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Chinatown (1974)

R  |   |  Drama, Mystery, Thriller  |  20 June 1974 (USA)
8.3
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Ratings: 8.3/10 from 185,571 users   Metascore: 86/100
Reviews: 434 user | 210 critic | 10 from Metacritic.com

A private detective hired to expose an adulterer finds himself caught up in a web of deceit, corruption and murder.

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Title: Chinatown (1974)

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Top 250 #117 | Won 1 Oscar. Another 21 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Darrell Zwerling ...
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Richard Bakalyan ...
Loach (as Dick Bakalyan)
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Duffy
Nandu Hinds ...
Sophie
James O'Rear ...
Lawyer (as James O'Reare)
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Storyline

JJ 'Jake' Gittes is a private detective who seems to specialize in matrimonial cases. He is hired by Evelyn Mulwray when she suspects her husband Hollis, builder of the city's water supply system, of having an affair. Gittes does what he does best and photographs him with a young girl but in the ensuing scandal, it seems he was hired by an impersonator and not the real Mrs. Mulwray. When Mr. Mulwray is found dead, Jake is plunged into a complex web of deceit involving murder, incest and municipal corruption all related to the city's water supply. Written by garykmcd

Plot Summary | Plot Synopsis


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

| |

Release Date:

20 June 1974 (USA)  »

Also Known As:

Barrio Chino  »

Box Office

Budget:

$6,000,000 (estimated)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to Roman Polanski's autobiography, he was outraged when he got the first batch of dailies back from the lab; due to the success of The Godfather (1972), producer Robert Evans had ordered the lab to give this movie a reddish look. Polanski demanded that the film be corrected. See more »

Goofs

When Gittes takes photos from the rooftop of Mulwray and a young woman, the scene cuts away to a shot in front of Gittes, where his 35mm camera captures Mulwray embracing the woman on the terrace below. However, the image in Gittes' camera should reflect an upside down image of the couple. According to the interview with Roman Polanski on the DVD, he deliberately chose to show the couple right-side up to make it easier for the audience. He also said that "now" (in 1999) he would have shown it as upside down, as it would be in reality. See more »

Quotes

[first lines]
Jake Gittes: All right, Curly. Enough's enough. You can't eat the Venetian blinds. I just had them installed on Wednesday.
See more »

Connections

Referenced in Supernatural: The Mentalists (2011) See more »

Soundtracks

Huguette Waltz
from the operetta "The Vagabond King"
Lyrics by Brian Hooker
Music by Rudolf Friml
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A very classy, consistently engaging and dark detective story
3 January 2005 | by (United Kingdom) – See all my reviews

Jake Gittes is a former cop turned private detective. When he is contracted by a Mrs Mulwray to find out if her husband is having an affair, he takes to trailing Water Company Executive Hollis Mulwray. Mulwray appears to only have water and a dry riverbed on his mind but eventually they catch him with a young woman, although almost immediately the news gets leaked to the papers and Mulwray goes missing, only to turn up dead. At this point the real Mrs Mulwray comes to Gittes threatening to sue him for his involvement and Jake realises that he had been set up to set up the Mulwrays. He continues his investigation into the murder only to find a conspiracy involving thousands of gallons of water being wasted during a drought and the mysterious presence of Mrs Mulwray's father, Noah Cross.

As a fan of film noir and tough detective movies, I am too often put off by modern entries into the genre that try to replace atmosphere and intelligence by just having nudity and swearing; the genre managed atmosphere without these in the forties and fifties but yet modern films seem to rely on them. With Chinatown however, everything works well as a homage to the best years of the genre and, as such, is very well set in the period and is of suitable presentation even if the material and tone is darker and harder than would have been allowed years ago. This is not to say it is just a copy and paste from better films because it isn't and indeed stands out as one of the best detective noirs I have seen in ages. The plot is always going to be the most important thing and it gets it spot on throughout, doing the proper thing of starting with a simple story and continually building it more and more complex as it goes. Unlike some other "classics" of the genre, Chinatown manages to do this without ever losing the audience and I found the plot to be both rewardingly complex but yet still very easy to follow.

Needless to say, things are very dark and the script is convincingly dark and miserable, leading to an ending that is as depressing as I've seen – not so much in what actually happens but also in the wider implications for the characters that the credits prevent us from seeing. Director Polanski does a great job of putting this story in a lush setting that produces a real strong sense of period but also manages to always be showing us the darkness coming through subtly throughout the movie. Of course it helps that he also has a great cast to work with. Jack Nicholson is iconic in this role and, if I had to pick one film to act as an introduction to Nicholson then it would be this one. He is tough yet damaged, upright but seedy and he brings out his complex character well. Dunaway has less screen time but is just as impressive with a similarly dark role. Huston adds class and manages to ooze menace while also coming across as a harmless old man. The support cast are all fine but really the film belongs to these three, with Nicholson being the stand out role.

Overall this is a very classy film that has stood up very well to become a well-deserved classic. The story is complex, mysterious yet simple to follow; it is dark and seedy without relying on swearing or nudity to set the atmosphere. The direction is great, with a real atmosphere and sense of time and place that is matched by a great collection of performances delivering a great script.


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Recent Posts
One thing that really annoys me about the ending .... bzden
Question about the glasses EugeneAxe
Shooting at the back of a car with a hostage in it gstephenopolous
Robert Evans' autobiography karimmmm
Inbred kids seem to turn out fine according to this movie... miljenko
Jake's previous mess up in Chinatown eyeforbeauty
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