Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
A dock worker becomes a prizefighter, but gets mixed up with a crooked manager. A sympathetic L.A. detective tries to set him straight, but he won't listen. His manager, who is also a drug ... See full summary »
Bruce D. Clark
A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.
Larry G. Spangler
A shipment of American weapons is stolen in the Philippines. An American named Hawkins tries to find the weapons. Hawkins ends up dead. Chicago policeman Bob Malone is called in to ... See full summary »
Rugged trail boss and reformed criminal Pike promises his honest wealthy employer Morgan that he will venture across the desert to deliver $86,000 dollars in payroll money to a ranch in ... See full summary »
A "Sixties Generation" comedy about an offbeat father-son relationship. Dad runs a Las Vegas hotel-casino and his son is a college student with a different set of moral and ethical ... See full summary »
Fearful that their star witness might be murdered, two attorneys hire a protector to bring him from Los Angeles to New York. Jesse Crowder (Fred Williamson) is a no-nonsense tough guy. He ... See full summary »
Fred Williamson stars as Stone, a Los Angeles-area private eye. After a movie star's funeral, the star's signature walking cane disappears. Stone discovers that the cane is somehow connected to a string of murders. Stone's investigation takes him onto a porn movie set and into a religious cult. A major subplot involves Stone's intermittent relationship with a young bisexual woman, and the tension therein. Written by
Ken Miller <firstname.lastname@example.org>
His significant charisma and commanding presence are about all that keep this afloat, but Fred Williamson has done far better urban action films including many of his later, vid-released fare. The big studios' Williamson films of the early-to-mid 70's rarely had the punch of their mid-level counterparts, and this is a prime example. Clumsy action, little violence, and the PG rating is nowhere near questionable. Worth a look for Hammer completists in any case.
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