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While July 28th may be a light day in terms of the amount of horror and sci-fi titles making their home entertainment debuts, we do have an interesting assortment of films and TV to look forward to. Kino Lorber has dug up two classics—The Erotic Rites of Frankenstein and Cherry 2000 (starring Melanie Griffith)—which are being released on Blu-ray this Tuesday, and Scream Factory has another underrated genre gem getting the HD treatment as well—the horror western Ghost Town.
For all you MST3K fans out there, Shout! Factory is putting out another collection of campy films that you’ll be able to add to your collections this week and Bayview Entertainment also has a double feature of cult movies from Germany—Strangler of the Tower / Monster of London—arriving on DVD.
After the death of Victor Frankenstein »
- Heather Wixson
The deserted town the Brady family got trapped in on their way to the Grand Canyon is charming compared to the one in 1988's Ghost Town. On July 28th, Scream Factory will release Ghost Town on Blu-ray, and we've been provided with three copies to give away.
Ghost Town synopsis: "A dusty ghost town, seemingly abandoned, holds the lives of its original inhabitants in an animated netherworld for 100 years…
When a modern-day sheriff's deputy is lured to a desolate, spooky ghost town in search of a missing woman, he comes face-to-face with a malevolent spirit from the town's past. The spell of death and suffering over the undead townspeople must end to set them free from eternal pain. The horrors of a possessed outlaw, in a time-suspended dimension are only the setting for a frightening battle for the mind, nerves and flesh.
- Derek Anderson
BBC Culture has this week unveiled a new list of the top 100 American films, as voted for by a pool of international film critics from across the globe. The format of the poll was that any film that would make the list had to have recieved funding from a Us source, and the directors of the films did not need to be from the USA, nor did the films voted for need to be filmed in the Us.
Critics were asked to submit their top 10 lists, which would try to find the top 100 American films that while “not necessarily the most important, but the greatest on an emotional level”. The list, as you may have guessed, is very different to the lists curated by say the BFI or AFI over the years, so there are certainly a few surprises on here, with Steve McQueen’s 12 Years A Slave (2013), Terrence Malick »
- Scott J. Davis
First off, let's make one thing clear. We're not scratching our heads at Spike Lee's "Do The Right Thing" making the BBC's 100 greatest American films. That movie, of which an image accompanies this post, not only made the list, but ranked appropriately at no. 25. It's the rest of the selections that have us scratching and, yes, shaking our heads in disbelief. A wonderful page view driver, these sorts of lists make great fodder for passionate movie fans no matter what their age or part of the world they hail from. There is nothing more entertaining than watching two critics from opposite ends of the globe try to debate whether "The Dark Knight" should have been nominated for best picture or make a list like this. Even in this age of short form content where Vines, Shapchats and Instagram videos have captured viewers attention, movies will continue to inspire because »
- Gregory Ellwood
Leave it to the Brits to compile a list of the best American films of all-time. BBC Culture has published a list of what it calls "The 100 Greatest American Films", as selected by 62 international film critics in order to "get a global perspective on American film." As BBC Culture notes, the critics polled represent a combination of broadcasters, book authors and reviewers at various newspapers and magazines across the world. As for what makes an American filmc "Any movie that received funding from a U.S. source," BBC Culture's publication states, which is to say the terminology was quite loose, but the list contains a majority of the staples you'd expect to see. Citizen Kane -- what elsec -- comes in at #1, and in typical fashion The Godfather follows at #2. Vertigo, which in 2012 topped Sight & Sound's list of the greatest films of all-time, comes in at #3 on BBC Culture's list. »
- Jordan Benesh
Every now and then a major publication or news organisation comes up with a top fifty or one hundred films of all time list - a list which always stirs up debate, discussion and often interesting arguments about the justifications of the list's inclusions, ordering and notable exclusions.
Today it's the turn of BBC Culture who consulted sixty-two international film critics including print reviews, bloggers, broadcasters and film academics to come up with what they consider the one-hundred greatest American films of all time. To qualify, the film had to be made by a U.S. studio or mostly funded by American money.
Usually when a list of this type is done it is by institutes or publications within the United States asking American critics their favourites. This time it's non-American critics born outside the culture what they think are the best representations of that culture. Specifically they were asked »
- Garth Franklin
I interviewed James Coburn in late 1998 for the cover story of the February 1999 issue of Venice Magazine. I had grown up watching Coburn on the late show, but also seeing him on the big screen, first-run. Meeting him was a thrill as he entered the living room of his manager, the late Hilly Elkins', home in Beverly Hills. Coburn was elegant, charming and had the grace of a cat. The only thing that revealed the health problems that had nearly done him in were his gnarled hands, the result of severe arthritis. We spoke about his role in Paul Schrader's newest film, "Affliction," which would earn him a Best Supporting Actor Academy Award. Later, as I walked Coburn to his Acura Nsx sport coupe, he bid me a warm farewell.
