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Street Law (1974)
"Il cittadino si ribella" (original title)

 -  Action | Thriller  -  February 1976 (USA)
7.1
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Ratings: 7.1/10 from 572 users  
Reviews: 18 user | 32 critic

Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young ... See full summary »

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Cast

Complete credited cast:
...
Antonelli
Giancarlo Prete ...
Tommy
...
Barbara
Renzo Palmer ...
Inspector
Nazzareno Zamperla ...
Beard
Massimo Vanni ...
Unibrow
Romano Puppo ...
Boss
Renata Zamengo ...
Cavallo
Franco Borelli ...
Borelli
Mauro Vestri ...
Barman
Luigi Antonio Guerra ...
Rubei
Adriana Facchetti ...
Gianni's Friend
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Storyline

Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young robber who takes his side. Written by Salvatore Santangelo <pappagone2@libero.it>

Plot Summary | Add Synopsis

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When there's no where else to turn. See more »

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Action | Thriller

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Release Date:

February 1976 (USA)  »

Also Known As:

Street Law  »

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 »

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(Technospes)

Aspect Ratio:

1.85 : 1
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Trivia

During the scene at the dry dock, the Achille Lauro can be seen in the background. The Achille Lauro was hijacked by the Palestine Liberation Front in 1985. See more »

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User Reviews

 
not the best Euro-crime, but lots of fun
5 August 2004 | by (Los Angeles, CA) – See all my reviews

The best part of this film is definitely the scene where a filthy and beaten-up Franco Nero has to outrun a '66 Mustang in a junkyard, complete with a really good long lens slow motion shot of Nero running toward the camera with a car right behind him.

The plot details Nero's quest to bring three bank robbers (Romano Puppo, Nazzareno Zamperla, and Massimo Vanni) who took him hostage and beat him up to justice. To do this, he blackmails a local street thug (Giancarlo Prete in a good role) and forces him to show him around the underworld and eventually find them to exact vigilante justice on them. What sets this mundane tale apart are the frequent changes-of-alliance and doublecrosses, as the action sequences are relatively weak (considering it's a Castellari movie). STREET LAW is not really that violent either when compared with most other Italian crime films. (Compare Romano Puppo's final scene here with a similar scene in Lucio Fulci's CONTRABAND.)

Guido and Maurizio De Angelis's score is certainly similar to their work for the many Bud Spencer / Terence Hill films (though not under their usual Oliver Onions pseudonym), but to me sounds a lot better. While the songs are weird and use seemingly every possible instrument and sound in the book, the "Good Bye My Friend" song is a great song even though the lyrics in most of it make no sense. The same can be said of "Driving All Around". Nero once again plays the same character he plays in every movie, but his character is not totally developed (though that may have been hurt severely by the confusing re-editing of the US version that I saw) and his relationship with his girlfriend Barbara Bach is barely touched on. While the plot is simple, it often becomes uninteresting, and certainly doesn't have the more epic feeling of Castellari/Nero's previous film High Crime. Castellari's next film (the goofy but surreal CRY ONION) tried to capitalize off this one, with Nero once again up against the same trio of thugs along with another over-the-top De Angelis score, though any similarity with this film ends there.

Watch for an amusing cameo by charismatic American actor Mickey Knox (who made a career as a dubbing voice in many Italian movies and Japanese Anime cartoons) as a gangster who runs a gaming parlor.

Not a great film, but colorful and different enough to make it entertaining to most casual viewers.


6 of 7 people found this review helpful.  Was this review helpful to you?

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