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Chinatown
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Chinatown (1974) More at IMDbPro »

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Chinatown (1974) -- A private detective investigating an adultery case stumbles on to a scheme of murder that has something to do with water.
Chinatown (1974) -- Clip: Your husband was murdered
Chinatown (1974) -- A private detective investigating an adultery case stumbles on to a scheme of murder that has something to do with water.
Chinatown (1974) -- MattTrailer.com - Trailer (Flash)

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Overview

User Rating:
MOVIEmeter: ?
Up 315% in popularity this week. See why on IMDbPro.
Director:
Writer:
Robert Towne (written by)
(more)
Contact:
View company contact information for Chinatown on IMDbPro.
Release Date:
20 June 1974 (USA) more
Genre:
Plot:
A private detective investigating an adultery case stumbles on to a scheme of murder that has something to do with water. full summary | full synopsis
Awards:
Won Oscar. Another 18 wins & 22 nominations more
NewsDesk:
(131 articles)
User Comments:
Marvelous more (330 total)

Cast

  (in credits order) (verified as complete)

Jack Nicholson ... J.J. Gittes

Faye Dunaway ... Evelyn Mulwray

John Huston ... Noah Cross
Perry Lopez ... Escobar
John Hillerman ... Yelburton
Darrell Zwerling ... Hollis Mulwray

Diane Ladd ... Ida Sessions
Roy Jenson ... Mulvihill

Roman Polanski ... Man with Knife
Richard Bakalyan ... Loach (as Dick Bakalyan)
Joe Mantell ... Walsh

Bruce Glover ... Duffy
Nandu Hinds ... Sophie
James O'Rear ... Lawyer

James Hong ... Evelyn's Butler
Beulah Quo ... Maid
Jerry Fujikawa ... Gardener
Belinda Palmer ... Katherine
Roy Roberts ... Mayor Bagby
Noble Willingham ... Councilman
Elliott Montgomery ... Councilman
Rance Howard ... Irate Farmer
George Justin ... Barber
C.O. Erickson ... Customer (as Doc Erickson)
Fritzi Burr ... Mulwray's Secretary
Charles Knapp ... Mortician
Claudio Martínez ... Boy on Horseback
Federico Roberto ... Cross' Butler

Allan Warnick ... Clerk
John Holland ... Farmer in the Valley

Jesse Vint ... Farmer in the Valley
Jim Burk ... Farmer in the Valley (as Jim Burke)
Denny Arnold ... Farmer in the Valley

Burt Young ... Curly
Elizabeth Harding ... Curly's Wife
John Rogers ... Mr. Palmer
Cecil Elliott ... Emma Dill
Paul Jenkins ... Policeman

Lee de Broux ... Policeman (as Lee DeBroux)
Bob Golden ... Policeman
rest of cast listed alphabetically:
Richard Warren ... Driver (uncredited)
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Directed by
Roman Polanski 
 
Writing credits
Robert Towne (written by)

Roman Polanski  uncredited

Produced by
C.O. Erickson .... associate producer
Robert Evans .... producer
 
Original Music by
Jerry Goldsmith 
 
Cinematography by
John A. Alonzo 
 
Film Editing by
Sam O'Steen 
 
Casting by
Jane Feinberg 
Mike Fenton 
 
Production Design by
Richard Sylbert 
 
Art Direction by
W. Stewart Campbell 
 
Set Decoration by
Ruby R. Levitt  (as Ruby Levitt)
 
Costume Design by
Anthea Sylbert 
 
Makeup Department
Hank Edds .... makeup artist
Susan Germaine .... hair stylist
Lee Harman .... makeup artist
Vivienne Walker .... hair stylist
 
Production Management
C.O. Erickson .... unit production manager
 
Second Unit Director or Assistant Director
Michael Ader .... second assistant director
Hawk Koch .... assistant director (as Howard W. Koch Jr.)
Lee Rafner .... second assistant director (uncredited)
 
Art Department
Bill MacSems .... property master
Gabe Resh .... set designer
Robert Resh .... set designer
L. David Gordon .... draper (uncredited)
Mike Reedy .... property maker (uncredited)
 
Sound Department
Clint Althouse .... boom operator (as Clint Althaus)
Bob Cornett .... sound editor
Charles Grenzbach .... sound re-recordist
Larry Jost .... sound mixer
Howard Beals .... sound editor (uncredited)
David Dockendorf .... sound re-recording mixer (uncredited)
Roger Sword .... sound editor (uncredited)
John Wilkinson .... sound re-recording mixer (uncredited)
 
Special Effects by
Logan Frazee .... special effects
 
Stunts
Jim Burk .... stunts
Steven Burnett .... stunts (uncredited)
Alan Gibbs .... stunts (uncredited)
Hal Needham .... stunt coordinator (uncredited)
 