Several months later, I encountered him again at The Independent Spirit Awards, in Santa Monica. I went up »
- The Hollywood Interview.com
Hey, Toronto! The Twitch-curated Kurt Russell retrospective Russellmania: The Legend Of Kurt Russell continues Saturday with a screening of Chinatown scribe Robert Towne's directorial effort Tequila Sunrise!After breaking into the mainstream with Overboard Russell became a sought-after commodity for A-list projects, and his growing star power was proven when he was cast alongside Mel Gibson and Michelle Pfeiffer in this intricate neo-noir thriller. Russell plays Nick Frescia, a slick L.A. cop whose oldest and best bud Dale "Mac" McKussic (Mel Gibson) just happens to be a big-time drug dealer attempting to go straight. The two pals are set on a collision course when one of Mac's old confederates puts pressure on him to broker a major narcotics shipment, and things get even more complicated when...
[Read the whole post on twitchfilm.com...]
Robert Evans: The Kid Is Alright
I interviewed legendary Hollywood producer Robert Evans in 2002 for Venice Magazine, in conjunction with the release of the documentary "The Kid Stays in the Picture," adapted from his iconic autobiography and audiobook. Our chat took place at Woodland, Evans' storied estate in Beverly Hills, in his equally famous screening room, which mysteriously burned down a couple years later. Evans was still physically frail, having recently survived a series of strokes, but his mind, his wit and his charm were sharp as ever, with near total recall for people, places and stories. Many, many stories. Here are a few of them.
It’s a widely-held belief that the years 1967-76 represent the “golden age” of American cinema. Just look at a few of these titles: Rosemary’s Baby, »
- The Hollywood Interview.com
No matter what variety of cinephile you might be, it’s pretty damn hard to settle on a favorite Jack Nicholson performance from his golden run in the late '60s to the early '70s. Some swear by his crazed, magnificent turn as mental patient Randall P. McMurphy in “One Flew Over the Cuckoo’s Next,” while others may be partial to his reefer-mad, conspiracy-spouting lawyer in the seminal outlaw flick “Easy Rider.” My personal pick would have to be Nicholson’s pitch-perfect turn as private dick Jake Gittes in Roman Polanski’s immortal “Chinatown,” but there’s no denying the power and magnetism that he exhibited in “Five Easy Pieces,” the 1970 film for which Nicholson was deservedly nominated for his first Oscar (he lost, but ended up taking one home five years later for his stellar work in 'Cuckoo’s Next'). Bob Rafelson’s drama, about a hard-living »
- Nicholas Laskin
Every now and again a movie trailer comes along that is all kinds of wrong for the movie it is trying to promote. This is a list of some of the worst head scratchers.
Just because a movie is good doesn’t necessarily mean that its trailer is as well. Many times the filmmakers responsible for the film itself don’t have much input (if any) into the trailer. When that happens, the trailer can end up misinterpreting the intent of the film. At other times, the trailer may try too hard to get audiences interested in the film, going so far as to show all the best parts from the film. This includes giving away the twists or the ending, such that people who may have watched the trailer before seeing the film already know how it ends. This is a look at some of the worst offenders, those »
- firstname.lastname@example.org (G.S. Perno)
“Nantucket has been a creative refuge for decades,” multihyphenate Ben Stiller says. “The festival has coalesced the film-writing community and celebrated individuality — in a way that is part of being on the island: independent, isolated (so as to) foster risk-taking.”
A Nantucket Film Festival board member, Stiller often attends the fest, which turns 20 this year. He regularly hosts a lively, Sro All-Star Comedy Roundtable that has welcomed Mike Myers, Seth Meyers, Bill Hader, Chris Rock, Sarah Silverman and Brian Williams, among others.
The event will kick off June 24 with A24’s David Foster Wallace drama “The End of the Tour,” starring Jason Segel and Jesse Eisenberg. Documentary “The Best of Enemies” about the televised debates between William F. Buckley Jr. and Gore Vidal during the 1968 presidential election, »
- Thelma Adams
Let’s just face it: Scream Factory’s insane amount of releases aren’t about to slow down anytime soon, and well, I think I speak for most horror fans when I say that that’s something to celebrate. Not only are they continually putting out great Bluray releases of older and almost forgotten titles like their Tentacles/Reptilicus, but the Collector’s Editions like the recently announced People Under The Stairs and I, Madman releases are definitely ones to celebrate.
In case you fright fanatics haven’t been paying attention or just haven’t gotten around to checking out some of the oncoming onslaught of titles, here are a few that are quite exciting for us at Icons of Fright. Read on!
It’s angry. It’s hungry. It’s extremely well-armed and it’s descending on a small seaside town to sample the local cuisine! »
- Jerry Smith
This summer, Scream Factory will take viewers to a ghost town that's a lot more sinister than the one the Brady family was trapped in on The Brady Bunch. Slated for a July 28th release, the western horror film Ghost Town hits Blu-ray on July 28th:
Press Release -- "The good. The bad. The Satanic. Scream Factory proudly presents the Empire Pictures classic Ghost Town on July 28, 2015 in its Blu-ray debut.
