| Riccardo Cucciolla | ... | Riccardo | |
| Don Backy | ... | Bisturi (Blade) (as Aldo Caponi/Riccardo Rovatti) | |
| Lea Lander | ... | Maria | |
| Maurice Poli | ... | Dottore (as Renato Cecchetto) | |
| George Eastman | ... | Trentadue (Thirtytwo) (as Luigi Montefiori/Gabriele Duma) | |
| Maria Fabbri | ... | Maria Sbravati (as Marisa Fabbri) | |
| Erika Dario | ... | Marisa | |
| Luigi Antonio Guerra | ... | Employee (as Luigi Guerra) | |
| Francesco Ferrini | ... | Gas Station Attendant | |
| Emilio Bonucci | ... | Taxi Driver | |
| Pino Manzari | ... | Toll Collector | |
| Ettore Manni | ... | Bank President | |
| rest of cast listed alphabetically: | |||
| Mario Bava | ... | Crowd extra (uncredited) | |
| Barbara Ehringer | ... | Woman behind the window (1996 prologue restoration) (voice) (uncredited) | |
| Nina Gueltzow | ... | Woman behind the window (1996 prologue restoration) (uncredited) | |
| Fabrizia Sacchi | ... | Mother (1996 prologue restoration) (uncredited) | |
Directed by | |||
| Mario Bava | |||
| Lamberto Bava | (director: new scenes) (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Cesare Frugoni | uncredited | |
| Alessandro Parenzo | screenplay | |
| Alessandro Parenzo | story | |
Original Music by | |||
| Stelvio Cipriani | |||
Cinematography by | |||
| Emilio Varriano | |||
| Mario Bava | (uncredited) | ||
Film Editing by | |||
| Carlo Reali | |||
Makeup Department | |||
| Vittorio Biseo | .... | makeup artist | |
| Marisa Marconi | .... | hair stylist | |
| Angelo Roncaioli | .... | makeup artist | |
Production Management | |||
| Lucio Orlandini | .... | production manager | |
| Ugo Valenti | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Fabrizio Bava | .... | assistant director (as Roy Bava) | |
| Lamberto Bava | .... | assistant director | |
| Mario Garriba | .... | second assistant director | |
Sound Department | |||
| Roberto Alberghini | .... | sound recordist | |
| Mario Bramonti | .... | sound recordist | |
| Giuseppe Muratori | .... | boom operator | |
Special Effects by | |||
| Sergio Chiusi | .... | special effects | |
Camera and Electrical Department | |||
| Giuseppe Alberti | .... | assistant camera | |
| Cosimo Barbera | .... | grip | |
| Giovanni Canfarelli Modica | .... | assistant camera (as Gianni Modica) | |
| Giuliana De Rossi | .... | still photographer | |
| Vittorio Monterosso | .... | grip | |
| Quinto Proietti | .... | grip | |
| Massimo Rinaldi | .... | best boy | |
| Toto Rinaldi | .... | gaffer | |
| Flaminio Tabarrini | .... | best boy | |
| Franco Tocci | .... | key grip | |
| Jurgen Haller | .... | camera operator: prologue (uncredited) | |
Costume and Wardrobe Department | |||
| Wayne A. Finkelman | .... | wardrobe (as Wayne Filnkelman) | |
| Maura Zuccherofino | .... | seamstress | |
Editorial Department | |||
| Lea Lander | .... | post-production (as Lea Krueger) | |
| Angelo Marzullo | .... | additional editor | |
Other crew | |||
| Dawne Allstrom | .... | script girl: English | |
| Antonella Ballasio | .... | continuity | |
| Cesare Caramandi | .... | production secretary | |
| Renato Cecchetto | .... | dubbing director | |
| Ivan Cerio | .... | title designer | |
| Carlo Fabris | .... | production accountant | |
| Nando Nibbi | .... | continuity | |
| Franco Panzo | .... | permits | |
| Vanda Tuzzi | .... | continuity | |
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| Hitch Hike | Freeway | The Black Widow | Retroactive | Blood in the Streets |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Italy section |
The master of Italian Horror, Mario Bava, makes a heist film that is equal parts violent, ironic and vulgar, most of which takes place in the claustrophobic atmosphere of a small car. Three robbers shot their way out of a police blockade by taking a woman hostage. They soon hijack a small automobile with a man and a sick child. Tension builds as power plays amid the crooks and escape attempts by the hostages lead to a violent conclusion which is both unexpected and ironic. Ranks with Dog Day Afternoon and Reservoir Dogs as a unique and disturbing heist film, with several scenes designed to make you squirm. A must for fans of both Bava and the genre.