An eccentric and dogmatic inventor sells his house and takes his family to Central America to build an ice factory in the middle of the jungle. Conflicts with his family, a local preacher ... See full summary »
A young couple, living in a campus apartment complex, are repeatedly harassed by an eccentric plumber, who subjects them to a series of bizarre mind games while making unnecessary repairs to their bathroom.
A small town in rural Australia (Paris) makes its living by causing car accidents and salvaging any valuables from the wrecks. Into this town come brothers Arthur and George. George is killed when the Parisians cause their car to crash, but Arthur survives and is brought into the community as an orderly at the hospital. But Paris is not problem free. Not only do the Parisians have to be careful of outsiders (such as insurance investigators), but they also have to cope with the young people of the town who are dissatisfied with the status quo. Written by
Mark Thompson <firstname.lastname@example.org>
Though this film was produced by the brothers Hal McElroy and Jim McElroy, this picture was not actually a "McElroy & McElroy" production. That company's first feature film was the brothers' next movie, Between Wars (1974). See more »
At the end of the movie (when the people leave the village) you can see a green Austin A30 Van. The same car is crashed earlier by a car trying to jump over the Austin using a ramp. The whole front is crushed so there is no way it can be repaired. See more »
A camp horror classic and Weir's feature debut. It's smart, gross, cheeky, macabre and just great.
Don't watch it if you think low budget is the same as being 'amateurish' because it's not. And if you're not used to Australian English, well, try not to panic. Doesn't matter if you don't get every word - just go with it!
This is the kind of film you don't see much any more, perhaps a product of its era. They weren't thinking much about marketing or target demographics - these filmmakers were just having a lot of fun, experimenting and coming up with something unique. Genre crossing, challenging and freaky, it also taps into some big themes about Australian identity and paranoia.
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