From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
Bill, a wealthy businessman, confronts his junkie daughter's drug-dealing boyfriend; in the ensuing argument, Bill kills him. Panic-stricken, he wanders the streets and eventually stops at ... See full summary »
John G. Avildsen
To take a briefcase from Hong Kong to Mexico City, via Los Angeles, is it necessary to call on that man - Bolt? With the number of dangerous spies and gangsters who are after that briefcase, maybe Jefferson Bolt is not enough.
David Lowell Rich
A slick, smooth-talking, womanizing young black DJ falls hard for an enigmatic woman he's just met. Things take a turn for the worse, though, when she is found dead in his apartment. It ... See full summary »
Already three trustees of the Van Traylen fund have died during the last months, looking like suicides. However after a mysterious accident of a bus with the last three trustees and 30 ... See full summary »
Fred Williamson stars as Stone, a Los Angeles-area private eye. After a movie star's funeral, the star's signature walking cane disappears. Stone discovers that the cane is somehow connected to a string of murders. Stone's investigation takes him onto a porn movie set and into a religious cult. A major subplot involves Stone's intermittent relationship with a young bisexual woman, and the tension therein. Written by
Ken Miller <firstname.lastname@example.org>
I've read a lot about how Fred Williamson was one of the primary blaxploitation stars back in the '70s. His sideburns give him an extra cool look. He also appeared in "The Inglorious Bastards" (whose title Quentin Tarantino famously borrowed) and "From Dusk Til Dawn". "Black Eye" doesn't really come across as a blaxploitation flick. It's got some of the things generally associated with the genre, but it's too low-key to authentically belong in the same category as "Shaft" and "Superfly". Maybe it's just in the wrong hands: director Jack Arnold notably directed movies like "The Incredible Shrinking Man". It's not a bad movie but I don't think it correct to call it blaxploitation.
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