LA cops Gould and Blake get in over their heads when they don't heed orders from above and go after a big crime boss. While higher ups in the police department want the cop duo to just ... See full summary »

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Cast

Cast overview, first billed only:
...
Vice Detective Michael Keneely
...
Vice Detective Patrick Farrel
...
Carl Rizzo
...
Stephen
...
Marvin
...
Rizzo's Bouncer
Ivor Francis ...
Judge Fred R. Simpson
...
Mr. Weldman
Logan Ramsey ...
Dr. Berman
Richard X. Slattery ...
Desk Sergeant
Margo Winkler ...
Mrs. Rizzo
John Lawrence ...
Sergeant Kenefick
...
Rizzo's Connection
Cornelia Sharpe ...
Jackie Faraday
Erin O'Reilly ...
Doris
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Storyline

LA cops Gould and Blake get in over their heads when they don't heed orders from above and go after a big crime boss. While higher ups in the police department want the cop duo to just focus on nabbing petty criminals, the team does so while still going after LA kingpin Rizzo. Various fist fights, chases, shootouts and other carnage occur as the two cops go after Rizzo's crime syndicate. Written by Patrick Knightly <pjknight@polsci.umass.edu>

Plot Summary | Add Synopsis

Taglines:

...only at a movie theatre! See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

13 April 1974 (Norway)  »

Also Known As:

Manos sucias sobre la ciudad  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Ron Leibman was originally considered to play Detective Patrick Farrel. See more »

Goofs

Near the end of the movie, during the ambulance chase, there are already skid marks on the road surface at the school crossing. These appear to be from previous takes on the scene as they match the ambulance's path perfectly. See more »

Quotes

Vice Detective Michael Keneely: "Dear Mom and Dad. How are you? I am just swell. A fag ate my leg."
See more »

Connections

References Gomer Pyle: USMC (1964) See more »

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User Reviews

Shezam, man, SHE - ZAM *****
30 November 2006 | by (France) – See all my reviews

I was watching a re-run of this one the other day and although I remembered I had seen it before, couldn't help noticing how fresh it still is. This one will surely ruin some fantasies as to what police work really entails, and while over thirty years old, it's quite hard-hitting action-wise,-the one shot down the corridor and staircase-chase scene into the market be testimony, but also extremely dark and complex for this genre in character-development and attention to detail - the crummy apartment scene (loved the ugly cap and crying neighbor's baby - touch), the "how do you spell Rizzo?" -writing on the toilet wall scene, the "Shezam"-scene...and so on. Also the movie score of a time where each movie had a personalized theme other than who knows who's latest MTV hit. Along with "The French Connection", "Cruising" or "To live and die in L.A", this is one of the best character-study of cops ever made by American cinema. And somehow they made it without the explosions and big budget demolition or the inter-racial partner buddy-buddy, always joking, driving Porsche, kissing the supermodel routine, but also without losing humor- the slow-dance in the fag-joint -for instance. Instead they used a little thing called talent and inspiration. Elliott Gould is in top form in this one as ever and really works well with Robert Blake.

While extremely entertaining action-wise, it also raises some fair questions, like - why do they do it? or -what to do when you know you can't change anything? it doesn't preach and remains extremely human until the end.


9 of 12 people found this review helpful.  Was this review helpful to you?

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