The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar (Harvey Korman(R.I.P.)), a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor (Mel Brooks). Hedley convinces him to send the town the first Black sheriff (Cleavon Little(R.I.P.)) in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople. Written by
John Vogel <email@example.com>
When handing out the paddles to everyone at the table, Gov. William J. LePetomaine calls them by name as Frankie, Johnny, Patsy and Kelly. "Frankie & Johnny" was a popular song in the 1930s and Patsy Kelly was a popular comic actress at that time. See more »
Since the movie breaks the fourth wall frequently, many crew/equipment visibilities may be deliberate. See more »
Come on, boys! The way you're lollygaggin' around here with them picks and them shovels, you'd think it was a hundert an' twenty degree. Can't be more than a hundert an' fourteen.
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Karl Lukas is credited (as Karl Lucas) in opening credits only. See more »
One of the funniest movies of all time. Corny by today's standards but icon shattering in it's day. A stroke of two geniuses, Brooks and Pryor.
I can only imagine the laughter in the room when Brooks and Pryor combined their heads to create this one. A Jew making fun of Jews, a Black making fun of Blacks, two Western Americans making fun of the West, movie makers making fun of the movies. The childish fart-level humor and utter cornball gags keep you rolling of the floor unable to breathe. This movie doesn't pretend to be anything more than cornball humor, but it's the all-time best at that. Let's not pretend to be intelligent adults, let's just watch this gem and laugh our heads off like the kids we are inside. Downsides are the overuse of swear words, which were funny in the early 70's because of their shock value during those censored times, but today are just annoying and unnecessary. Another annoying scene is the sexual perversion when Hedley makes love to the statue, though it's funny that the creep gets horny over the thought of money, it creeps me out. But the strength of the movie is its originality for its day, long before the Zuckors. The jokes come so fast and so unexpectedly that you can watch this movie many times before you catch them all.
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