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Hollywood would have to freeze over before the Catholic Church agreed to canonize the drinking, gambling, cussing old coot Bill Murray plays in Theodore Melfi’s sweet-and-sour first feature, “St. Vincent.” Even so, this refreshingly unorthodox tragicomedy mounts a pretty convincing case that sometimes role models arrive in disguise — as they do here for the pic’s preteen hero. , though Melfi’s instinct to find and accentuate the memorable character’s redeeming qualities steers this Oct. 10 Weinstein Co. release from “Bad Babysitter” realm into more solidly commercial heart-tugging territory.
Who but Murray could have played Vincent, a drunken curmudgeon who somehow manages to seem all the more lovable with each poor life decision he makes? Vincent lives alone, except for his grumpy-looking Persian cat Felix, and tolerates the company of precious few, apart from pregnant Russian stripper Daka (Naomi Watts) and a mysterious older woman named Sandy (Donna Mitchell) whom »
- Peter Debruge
Following in the footsteps of Jean-Paul Belmondo, Faye Dunaway will open France’s 6th Lumiere- Grand Lyon Festival, attending for an opening evening gala screening of Arthur Penn’s 1967 modern classic “Bonnie and Clyde,” where she stars with Warren Beatty and Gene Hackman.
Taking place Oct. 13, the opening gala will take place at Lyon’s massive Halle Tony Garnier, with a restored Warner Bros. copy of “Bonnie and Clyde,” and much of the crème of the French film industry and around 5,000 spectators in attendance.
In a brief statement Wednesday, Dunaway said she was very touched by the invitation to a festival for film-lovers. Run by the Lumiere Institute’s Bertrand Tavernier and Thierry Fremaux, the Lumiere Festival, which only screens restorations, revivals and re-issues, noted Dunaway’s “immense contribution” to the emergence of U.S. independent cinema in the 1960s and ‘70s, citing a swathe of titles that Dunaway went »
- John Hopewell
Variety was inside Hollywood’s Emmy afterparties as TV’s finest celebrated their golden night with plenty of champagne, dancing and trophy gazing.
Here’s our party timeline:
8:12 p.m. With its impressive haul of Emmy loot — including a best comedy win for “Modern Family” — the mood is festive and upbeat at Fox’s Emmy night fete at Vibiana, where the spread includes roasted fingerling potatoes and field green salad.
8:34 p.m. And Espresso cheesecake donuts!
See Also: More Photos from the Emmy After Parties
- Variety Staff
The release of Sin City: A Dame To Kill For inspires James to look back at its film noir roots, and some classic examples of the genre...
We're at the shadowy back-end of the summer blockbuster season and darkness is entering the frame. Here comes ultraviolence, sleaze, crime and death, all beautifully shot in macabre high-contrast monochrome. Just when you thought you'd got yourself clean and were all peppy after some upbeat family-friendly popcorn thrills, here's Sin City: A Dame To Kill For to darken up the doorways. (And it will light up a cigarette in those doorways and spit out some tough dialogue from between its bloodstained teeth while it's lingering there.)
We're back in the Basin City of Frank Miller's graphic novels again, once more brought to vivid screen life by the comics creator »
Blu-ray & DVD Release Date: Nov. 11, 2014
Price: DVD $29.95, Blu-ray $39.95
Dreamlike and gritty by turns, the two films would prove their maker’s adeptness at brilliantly deconstructing genre. As shot back-to-back for famed producer Roger Corman (The Wild Angels), they feature overlapping casts and crews, including Jack Nicholson (Chinatown) in two of his meatiest early roles.
The Shooting, about a motley assortment of loners following a mysterious wanted man through a desolate frontier; and Ride in the Whirlwind, about a group of cowhands pursued by vigilantes for crimes they did not commit, are rigorous, artful, and wholly unconventional journeys into the American West.
Criterion’s double-feature DVD and Blu-ray editions of the films include the following »
Roman Polanski has cancelled his visit to the Locarno Film Festival following opposition from some local politicians and media.
”Dear Friends, I am sorry to inform you that having considered the extent to which my planned appearance at the Locarno Festival provokes tensions and controversies among those opposed to my visit, even as I respect their opinions, it is with a heavy heart that I must cancel my visit.
“I am deeply saddened to disappoint you. Roman Polanski”
The festival called the move a “setback” and lamented the “unacceptable interference” from those who vocally criticised Polanski’s attendance at the Swiss festival.
The 80 year-old Polish auteur and Oscar winner - who lives between Paris and Swiss town Gstaad - was previously arrested and held under house arrest in Switzerland in 2009 while »
- firstname.lastname@example.org (Andreas Wiseman)
Everyone loves a good one-liner. Arnold Schwarzenegger in particular has practically built a career around that famous 'I'll be back' moment.
But plenty of others deserve some of the limelight for classic phrases. Below are some of our favourites, but can you guess the movie?
Some are harder than others, but we like it that way. Just click the phrase to reveal the answer!
1. "Shooot her... shooooot her."
Click to reveal
It's Jurassic Park!
2. "Remember, Sully, when I promised to kill you last, I lied."
