Running  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Connections

Featured in 42nd Street Forever, Volume 2: The Deuce (2006) See more »

Soundtracks

Glory Bus
Written by Allen D. Allen (uncredited)
vocal by Pattie Brooks
See more »

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User Reviews

 
Flawed But Fascinating Low-Budget Sci-Fi
3 April 2010 | by (United States) – See all my reviews

The Clones is more than worthwhile for those who admire ambitious shoestring budget film-making. Principal among its charms is its eerie stylistic inventiveness, with disorienting tracking shots, upside-down fish-eye camera-work, offbeat locations, and weird effects on the soundtrack, ensuring that an oppressive 70s paranoia takes hold of the viewer.

The script is hit-and-miss, sometimes dumb, and the story weakens when the clone conspiracy is revealed to be only a part of a much, much broader sci-fi intrigue. The aforementioned strengths more than compensate for any failings, however. The Clones is a film that will be best appreciated by those who enjoy old, modestly budgeted but atmospheric speculative movies like Seconds, It's Alive, or The Terminal Man.


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