Camera and Electrical Department
Hugh K. Gagnier .... camera operator
Earl Gilbert .... gaffer
Bernie Schwartz .... key grip
 
Costume and Wardrobe Department
Richard Bruno .... wardrobe
Jean Merrick .... wardrobe
 
Editorial Department
Florence Williamson .... assistant editor
 
Music Department
John C. Hammell .... music editor
Arthur Morton .... orchestrator (uncredited)
Uan Rasey .... musician: trumpet solo (uncredited)
 
Other crew
May Wale Brown .... script supervisor
Gary Chazan .... assistant to producer
Wayne Fitzgerald .... title designer
Lee Sollenberger .... animal trainer (uncredited)
 
Crew verified as complete


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Additional Details

Runtime:
131 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:

Fun Stuff

Trivia:
This was the first film of a planned trilogy about corruption in the development of Los Angeles. It was set in the 1930s and was about the water department. The second film, The Two Jakes (1990), was set in the 1940s and was about the gas company. The third film of the trilogy was about the building of the massive freeway system and was to be called "Cloverleaf", named after the famous interchange in downtown L.A., but it was never filmed. However, certain elements (like the building of a massive freeway by a corporation called called "Cloverleaf") were eventually incorporated into Who Framed Roger Rabbit (1988), which took a fantasy/comedic view of this material but also functioned as a detective story. more
Goofs:
Crew or equipment visible: Reflected in the glass behind Gittes while he signs the contract with Mrs. Mulwray. more
Quotes:
[first lines]
Jake Gittes: All right, Curly. Enough's enough. You can't eat the Venetian blinds. I just had them installed on Wednesday.
more
Soundtrack:
I Can't Get Started more

FAQ

How much sex, violence, and profanity are in this movie?
What is the meaning of "Chinatown" and the last line of the movie?
A Note Regarding Spoilers
more
115 out of 165 people found the following comment useful.
Marvelous, 30 January 2002
10/10
Author: Robert J. Maxwell (rmax304823@yahoo.com) from Deming, New Mexico

There is a word, impossible to spell, that describes the alignment of solar bodies like the planets when they all fall into place together. A similar word would describe this film. Everything about it is right. Polanski never directed a better movie. The performers, down to the lowest atmosphere person, are superb. The editing, the score, the sound, the decor, the dialog, all are just about flawless. The photography is peerless. The white garden apartments, the terra cotta roof tiles, the palms and desert sand are all painted with a faint gold, faintly ripe with false promise, like the oranges that bounce from Gittes' desperately speeding car in the northwest Valley.

Polanski deserves much of the credit. When Gittes surprises Evelyn Mulwray in her car, after he follows her to her daughter's house, her face slumps forward and beeps the horn briefly. Then, so faintly, we hear a few dogs bark in the background. Not only is the scene itself exquisitely done but it prefigures the ending, as does Gittes' remark earlier to Evelyn that she has a flaw in her iris. The movie is too good to deserve much dissecting. It stands repeated watching. If there is anything wrong with it, it is the serious and tragic ending that Polanski always insists on tacking on. Robert Towne was right and Polanski wrong in this case. Everything came together on this film. It's not only the best detective movie ever made; it's one of the best movies ever made -- period. A marvelous job by everyone concerned.

I have to add (6/27/05) that the word I mentioned in the first sentence is spelled "syzygy." Man, did I get enlightening email on that. I might as well add two other impressive features of this movie. (1) Polanksi takes his time. Example: Gittes sneaks into Hollis Mulwray's office and begins to go through the drawers of his old-fashioned wooden desk. As he slides each drawer out, Polanksi gives us a shot of their humdrum contents (checkbooks, magnifying glass, and so forth) and we can almost smell the heat and the odor of shellac and sawdust emanating from the wooden containers. The contents reveal nothing of importance in this case. But (2) sometimes irrelevant information crops up that resonates later in the film with its own echo. The detail might be just a word ("applecore") or an ordinary object (a pair of spectacles found in a pond, immediately after Gittes imitates the Japanese gardener's remark that the water is bad for the "glass.") Some of the references may be so consistent as to constitute a theme (water). None of this hits you over the head with its significance. It's all very neatly stitched together.

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Message Boards

Discuss this movie with other users on IMDb message board for Chinatown (1974)
Recent Posts (updated daily)User
Screenwriter Robert Towne on CT's 35th anniversary Alwood
Defend the scene where he arrives at (SPOILERS) nobody_nameless
John Huston is the creepiest villain ever... Linville56
FDR imagery mryan10547
Why is the screen play considered to be the best? agentmccool27
possible plothole that's been bugging me. kereyv-1
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