Click to reveal
If you guessed Arnie in Commando, you guessed correct!
3. "Red light. Green light."
Click to reveal
4. "Get busy living, or get busy dying."
Click to reveal
It's the greatest film ever made (according to IMDb's top 250 chart) - The Shawshank Redemption.
5. "I'm sorry Dave, I'm afraid I can't do that."
Click to »
Based on the Tony Award-winning play by David Ives, Roman Polanski's Venus in Fur (2013) is a playful, highly intelligent and multi-layered examination of passion, perversion and the battle of the sexes from the acclaimed French director (Chinatown, The Pianist). To celebrate the home entertainment release of Polanski's latest offering this coming Monday (28 July), we have Three DVD copies of the challenging and witty Venus in Fur to give away to our cultured returning readers, courtesy of the team at independent and world cinema distributors Artificial Eye. This is an exclusive competition for our Facebook and Twitter fans, so if you haven't already, 'Like' us at facebook.com/CineVueUK or follow us @CineVue before answering the question below.
- CineVue UK
“I was born in 1974 so I was able to be influenced by the birth of the blockbuster, and then the birth of renting movies,” states Shane Weisfeld who watched the classics of the 1970s on VHS tapes. “I first saw The Exorcist  when I was in Grade 10 and that had a strong, lasting impression on me, and to this day remains my favourite film. In my last year of high school I did a project on The Karate Kid , where I first learned about the script-to-screen process and the collaboration involved in making a film. The screenwriter of The Karate Kid [Robert Mark Kamen] went on to write films like Lethal Weapon 3 , The Transporter , Taken  and Colombiana ; he is a great writer, and longevity is a precious thing in this crazy business, as »
- Trevor Hogg
Director Roman Polanski to hold a public masterclass at Swiss festival.
Oscar-winning director Roman Polanski, accompanied by his wife and actress Emmanuelle Seigner, is to be a guest of honour at the 67th Locarno Film Festival (Aug 6-16), where he will give a public talk about film.
As well as the masterclass with young filmmakers of the Locarno Summer Academy and public on Aug 15, Polanski will receive a special award from the festival.
He will also introduce a screening of Venus in Fur alongside actress Seigner on Aug 14 on the Piazza Grande.
The director, actor, producer and screenwriter is best known for features includes Repulsion (1965), Rosemary’s Baby (1968), Chinatown (1974) and The Pianist (2002), for which he won the Oscar for best director.
Locarno artistic director Carlo Chatrian said: “Roman Polanski’s films have been a regular feature of my trajectory as a filmgoer - making me laugh, shiver, think, and be emotionally moved.
“It has been »
- email@example.com (Michael Rosser)
Rome – Roman Polanski will be among guests of honor at the upcoming Locarno Film Festival where he will hold a master class and introduce a screening of his “Venus in Fur,” with star Emmanuelle Seigner, who is his wife, also on hand.
Polanski’s playful adaptation of the erotic classic will screen on the Swiss fest’s outdoor Piazza Grande venue on August 14. The next day Polanski will receive a prize and hold a class for students of the Locarno Summer Academy also open to regular festgoers.
“I am sure that the chance to meet a filmmaker so averse to any form of dogmatism will mark one the most powerful events of our recent editions,” said Locarno artistic director Carlo Chatrian in a statement.
- Nick Vivarelli
According to The Nerdiot, these 80 films will be removed from Netflix at 11:59 tonight. If you’re suddenly having a panic attack about all the great cinema you’re missing, don’t worry. Just take a deep breath, make an excuse to leave work, and embark on a summer Netflix marathon.
Come for the pump-up music and montages, stay for the pre-u.S.A.-Belgium infusion of patriotism, as Sylvester Stallone trains to face off against a heavyweight champ in John G. Avildsen’s 1976 boxing film. We won’t judge if you slip off into the sequels. …Actually, that depends on the sequel. »
- Jackson McHenry
This is another edition of Short Starts, where we present a weekly short film(s) from the start of a filmmaker or actor’s career. Today marks both the U.S. theatrical release of Venus and Fur and the 40th anniversary of the U.S. theatrical release of Chinatown. So, let’s just consider it Roman Polanski day. In honor of the occasion, we should just skip his latest (see our review for why) and hold off on watching his 1974 classic for the billionth time. How many of you have seen his early short films? They’re available in proper form on Criterion’s two-disc DVD set for Polanski’s first feature, Knife in the Water, and they can also be found on YouTube. For the latter, there are no English subtitles, but that only matters for one or two that have very minimal dialogue. For the most part, they’re all really “silent” films. Nine »
- Christopher Campbell
Tomorrow, more than a year after its Cannes Competition premiere, Roman Polanski's "Venus in Fur" finally opens in Us theaters. It's the 20th narrative feature of a career that now spans six decades, so a list themed around the Oscar-winning director's work seemed in order. Given that "Venus in Fur" -- Polanski's third film, after "Death and the Maiden" and "Carnage," to replicate the scale and pace of an intimate stage production -- is based so explicitly around notions of performance, and the push-pull relationship between actor and director, a selection of his most successful actorly collaborations seemed the obvious way to go. Like so many auteurs celebrated for their own idiosyncratic style, Polanski's facility with actors isn't discussed as frequently as his formal abilities and preoccupations, yet he's always had the knack for drawing surprising work out of established stars and newcomers alike -- often casting actors intriguingly out of their element, »
