In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ... See full summary »
In 1864, due to frequent Apache raids from Mexico into the US, a Union officer decides to illegally cross the border and destroy the Apache, using a mixed army of Union troops, Confederate POWs, civilian mercenaries and scouts.
A family scandal causes a wealthy and powerful Mexican rancher to make the pronouncement--'Bring me the head of Alfredo Garcia!' Two of the bounty-hunters thus dispatched encounter a local piano-player in their hunt for information. The piano-player does a little investigating on his own and finds out that his girlfriend knows of Garcia's death and last resting place. Thinking that he can make some easy money and gain financial security for he and his (now) fiancée, they set off on this goal. Of course, this quest only brings him untold misery, in the form of trademark Peckinpah violence. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Sam Peckinpah was working on The Ballad of Cable Hogue (1970) when screenwriter and long-time friend Frank Kowalski told him an idea for a film: "I got a great title: 'Bring Me the Head of...,' - and he had some other name - 'and the hook is that the guy is already dead'." Peckinpah loved it and began writing on it then and also in England while making Straw Dogs (1971). He went on to write the shooting screenplay with Gordon T. Dawson. Producer Martin Baum had formed his own independent production company, Optimus Productions, and had a deal with United Artists. Peckinpah approached him with 25 pages of the film's script. Baum read it and liked it. United Artists agreed to pay Peckinpah to write the script but he told Baum that he did not want any money for it because he owed him one. Peckinpah told Baum that if United Artists liked the script then they could pay him. See more »
At the beginning, a Pan Am 707 takes off. It lands a few seconds later with a different livery/paint scheme. The red stripe along the fuselage had changed to blue, and color appears around the base of the tail fin. See more »
You ought to be drunk in Fresno, California. This place is a palace.
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There are only three credits at the beginning of the film: The production credit, the two stars, and the story/screenplay. Everything else is at the end, and the film's title is the very last credit. See more »
BRING ME THE HEAD OF ALFREDO GARCIA is another great hard-boiled action masterpiece from Sam Peckinpah(THE WILD BUNCH). Like most of his films, this one has cult status while it ought to be hailed as the classic it is. It features generous helpings of Peckinpah's famous slow motion gun fights and has great lines like "you guys are definitely on my sh*t list!" I don't know how that sounds to you, but for me it was irresistible.
Warren Oats(BADLANDS) stars as the piano player hired to retrieve the head (of Alfredo Garcia), unaware that he'll have competition. He knows he's working for the bad guys, but doesn't care because he needs the money. He sets out with his girlfriend and things don't exactly go as planned.
The film also features a cameo by Kris Kristofferson(A STAR IS BORN) is a biker. It is one of the many great scenes in this movie. Another has Oats transporting Garcia's not-so-fresh head, talking to it as he goes.
Many think the movie is over the top or just plain bad, but they're wrong. This movie has guts and emotional intensity. There's a good amount of both action and drama, and they both work.
If you like Peckinpah, action, or movies centering on severed head, BRING ME THE HEAD OF ALFREDO GARCIA is for you!
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