A dusty ghost town, seemingly abandoned, holds the lives of its original inhabitants in an animated netherworld for 100 years…
When a modern-day sheriff’s deputy is lured to a desolate, spooky ghost town in search of a missing woman, he comes face-to-face with a malevolent spirit from the town’s past. The spell of death and suffering over the undead townspeople must end to set them free from eternal pain. The horrors of a possessed outlaw, in a time-suspended »
- Derek Anderson
“The Good, The Bad, The Satanic.” When reading those words at the top of Ghost Town‘s VHS box as a kid, that line was all that it took for me to beg my father to let me rent it. Being the upstanding religious person he was, he said yes, and there I went, further down the Empire Pictures rabbit hole. Empire Pictures was such a huge part of my childhood (see Issues #4 and 7 of Delirium Magazine for proof of that), and writing this up right, I can’t help but to think of maybe some horror fans who didn’t get a chance to witness this Satanic cowboy tale as a kid/teenager, finally getting the chance to do so, with Scream Factory’s upcoming July 28th Bluray debut of the 1988 film.
A dusty ghost town, seemingly abandoned, holds the lives of its original inhabitants in an animated netherworld for 100 years… »
- Jerry Smith
Read More: 'Me and Earl and the Dying Girl,' 'The End of the Tour' and More Make Nantucket Film Festival Lineup The 20th Annual Nantucket Film Festival has announced Golden Globe-winning actress Robin Wright and Emmy-Award nominated "House of Cards" creator Beau Willimon will participate in an "In Their Shoes…" conversation moderated by Chris Matthews at the Nantucket High School on Sunday, June 28. Matthews will also sit down with Academy Award and Golden Globe-winning screenwriter Robert Towne ("Chinatown") on Friday, June 26 at the Dreamland Theater. The "In Their Shoes…" conversation series is presented at the festival by Final Draft. Wright will pull double duty and award Variety's Creative Impact in Television Writing Award to Willimon during the festival's Screenwriters Tribute on Saturday, June 27. Female directors Leslye Headland and Liz Garbus will be honorees at this year's event as well. Headland's raunchy romantic-comedy, »
- Kaeli Van Cott
Paul Feig will always, always, always have a special place in our heart for creating the immortal TV series Freaks & Geeks. Now, however, he's given Jason Statham his straight comedy debut in Spy, which arrives in cinemas this coming Friday.
Ahead of the film's release, he spared us some time for a chat. It didn't take long for Statham's name to crop up either...
I was watching Tom Hanks' That Thing You Do the other day, oddly enough. It's you in that, isn't it?
[Laughs] Yes! The DJ!
I finally watched the extended cut. Have you seen that version?
I've always liked the movie. And Tom Hanks, of course, directed the film, having come from an acting background like yourself. What kind of tips do you pick up from someone like him? »
It's fitting that Clint Eastwood and John Wayne both have the same birthday week. (Wayne, who died in 1979, was born May 26, 1907, while Eastwood turns 85 on May 31). After all, these two all-American actors' careers span the history of that most American of movie genres, the western.
Both iconic actors were top box office draws for decades, both seldom stretched from their familiar personas, and both played macho, conservative cowboy heroes who let their firearms do most of the talking. Each represented one of two very different strains of western, the traditional and the revisionist.
As a birthday present to Hollywood's biggest heroes of the Wild West, here are the top 57 westerns you need to see.
57. 'Meek's Cutoff' (2010)
Indie filmmaker Kelly Reichardt and her frequent leading lady, Michelle Williams, are the talents behind this sparse, docudrama about an 1845 wagon train whose Oregon Trail journey goes horribly awry. It's an intense »
- Gary Susman
This article contains a big spoiler for Chinatown.
Ah, the mighty Brad Bird. If he'd downed tools after he made the peerless The Iron Giant and never made another film again, we'd still be sending him Christmas cards every year. But then he went and made The Incredibles, Ratatouille and Mission: Impossible - Ghost Protocol as well. Gah. Now we have to send chocolates as well.
Bird's latest film, Tomorrowland, arrives in cinemas this week, and we caught up with him to find out more about it. Here's how the chat went...
If we boil down the movies that many of us grew up loving in the 1980s, there's relatable stakes at the heart of them. So, for instance, Back To The Future is at its centre someone trying to get his parents back together. »
Ever since Joe Mantell uttered the immortal words, “Forget it, Jake. It’s Chinatown” to Jack Nicholson at the end of that Roman Polanski movie in 1972, that line has been a touchstone for summing up how some situations are just too corrupt, too screwed up to comprehend, much less remedy. A variation on the line popped up in Pete Docter’s great animated film “Inside Out” at the Cannes Film Festival this weekend, and now Canadian director Denis Villeneuve has made a feature-length exploration of the drug trade, in which the entire movie pretty much says to Emily Blunt‘s character, »
- Steve Pond
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