- Guy Lodge
I still remember the first time I ever saw a two-dollar bill. It was in a wallet, on a TV screen in the living room of my childhood home. The wallet belonged to a dead woman called Ida Sessions, and it was Jack Nicholson who was riffling through it: Social Security Card; Screen Actors Guild Membership; two-dollar bill. I was maybe 12 or 13 and had never even set foot in America, but like anyone in the English-speaking world who watched way too many movies, I felt I knew the country like the back of my hand. Certainly its currency, which seemed more like real money than the colorful, monopoly notes we used, so often had I seen it brimming out of briefcases, left contemptuously on nightstands or fluttering down like green confetti after an explosion. But I had never seen a two-dollar bill, so that, of all things, was the detail »
- Jessica Kiang
Few directors have had a greater impact on modern horror or arthouse thrillers than Roman Polanski. His films range from the sprawl of "Chinatown" to the deep claustrophobia of "Repulsion," but almost all of them retain the same fractured worldview, the same darkly absurdist sense of humor, and the same focus on power plays. The controversy about Polanski's real-life crimes sometimes overshadow his films, but he remains a vital and important director in his sixth decade as a filmmaker. In anticipation of his latest, "Venus in Fur," which opens this Friday, here's a ranking of his films, from worst to best. Read More: 'Venus in Fur' Director Roman Polanski at Cannes: 'I've lived long enough to know I can direct.' 20. "What?" (1972) Indiewire's own Eric Kohn made a pretty good case for "What?" as something other than a sickening id upchuck. I wish I could do the same. Filmed in »
- Max O'Connell
The honors, which recognize their “contributions of distinction to the art of the moving image,” will be presented during AFI Conservatory’s commencement ceremonies June 11 at theTCL Chinese Theatre.
Others previously awarded an AFI Honorary Degree include Robert Altman, Maya Angelou, Kathryn Bigelow, Mel Brooks, Clint Eastwood, Roger Ebert, Nora Ephron, James Earl Jones, Jeffrey Katzenberg, Kathleen Kennedy, John Lasseter, Spike Lee, David Lynch, Helen Mirren, Thelma Schoonmaker and Haskell Wexler.
Towne won an Oscar for “Chinatown” and was nominated for “The Last Detail,” “Shampoo” and “Greystoke.” He also directed four of his own scripts – “Personal Best,” “Tequila Sunrise” “Without Limits” and “Ask the Dust” — and is currently working as a consulting producer on the final season of AMC’s “Mad Men.”
Tyson received an Oscar nomination for “Sounder” and »
- Dave McNary
Last month, we thought it would be fun to reach out to a few of our friends in the genre, in order to bring you readers an article all about our favorite horror scores. The reception and the contributions exceeded our expectations, so when it was mentioned that “you should do a sequel to that article”, naturally, the next step would be just that: Sequels. So, we asked a few more friends, as well as some of the Icons gang, to give you a few words about our favorite scores to horror sequels. Enjoy! -Jerry
Rob G. (Co-Creator, Icons Of Fright; Host, Killer Pov): Psycho III
For me, Carter Burwell’s original score for Psycho III is one of the best film soundtracks to a sequel ever. Bold words, I know! After all, considering the history of composers behind the Psycho franchise. You can’t think of Psycho without »
- Jerry Smith
As we continue on, I need to once again clarify that if this list was “Joshua Gaul’s 50 Favorite Movie Musicals,” it’d be a quite a different list. But, if my tastes determined what is definitive, I’d be asking you all to consider Aladdin as a brilliant piece of filmmaking and wax nostalgic about my love for Batteries Not Included and Flight of the Navigator (not for the musicals list, of course). Much to my dismay, my tastes are not universal. I’d like to think my research methods are.
courtesy of themoviescene.co.uk
30. Annie (1982)
Directed by John Huston
Signature Song: “Tomorrow” (http://youtu.be/Yop62wQH498)
Originally a 1924 comic strip, the beloved stage musical about a red-haired orphan girl was brought to the big screen in 1982 and directed by John Huston (yes, that John Huston – director of The Maltese Falcon and The African Queen, not to »
- Joshua Gaul
Roman Polanski revels in recounting the story of how he met his wife, actress Emmanuelle Seigner, to whom he has been married for 25 years, and who is the mother of his two children. The year was 1985, and Polanski was in pre-production on “Pirates,” the problem-plagued, big-budget adventure comedy that remains the greatest critical and commercial failure of his career. With his casting director, Dominique Besnehard, he planned to attend a Paris drag cabaret in search of a female impersonator to play a role in the film. Besnehard asked if he could bring along a young French model who had recently filmed a small part in Jean-Luc Godard’s “Detective” but claimed to have no interest in an acting career. Polanski instantly replied, “Bring her.” The model turned out to be Seigner.
“That was the best casting of his entire career,” Polanski says with a laugh. “It’s funny that I »
- Scott Foundas
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