A drifter comes to town where his brother is sheriff. His brother is actually a robber who broke the real sheriff's leg and left him for dead, and became sheriff in order to hide out. They ... See full summary »
Sam and George strike gold in Alaska. George sends Sam to Seattle to bring George's fiancé back to Alaska. Sam finds she is already married, and returns instead with Angel. Sam, after ... See full summary »
Stan and Ollie are charged with delivering the deed to a valuable gold mine to the daughter of a dead prospector. However they reckon without the machinations of her evil guardian Mickey ... See full summary »
Henry Moon is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico. He finds that there is a post-Civil War law in the small town that any single ... See full summary »
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The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar, a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor. Hedley convinces him to send the town the first Black sheriff in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople. Written by
John Vogel <firstname.lastname@example.org>
Supposedly, this movie officially marks the first time the sound of farting has ever been used in a film (at least according to the film makers in the DVD Documentary). According to Mel Brooks, they came up with the idea after watching numerous old westerns where cowboys only consume black coffee and plates of beans, thus concluding that such a food combination would inevitably lead to farting. See more »
When Bart and the Waco Kid are playing chess, looking at the board, the game is not in checkmate. See more »
Come on, boys! The way you're lollygaggin' around here with them picks and them shovels, you'd think it was a hundert an' twenty degree. Can't be more than a hundert an' fourteen.
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Karl Lukas is credited (as Karl Lucas) in opening credits only. See more »
Mel Brooks made several very popular and memorable films in the '70s but I doubt any was more popular than this one. Made just several years after the morals' code had been lifted in Hollywood, it was able to provide humor in a new and shocking way. People could fart, swear, have old ladies use the n- word, men could punch horses in the face, make fun of any religion, creed, race or whatever was there to make fun of ...in other words, no holds barred when it came to trying to get a laugh. Nothing was sacred at this time in Hollywood history and few capitalized on this as well as Brooks, especially with this film.
The film doesn't have much shock value anymore but it's still fun to watch and probably always will be, thanks to the outrageous characterizations in here.
On the negative side, especially if don't know Brooks does whatever he can to get a laugh and isn't all that political, this film might be too politically-correct with its reverse racism, bias against religion and overly crude situations.
But - a big but - there are so many funny lines in here, so many funny scenes you never forget and never fail to laugh no matter how many times you see it (the campfire scene alone has made men cry in laughter for 30 years) that you can overlook about anything in here.
In summary, a true "classic" guaranteed to entertain for many more years to come.
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