LA cops Gould and Blake get in over their heads when they don't heed orders from above and go after a big crime boss. While higher ups in the police department want the cop duo to just ...
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An idealistic rookie cop joins the LAPD to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
George C. Scott,
Police officer Patty Butler, alias "Chicklet," is the live-in girlfriend of Thomas 'Stick' Henderson to gather evidence. Detective Bo Lockley is instructed to try to find her, not knowing she's also a cop.
A timid bank teller anticipates a bank robbery and steals the money himself before the crook arrives. When the sadistic crook realizes he's been fooled, he tracks down the teller and engages him in a cat-and-mouse chase for the cash.
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier,... See full summary »
LA cops Gould and Blake get in over their heads when they don't heed orders from above and go after a big crime boss. While higher ups in the police department want the cop duo to just focus on nabbing petty criminals, the team does so while still going after LA kingpin Rizzo. Various fist fights, chases, shootouts and other carnage occur as the two cops go after Rizzo's crime syndicate. Written by
Patrick Knightly <firstname.lastname@example.org>
Near the end of the movie, during the ambulance chase, there are already skid marks on the road surface at the school crossing. These appear to be from previous takes on the scene as they match the ambulance's path perfectly. See more »
I was watching a re-run of this one the other day and although I remembered I had seen it before, couldn't help noticing how fresh it still is. This one will surely ruin some fantasies as to what police work really entails, and while over thirty years old, it's quite hard-hitting action-wise,-the one shot down the corridor and staircase-chase scene into the market be testimony, but also extremely dark and complex for this genre in character-development and attention to detail - the crummy apartment scene (loved the ugly cap and crying neighbor's baby - touch), the "how do you spell Rizzo?" -writing on the toilet wall scene, the "Shezam"-scene...and so on. Also the movie score of a time where each movie had a personalized theme other than who knows who's latest MTV hit. Along with "The French Connection", "Cruising" or "To live and die in L.A", this is one of the best character-study of cops ever made by American cinema. And somehow they made it without the explosions and big budget demolition or the inter-racial partner buddy-buddy, always joking, driving Porsche, kissing the supermodel routine, but also without losing humor- the slow-dance in the fag-joint -for instance. Instead they used a little thing called talent and inspiration. Elliott Gould is in top form in this one as ever and really works well with Robert Blake.
While extremely entertaining action-wise, it also raises some fair questions, like - why do they do it? or -what to do when you know you can't change anything? it doesn't preach and remains extremely human until the end.
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