5.6/10
2,828
56 user 48 critic

The Cars That Ate Paris (1974)

PG | | Comedy, Horror | 11 June 1976 (USA)
The small town of Paris, Australia deliberately causes car accidents, then sells/salvages all valuables from the wrecks as a means of economy.

Director:

Writers:

(screenplay), (story) | 2 more credits »
Reviews
1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
The Mayor
...
Arthur Waldo
Kevin Miles ...
Dr. Midland
Rick Scully ...
George Waldo
Max Gillies ...
Metcalfe
Danny Adcock ...
Policeman
...
Charlie
Kevin Golsby ...
Insurance man
...
Darryl
Peter Armstrong ...
Gorman
Joe Burrow ...
Ganger
Deryck Barnes ...
Al Smedley
Edward Howell ...
Tringham
Max Phipps ...
Mulray
...
Beth
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Storyline

A small town in rural Australia (Paris) makes its living by causing car accidents and salvaging any valuables from the wrecks. Into this town come brothers Arthur and George. George is killed when the Parisians cause their car to crash, but Arthur survives and is brought into the community as an orderly at the hospital. But Paris is not problem free. Not only do the Parisians have to be careful of outsiders (such as insurance investigators), but they also have to cope with the young people of the town who are dissatisfied with the status quo. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Add Synopsis

Taglines:

They run on blood. See more »

Genres:

Comedy | Horror

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

11 June 1976 (USA)  »

Also Known As:

The Cars That Ate Paris  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The opening scenes that feature a couple driving in a car and smoking prominently displaying cigarettes were a parody of a commercial aired on Australian television at the time of the film's original release. Website 'Peterweircave' says of this: "The opening "advertisement", which many viewers seem to take as blatant product placement for Coke and Alpine cigarettes, was actually a spoof in itself. At the time it was made, movies in Australia were often preceded by ads for cigarettes and such. By putting this before the opening credits, Weir was fooling the viewers into thinking this was yet another ad." See more »

Goofs

When George pays for his petrol he uses paper money that is obviously not Australian. See more »

Quotes

Arthur Waldo: I can drive!
See more »

Connections

Referenced in Mad Max (1979) See more »

Soundtracks

Little Brown Jug
(uncredited)
Written by Joseph Winner
Played at the ball
See more »

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User Reviews

 
Style over substance - but the style is good!
10 August 2005 | by (Beverley Hills, England) – See all my reviews

Before Peter Weir went on to make 'A' class films such as The Dead Poets Society and Witness, he had a rather unsuccessful stint as a B-movie cult flick director. Despite the fact that he's become better known for his critically acclaimed films, his lesser cult films show much more imagination and are far more fun to watch. The Cars That Ate Paris works from a delicious premise. A small township in Australia named 'Paris' causes car accidents and salvages valuables from the wreckages. The town's currency is radios, clothes etc and this lucrative business is doing well for the town. When someone survives a crash, they usually end up mentally disabled, which is good for the town as it stops them from being caught by the pesky insurance investigator. This is all well and good until George and brother Arthur drive into town. George is killed in the crash, but Arthur survives it; pretty much unharmed. Nobody has ever left Paris before, which prompts the Mayor to take the young man into his family home. This is something that will go on to have massive repercussions on the township of Paris...

Peter Weir deliciously blends several elements into the plot line. On one hand, we have the incredibly surreal idea of a whole town killing people for their valuables. This blends with the whole crazy cult idea, and this in turn mixes with the idea of the things that people will do to survive. Weir has speckled the movie with loads of great imagery, such as the old women who's job it is to take the valuables from the cars stuffing clothes down their top, and the devilish cornerstone of society, the Mayor, overseeing all the horror. Despite all the film's good elements, however, Weir has failed to make the film a complete whole. It may be down to inexperience, but while he's busy creating his atmosphere; the characters have been forgotten about, and this makes it difficult to care for them, and the story beyond an aesthetic level. There is much to like about this movie, and it's definitely worth seeing for the imagery alone; but it's hard to really love it, and that stops me from giving the film a high rating. I still recommend the movie, however, as it's well worth seeing.


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