A drifter comes to town where his brother is sheriff. His brother is actually a robber who broke the real sheriff's leg and left him for dead, and became sheriff in order to hide out. They ... See full summary »
Sam and George strike gold in Alaska. George sends Sam to Seattle to bring George's fiancé back to Alaska. Sam finds she is already married, and returns instead with Angel. Sam, after ... See full summary »
Stan and Ollie are charged with delivering the deed to a valuable gold mine to the daughter of a dead prospector. However they reckon without the machinations of her evil guardian Mickey ... See full summary »
Kent, the unscrupulous boss of Bottleneck has Sheriff Keogh killed when he asks one too many questions about a rigged poker game that gives Kent a stranglehold over the local cattle rangers... See full summary »
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The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar, a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor. Hedley convinces him to send the town the first Black sheriff in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople. Written by
John Vogel <email@example.com>
When Mel Brooks advertised in the show business trade papers for a "Frankie Laine-type" voice to sing the film's title song, he was hoping for a good imitator. Instead, Frankie Laine himself showed at Brooks' office two days later, ready to do the job but nobody told him the movie was a parody. See more »
Right before, and during, the singing of "Camptown Ladies", the cowboy behind Lyle and to his left (our right) is wearing a white jacket that goes from being buttoned to un-buttoned to buttoned several times. See more »
Come on, boys! The way you're lollygaggin' around here with them picks and them shovels, you'd think it was a hundert an' twenty degree. Can't be more than a hundert an' fourteen.
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Karl Lukas is credited (as Karl Lucas) in opening credits only. See more »
Whenever I look at this film I laugh so hard that somtimes tears come to my eyes. Brooks manages to do with this film what Young Frankenstien did to classic horror films. The thing that really works is all the in jokes laced throughout the film. This shows that the cast and crew were really having fun in writing and producing this film. But the main credit should go to the late Cleavon Little. He was perfect as Bart. He took the role when many thought it should have gone to Richard Pryor (who was a co-writer on the film). However, I think Pryor might have been a little too over the top for the role. Little played it more low key and not as militant as Pryor might have.
Also, this film was rated R when it was first released back in 1974. Today it probably would get either a P.G. or, at most, a P.G.-13 rating.
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